Ann Doran Movies

The Jorgensons are a wealthy family spending the summer on a resort island. Ken (Richard Egan), Helen (Constance Ford) and daughter Molly (Sandra Dee) settle in to a beach house on the island where Ken was a young lifeguard twenty years ago. He rediscovers Sylvia (Dorothy McGuire), with whom he had an earlier affair before she married Bart Hunter (Arthur Kennedy). The Hunter's son Johnny (Troy Donahue) and Molly fall in love, much to the objection of her mother, a cold and cynical woman. When Ken and Sylvia start another torrid affair, the exposure of the liaison leads to the divorce of both married couples. After Johnny and Molly are stranded overnight on a beach, Molly is forced by her heartless mistrusting mother to undergo a physical examination and a pregnancy test. Tests results are negative, but more negative is the mother-daughter relationship. Ken and Sylvia get married and Molly gets pregnant. The newlyweds then compassionately guide unwed couple to marriage. ~ Dan Pavlides, All Movie Guide

Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) cover familiar ground when they climb into the front seat of Adam-12 to chase down a car thief. But they're in far less familiar surroundings when they are assigned to an experimental LAPD bicycle patrol. Doing their best to hide their discomfort, our heroes mount a pair of two-wheelers in order to round up a gang of auto-accessory thieves. ~ Hal Erickson, All Movie Guide

On December 6, 1941, a squadron of nine B-17 bombers takes off for Hickam Field, HI. The crew of the Mary Ann, including two new men, assistant radio man Private Chester (Ray Montgomery) and gunner Sergeant Joe Winocki (John Garfield), assembles for the flight, and in the first 20 minutes, the movie reveals certain things about the crew: the shadowy past of one, the mother of another, and the wife of a third; two of them are good friends with the sister of McMartin (Arthur Kennedy), the bombardier, who lives in Honolulu; the son of the senior member of the crew, Sgt. White (Harry Carey Sr.), is a pilot stationed at Clark Field in the Philippines. Then more characters make entrances: the aircraft commander Quincannon (John Ridgely); Weinberg (George Tobias), a Jewish mechanic from New York; and a man from a farm in the upper Midwest -- they all represent a broad cross-section of America as it saw itself, and the "regular guys" in the Army Air Force as it existed in 1941. The flight proceeds without incident. Winocki, an embittered, washed-out flight school candidate who accidentally killed another pilot, is about to leave the service when the weather report from Hickam Field is interrupted, and the radio man begins picking up transmissions in Japanese. The Mary Ann and the rest of the squadron fly right into the middle of the Japanese attack on Pearl Harbor unarmed and out of gas, and nearly crack up landing on an emergency field; no sooner do they make repairs than the crew comes under attack, and the plane takes off and makes for Hickam Field, which they find a flaming shambles. They fly on to the Philippines, stopping at Wake Island just long enough to meet a few members of the doomed Marine garrison, taking their company mascot, a dog, with them. At Clark Field, the Mary Ann and her crew finally go into action against the enemy, flying in alone against a Japanese invasion force; Quincannon is mortally wounded in the brief action, which leaves the plane damaged seemingly beyond repair. The remaining crew won't give up the plane, however, even when ordered to abandon and destroy her; they get the bomber off just ahead of the advancing Japanese, and survive to help bring retribution to the invading fleet and the Japanese empire. ~ Bruce Eder, All Movie Guide

Gene Hackman plays a disgruntled suburbanite who manages the Ultra-Sav, an all-night drugstore. He hates his job, hates his debts and responsibilities, and isn't overly fond of his wife (Diane Ladd) and son (Dennis Quaid). Partly as a form of protest, Hackman enters into an affair with Barbra Streisand, one of his wife's distant relatives (don't ask how she's related - it takes Hackman about thirty seconds to explain it to another character). Streisand doesn't belong in this picture at all, but she can be forgiven her acting excesses because she wasn't the first choice for the role anyway (Lisa Eichhorn dropped out just before shooting began). The best moments in All Night Long involve the steady stream of oddballs and losers who trickle into Hackman's establishment. There is also a cute Apocalypse Now parody involving a battery-operated toy helicopter. The principal attraction of All Night Long is Gene Hackman playing an endearingly recognizable modern type. ~ Hal Erickson, All Movie Guide

This week, Endora's spell transforms lookalike cousins Samantha and Serena into "two minds with but a single thought." In true Simon Says fashion, Sam begins mirroring Serena's words and actions, and vice versa. Will this confusing situation spell disaster for the ad firm of McMann and Tate -- and result in Larry firing Darrin for what must be the three-thousandth time? Written by Ed Jurist, "The Corsican Cousins" first aired on December 10, 1970. ~ Hal Erickson, All Movie Guide

It's Dorothy Lamour again, sarong and all, in the South Seas wish-dream Beyond the Blue Horizon. Lamour plays Tama, a daughter of the jungle who heads to the US to claim an inheritance. For publicity purposes, press agent Squidge (Jack Haley) tries to team Tama with his client, circus lion tamer Jakra (Richard Denning). As it turns out, Jakra is compelled to return to the South Seas with Tama to obtain positive proof that she is indeed sole heir to her family's fortune. The climax finds Jakra putting his animal-taming skills to practical use when a rogue elephant goes on a rampage. One suspects that audiences in 1942 didn't believe this one either. ~ Hal Erickson, All Movie Guide

Blind Alley, directed by Charles Vidor is a chilling psychological drama in the film-noir tradition reminiscent of the fine melodrama The Desperate Hours. Hal Wilson (Chester Morris) is an escaped killer who hides out in the home of noted psychologist Dr. Shelby (Ralph Bellamy). While Wilson's gang holds Shelby's family and servants hostage, the pipe-smoking mental doctor calmly tries to discover the reasons for Wilson's murderous proclivities. As gun moll Mary (Ann Dvorak) covers Shelby, Wilson willingly allows the doctor to psychoanalyze him, using hypnosis to trace the killer's childhood. Blind Alley works as a "film noir" complete with surrealistic dream sequences. A taut story and moody cinematography by Lucien Ballard -- with sharp direction from Vidor, and superlative acting by Morris and Bellamy -- earn this film noir entry a top spot in the genre. The film was remade scene-for-scene in 1949 as The Dark Past, with William Holden as the killer and Lee J. Cobb as the unflappable head shrinker. ~ Hal Erickson, All Movie Guide

The high batting average of 20th Century-Fox's Michael Shayne detective series remained intact with Blue, White and Perfect. Having prevented his sweetheart Merle Garland (Mary Beth Hughes) from marrying a bigamous fortune-hunter (Ivan Lebedeff), Mike Shayne (Lloyd Nolan) offers to marry the girl himself (at long last!) Merle agrees, but only if Mike gets out of the private-eye racket and takes an honest job. Shayne manages to land a job at an aircraft factory, only to discover that he's been hired to protect the company's valuable supply of industrial diamonds. When the gems are stolen during a highly suspicious break-in, Mike follows the trail of clues to a fancy dress shop managed by one Mr. Hagermann (Henry Victor). Sending his fiancee off on a wild goose chase, Mike trails Hagermann to a Honolulu-bound ocean liner, where he renews an acquaintance with former lady friend Helen Shaw (Helene Reynolds) and is introduced to overly effusive young playboy Juan Arturo O'Hara (George Reeves). Detective-movie logic dictates that at least one of these characters is inextricably linked with the elusive Hagermann-who is no mere diamond thief but a very clever German spy. All sorts of serial-like thrills await Shayne before he manages to uncover the "Mister Big" behind the stolen diamond racket (and it's a real surprise to boot!) Like most of Fox's Michael Shayne series entries, Blue White and Perfect was based not on a "Shayne" novel by Bret Halliday, but on a whodunit originally written for another fictional sleuth: In this instance, the source was a novel by Borden Chase. ~ Hal Erickson, All Movie Guide

When Sheriff Walker (Stuart Randall) of Muddy Creek is murdered, Ben and Joe Cartwright volunteer to guard prisoner Luke Harper (Joe Don Baker). Fearful of retaliation from Harper's gang, the townspeople refuse to assist Ben and Joe, going so far as to desert the town. The only remaining citizens are Walker's widow (Ann Doran), an old man (Jon Lormer) and his grandson Tommy (played by future Bonanza regular Mitch Vogel, and town trollop Casey Collins (Jean Hale). Written by Alf Harris (and, possibly, inspired by such theatrical westerns as Stagecoachand Rio Bravo), "The Real People of Muddy Creek" first aired on October 6, 1968. ~ Hal Erickson, All Movie Guide

For various reasons, the 1949 western Calamity Jane and Sam Bass has a rather poor reputation amongst film buffs. Many observers feel that stars Yvonne de Carlo and Howard Duff merely go through the motions, while others complain that the usually dependable Universal-International production values are largely absent. Recent cable-TV showings of this film have revealed that, while not in the same league as Stagecoach or Winchester 73, Calamity Jane and Sam Bass is a relatively entertaining rehash of a familiar story. Most of the film consists of Bass' rise to notoriety as a colorful outlaw. On the verge of retirement, he agrees to one last holdup, which proves his undoing. According to the film, Calamity Jane remains by Bass' side throughout his various exploits, even though she ultimately loses him to "nice" girl Katharine Egan (Dorothy Hart). ~ Hal Erickson, All Movie Guide

A troubled saddletramp with a penchant for drinking away his pain inherits a ranch from the man who may have been his father. This western follows the young rider's attempts to reform. His efforts are ultimately challenged when his old rivals come to town. ~ Sandra Brennan, All Movie Guide

In this socially conscious drama, set in 1955, three tough New York youths must learn to deal with a troubled world. ~ Sandra Brennan, All Movie Guide

Fred MacMurray is the beleagured hero of the Universal western Day of the Badman. MacMurray plays circuit judge Jim Scott, who rides into town to pass sentence on convicted killer Jake Hayes (Lee Van Cleef). Unfortunately, it doesn't look as though Hayes will stay in jail long enough for the trial: the town's sheriff (John Ericson) is an ineffectual weakling, willing to bend to the wishes of the killer's powerful father Charlie Hayes (Robert Middleton). The elder Hayes demands that his son merely be "banished" from town, and to that end he terrorizes the townsfolk into honoring his wishes. But Hayes hasn't reckoned with Judge Scott, who is not so easily bullied and cowed. The judge passes a sentence of death--and he's well equipped to mete out that punishment himself! ~ Hal Erickson, All Movie Guide