Ruth Donnelly Movies
The daughter of a New Jersey newspaper reporter/ critic/ editor, Ruth Donnelly made her first stage appearance at 17, in the chorus of the touring show The Quaker Girl. Shortly afterward, she essayed the first of hundreds of comedy roles in a theatrical piece called Margie Pepper. Her Broadway debut occurred in 1914's A Scrap of Paper, which brought her to the attention of showman George M. Cohan, who cast Ruth in choice comic-relief roles for the next five years. Her first film was 1927's Rubber Heels, but Ruth didn't pursue a Hollywood career until the Wall Street crash reduced her opportunities in "live" theatre. From 1932's Blessed Event onward, Ruth was one of Tinseltown's favorite wisecracking matrons, brightening many a sagging scene in such films as Wonder Bar (1934), Mr. Deeds Goes to Town (1936) and Mr. Smith Goes to Washington (1939). She was proudest of her performance as a lively middle-aged nun in Leo McCarey's The Bells of St. Mary's; unfortunately, most of that performance ended up on the cutting-room floor. Closing out her film career with Autumn Leaves (1956) and her stage career with The Riot Act (1963), Ruth Donnelly retired to a Manhattan residential hotel, politely but firmly refusing all offers to appear in TV commercials and soap operas. ~ Hal Erickson, All Movie Guide- 1927
Following the example of his Ziegfeld Follies cohorts Eddie Cantor and W.C. Fields, Ed Wynn tried his luck with the movies in 1927's Rubber Heels. Wynn is cast as would-be detective Amos Wart, bound and determined to retrieve the stolen crown jewels of the beautiful Princess Aline (Thelma Todd). This requires our hero to pose as a crook, enabling him to join a gang of gem thieves. The plot stumbles from one incredible incident to the next, culminating with a wild scene in which Amos, locked in a chest, goes over Niagara Falls. Paid $125,000 for his participation in Rubber Heels, Ed Wynn was so disappointed with the results that he offered to give the money back to Paramount if they'd shelve the film (They didn't, but Wynn knew whereof he spoke: Rubber Heels was a bomb, and Wynn wisely stayed away from films until 1930). ~ Hal Erickson, All Movie Guide
- Starring:
- Ed Wynn, Chester Conklin, (more)
- 1931
Adhering to a formula that would later be popularized further in Grand Hotel, Transatlantic is one of the best of the "multi-story" films of the early 1930s. As a luxurious ocean liner makes its way across the Atlantic Ocean, the audience is made privy to the travails of several of its passengers. Edmund Lowe heads the cast as Monty Greer, a suave gambler who falls in love with Judy (Lois Moran), the daughter of immigrant lens grinder Rudolph Kramer (Jean Hersholt). In trying to recover some valuable securities stolen from banker Henry Graham (John Halliday), Greer finds himself in the middle of a fierce gun battle in the ship's engine room. Meanwhile, Graham, who has been cheating on his wife Kay (Myrna Loy) with sexy dancer Sigrid Carline (Greta Nissen), is murdered by person or persons unknown. And that's only three of the plot strands in this marvelously complex shipboard thriller. In almost constant reissue well into the 1940s, Transatlantic was also very nearly transformed into a TV series in the late 1950s; though this project never flew, vestiges of the original can be detected in the popular all-star TV weekly of the 1970s, The Love Boat. Of special interest is the Oscar-winning art direction by Gordon Wiles and the cinematography of James Wong Howe, both of whom employ techniques that anticipated Orson Welles' Citizen Kane by ten years. ~ Hal Erickson, All Movie Guide
- Starring:
- Edmund Lowe, Lois Moran, (more)
- 1931
An illusionist is performing his astounding tricks when an audience member is killed by another. This mystery chronicles the attempts of the magician to find out whodunit and why. He gives his theories to a police detective who thinks the illusionist is plumb nuts. Still the investigator goes along with the magician's plot and allows him to stage a seance. During the spooky doings, the killer is revealed. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edmund Lowe, Howard Phillips, (more)
- 1931
Wicked stars Elissa Landi as Margot Rande, a basically decent woman led down the path to perdition by her bank-robber husband Tony (Theodore Von Eltz). When Tony is cornered by the police, Margot tries to protect him, shooting a policeman in the process. Sentenced to a 20-year prison term, the ladylike heroine is subjected to all manner of brutality and humiliation behind bars. Scott Burrows (Victor McLaglen), Margot's former sweetheart, hires an attorney to help reduce her sentence, but in the meantime she has given birth to a child, which is promptly snatched from her arms and put up for adoption. Upon her release, Margot desperately kidnaps her own baby, leading to further courtroom entanglements before a happy (or at least satisfactory) ending can be reached. It's positively miraculous that director Alan Dwan was able to squeeze all of Wicked into a mere 57 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Elissa Landi, Victor McLaglen, (more)
- 1932
This imitation-Lubitsch romantic comedy stars William Powell as an elegant jewel thief plying his trade in Vienna. Powell's latest victim is bored baroness Kay Francis, who is much taken by the gentleman crook's handsomeness and poise. Since Francis is casting about for a new lover and newer thrills, Powell meets her qualifications, criminal or no. But the lady's husband (Henry Kolker) is not so easily charmed, and he sets about to bring Powell to justice. Jewel Robbery was based on a play by Ladislas Fodor, previously filmed in an Austrian version. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Kay Francis, (more)
- 1932
Joan Blondell, borrowed for the occasion from Warner Bros., earned top-billing in this delightful Hollywood parable, but the real star is of course Stuart Erwin as the irrepressible grocery clerk Merton Gill. Paramount screenwriters Saul Mintz, Walter De Leon and Arthur Kober based their witty scenario on Henry Leon Wilson's 1922 novel Merton of the Movies, the 1923 Broadway play by George S. Kaufman and Marc Connelly, and the 1924 Famous Players silent version starring Glenn Hunter. By 1932, the story was indeed well-known: Aspiring to become a famous screen cowboy, small-town delivery boy Merton Gill arrives in Hollywood, bright-eyed and bushy-tailed and complete with a diploma from the National Correspondence Academy of Acting. Crashing the gates of Majestic Pictures (read: Paramount), Merton manages to fumble his one line bit in the latest Buck Benson (Dink Templeton) western and is fired on the spot. Unwilling to leave the studio, the hapless thespian survives on leftover scraps from the extra's lunch boxes until discovered by comedy starlet "Flip" Montague (Blondell), who takes pity on him and arranges a meeting with Jeff Baird (Sam Hardy), head of the slapstick comedy unit. Bestowed a new name, Whoop Ryder, Merton is starred in what he assumes to be a serious western melodrama but what in reality is yet another burlesque featuring cross-eyed low comic Ben Turpin. Although a big hit with preview audiences, a humiliated Merton is ready to return to the grocery business when "Flip" persuades him to stay by telling him that he is "darn near perfect." ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Stuart Erwin, Joan Blondell, (more)
- 1932
A sequel to the 1931 George O'Brien western Riders of the Purple Sage, The Rainbow Trail picks up where the earlier film left off -- sort of. In Riders, fugitive from justice Jim Lassiter (O'Brien) and his sweetheart Jane Withersteen (Marguerite Churchill) escaped to the "lost valley," sealing themselves off from civilization with the aid of a huge boulder. In the sequel, O'Brien assumes the role of Lassiter's nephew Shefford, who has been assigned to search for his missing uncle; thus, in effect, the actor spends the early portions of the film chasing himself. Shefford's search is interrupted by a confrontation with his uncle's old nemesis Dyer (W. L. Thorne), now a masked bandit. On a more pleasant note, our hero inaugurates a romance with the lovely Fay Larkin (Cecilia Parker, in her film debut). Unfortunately, it is necessary to be familiar with Riders of the Purple Sage to be able to follow the convoluted plotline of The Rainbow Trail (both properties, of course, were based on the works of Zane Grey). ~ Hal Erickson, All Movie Guide
- Starring:
- George O'Brien, Cecilia Parker, (more)
- 1932
Blessed Event is one of several early-1930s films inspired by the meteoric rise to fame of gossip columnist Walter Winchell--and like most such films, its title is based on a Winchell tag line. Lee Tracy plays a glib-tongued reporter who is conducting a feud with popular singer Dick Powell (making his film debut). Along the way, Tracy offends a powerful gangster, and in so doing becomes entangled with chorus girl Mary Brian. The film is at its best when parodying commercial radio of the era (notably an inane jingle for "Shapiro Shoes" warbled by Dick Powell). The original Broadway stage version of Blessed Event was written by Manuel Seff and Forrest Wilson--and reportedly inspired by the career of Ruby Keeler, who rose to stardom thanks in part to the patronage of a New York mobster. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee Tracy, Mary Brian, (more)
- 1933
An espionage drama set in the early 20th century, Ever in My Heart stars Barbara Stanwyck as a New England naif who marries a German citizen (Otto Kruger). In 1915, Stanwyck and her husband suffer a brace of blows: The death of their son, and the sinking of the Lusitania, the latter incident sparking a wave of anti-German sentiment. Hounded out of their small town by the angered citizens, Stanwyck and Kruger move to Europe, where the husband voluntarily leaves his wife to join the Kaiser's army. In 1917, Stanwyck, working as a canteen volunteer in France, discovers that her once pro-American husband is now a German spy. To save him from a firing squad, she poisons his wine, then kills herself. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Otto Kruger, (more)
- 1933
Famous author Kenneth Bixby (Warren William) would like to jump-start his romance with ex-sweetheart Julie (Genevieve Tobin). There are, however, at least two people who'd prefer that Bixby stick to writing and stay away from Julie. One is Julie's husband Harvey Wilson (Hugh Herbert); the other is Bixby's loyal secretary Anne (Joan Blondell), who's been carrying a torch for her boss for years. It all winds up in a cross-country chase, with everybody suspiciously tailing everybody else. Based on a play by George Haight and Allan Scott, Goodbye Again was dutifully remade under a different title by the Warner Bros. "B" unit in the early 1940s. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Genevieve Tobin, (more)
- 1933
Warren William plays a high-powered ambitious executive who unflinchingly steamrolled his way to the top without regard for the havoc he left in his wake. As the manager of a Macy-like department store, he constantly browbeats his flunkies into submission, and ends-up driving at least one to suicide. Loretta Young plays the wife of one of William's minor employees (Wallace Ford), with whom the Big Boss has a brief affair during an office party. Eventually William gets his comeuppance, and Loretta is vindicated in the eyes of her hubby. A terrific example of pre-Motion Picture Production Code raciness, Employees' Entrance still causes audiences to gasp at its audaciousness when seen today--and also invokes loud laughter when William rebukes one of his errant vice presidents, asking him "What am I paying you so much for? Fifteen thousand a year!" ~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, Loretta Young, (more)
- 1933
The last--and to some aficionados, the best--of choreographer Busby Berkeley's three Warner Bros. efforts of 1933, Footlight Parade stars James Cagney as a Broadway musical comedy producer. Cagney is unceremoniously put out of business when talking pictures arrive. To keep his head above water, Jimmy hits upon a swell idea: he'll stage musical "prologues" for movie theatres, then ship them out to the various picture palaces in New York. Halfway through the picture, Cagney is obliged to assemble three mammoth prologues and present them back-to-back in three different theatres. There are all sorts of backstage intrigues, not the least of which concerns the predatory hijinks of gold-digger Claire Dodd and the covetous misbehavior of Cagney's ex-wife Renee Whitney. Joan Blondell plays Jimmy's faithful girl-friday, who loves him from afar; Ruby Keeler is the secretary who takes off her glasses and is instantly transformed into a glamorous stage star; Dick Powell is the "protege" of wealthy Ruth Donnelly, who makes good despite this handicap; Frank McHugh is Cagney's assistant, who spends all his time moaning "It'll never work"; and Hugh Herbert is a self-righteous censor, who ends up in a censurable position. The last half-hour of Footlight Parade is a nonstop display of Busby Berkeley at his most spectacular: the three big production numbers, all written by Harry Warren and Al Dubin, are "By a Waterfall", "Honeymoon Hotel", and "Shanghai Lil", the latter featuring some delicious pre-code scatology, a tap-dance duet by Cagney and Keeler, and an out-of-left-field climactic salute to FDR and the NRA! ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Joan Blondell, (more)
- 1933
Romance throws a spanner into the works of a con game in this light drama. Donald Free (William Powell) is a private detective whose career in on the skids. Dan Hogan (Arthur Holh) is another, less scrupulous shamus who persuades Free to help him frame Janet Reynolds (Margaret Lindsay), a wealthy woman with a taste for gambling living in Paris. Free goes along with the scheme, but things become complicated when he begins falling in love with her. ~ Mark Deming, All Movie Guide
- Starring:
- William Powell, Margaret Lindsay, (more)
- 1933
The wonderful Warner Bros. stock company goes through its customarily breezy paces in Havana Widows. Joan Blondell and Glenda Farrell star as Mae and Sadie, a couple of hard-boiled dames who support themselves by shaking down wealthy and susceptible older men in Havana. Their current target is Deacon Jones (Guy Kibbee), a self-appointed moralist whose rock-ribbed values disappear after the third drink. But Blondell spoils the scam when she falls in love with the Deacon's son Bob (Lyle Talbot). Less than a month after the release of Havana Widows, many of the same cast members were back to their old tricks in Convention City. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Glenda Farrell, (more)
- 1933
Practically every member of the Warner Bros. stock company except Glenda Farrell shows up in the rowdy, raunchy pre-Code comedy Convention City. Joan Blondell plays Nancy Lorraine, an enterprising lass who is employed by a big-city hotel as a "hostess" for out-of-town conventioneers. She spends a great deal of the film in the company of small-town businessman George Ellerbe (Guy Kibbee), who goes to great lengths to avoid his nagging wife (Ruth Donnelly). Weaving in and out of the proceedings are inveterate practical jokers Goodwin (Frank McHugh) and Hotstetter (Hugh Herbert), who use the convention as an excuse for a three-day binge. The plot rears its ugly head when Nancy finds her affections torn between slick CEO T.R. Kent (Adolphe Menjou) and handsome young salesman Jerry Ford (Dick Powell). The New York Times described it as, "Not a dull foot. One of the few comedies that can truthfully be called positive entertainment." Unfortunately, there are no known surviving prints of Convention City, so it remains one of the era's many "lost films." ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Adolphe Menjou, (more)
- 1933
This weepie, adapted from a play by Philip Dunning and George Abbott, is a vehicle for Ruth Chatterton as the titular Lilly. Her sufferings begin when she marries a man who later turns out to be a bigamist. She has their baby but marries another man so the child can have a father. The new husband is alcoholic and so Lilly falls in love with someone else, but when her husband breaks his back protecting her, she elects to stay with him. ~ Nicole Gagne, All Movie Guide
- Starring:
- Ruth Chatterton, George Brent, (more)
- 1933
Sing, Sinner, Sing is one of several 1930s films based on the notorious, well-publicized romance between nightclub singer Libby Holman and tobacco heir Smith Reynolds (the most recent a clef incarnation of this scandalous affair was 1956's Written on the Wind). The Holman counterpart, torch singer Lela Larson, is played by Leila Hyams, while the Reynolds character, wastrelly millionaire Ted Rendon, is essayed by Donald Dillaway. Told mostly in flashback, the story concerns the events leading up to the murder of Rendon, for which his wife Lela is standing trial. The fact that Paul Lukas, cast as gambling-ship owner Phil Cardia, is given top billing tends to give away a vital plot point. At the time of its release, Sing, Sinner, Sing was thought to be in poor taste for capitalizing on the tawdry Holman-Reynolds affair; seen today, it looks about as tasteless as Bambi. ~ Hal Erickson, All Movie Guide
- Starring:
- Leila Hyams
- 1933
Although claiming to be based on actual cases, this mild crime drama appears to have been derived more from a screenwriter's manual than a police blotter. Newly transferred from robbery to missing persons, glib Butch Saunders (Pat O'Brien) is like the proverbial bull in a china shop at first, but quickly gets the hang of things. In walks pretty Norma Roberts (Bette Davis), claiming to be missing her new husband, whom she accuses of shipping out. Despite being married to nagging Belle (Glenda Farrell), Butch falls in love with the dame, until, that is, he learns the truth. Norma's last name isn't Roberts at all, but Williams, and she is wanted in Chicago for the murder of her boss, Therme Roberts. Begging Butch to cover for her -- "just for a little while. I'll explain everything later" -- Norma does a disappearing act herself and makes it look like suicide. But Butch refuses to buy the act and with the help of his boss, Captain Webb (Lewis Stone), the fast-talking cop arranges for a corpse to be lying in state at a local funeral parlor under the name of Norma Williams, hoping to flush out the real Norma. Norma walks right into the trap with another cockamamie story at the ready. But this time, it may just be the truth and Butch becomes determined to clear the lady of murder. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Bette Davis, Lewis Stone, (more)
- 1933
Ruth Chatterton tears up the screen in this fast-paced, lusty comedy. Alison Drake is an automobile magnate, a hard-nosed, hardboiled business woman making dozens of important decisions a day. In her private life, however, she is passionate and bold in her pursuit of male companionship, which she frequently finds among the ranks of her own employees and executives; the problem is that these men can't abide the fact that back at work, she's all business again; and she keeps having to get their long, mopey faces out of her presence by transferring them elsewhere. Then she meets Jim Thorne (George Brent), a gifted engineer who is attracted to Drake but isn't a callow, cowtowing yes-man, and isn't awed by her millions. After a few awkward encounters, they find a balance in their lives together, or so she thinks, until he proposes marriage. ~ Bruce Eder, All Movie Guide
- Starring:
- Ruth Chatterton, George Brent, (more)
- 1933
One of the earliest girls-in-prison yarns, Ladies They Talk About has everything but Ida Lupino as the warden--and had she been in Hollywood at the time, she would probably be here as well. Gun moll Barbara Stanwyck is thrown into San Quentin (which looks more like a summer resort than a house of detention), thanks to her involvement in a bank robbery and the machinations of D.A./preacher David Slade (Preston Foster). It isn't political ambition that motivates Slade: he's in love with Stanwyck, and hopes that her incarceration will rehabilitate her. Instead, Stanwyck becomes a hard-bitten prison-block leader, spearheading a jailbreak. When things go awry, she holds Slade responsible. Upon her release, she goes gunning for Slade, and doesn't realize that she's really in love with him until she nearly puts him six feet under. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Preston S. Foster, (more)
- 1933
Hard to Handle stars James Cagney as a fast-talking promoter who pounces upon every current fad and foible to make a quick buck. He promotes marathon dances (where spectators feel cheated because no one drops dead), crash diets, reducing creams and treasure contests, finagling his way into the confidence of high rollers and money men. In a cute "inside" joke harking back to a choice Cagney moment in The Public Enemy, our hero at one point takes up the promotion of grapefruits! Like most conners, Cagney isn't aware when he is being conned himself, and he falls victim to his marathon-dance business partner, who absconds with the winnings. The contest winner is pretty Mary Brian, whose mother (Ruth Donnelly) tries to extract payment by forcing Cagney to marry her daughter. He does, but only after eight reels of high-pressure wheeling and dealing. In the tradition of Jimmy Cagney's other early-1930s, Hard to Handle is socked over by the energetic insouciance of its star. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Mary Brian, (more)
- 1934
The official cast list of Warner Bros. Mandalay states that Kay Francis plays a character named Tanya. For most of the film, however, the heroine -- if she can be called that -- goes by the name of Spot White (or "Spot Cash," as she's cynically designated by one of the lesser characters). Betrayed by her smuggler lover Tony Evans (Ricardo Cortez), Tanya/Spot White becomes one of white slaver Nick's (Warner Oland) stable of girls in old Rangoon. She eventually escapes this sordid lifestyle, and is later instrumental in the redemption of dissolute doctor Gregory Burton (Lyle Talbot). Falling in love with Burton, Spot White resorts to drastic measure to purge the ubiquitous Tony Evans from her life. Most sources list Shirley Temple in the cast as "Betty," but her role has apparently been excised from the currently available prints of Mandalay. ~ Hal Erickson, All Movie Guide
- Starring:
- Kay Francis, Lyle Talbot, (more)
- 1934
Universal's Romance in the Rain is a satire of network radio, a popular target of early-'30s movies. On behalf of dithery magazine publisher J. Franklyn Blank (Victor Moore), press agent Charlie (Roger Pryor) stages a "Cinderella contest" in search of new female talent for the airwaves. The winner turns out to be Cynthia (Heather Angel), a slum girl whom Charlie had previously befriended during a heavy rainstorm. Cynthia is madly in love with Charlie, but he doesn't realize it until his "Cinderella" has nearly been wed to someone else. Meanwhile, Blank has a few romantic travails of his own with his aggressive self-appointed fiancee Gwen (Esther Ralston), who literally drags him to the Justice of the Peace at film's end. ~ Hal Erickson, All Movie Guide
- Starring:
- Roger Pryor, Heather Angel, (more)
- 1934
Josephine Hutchinson is a beautiful heiress bored by her stifling lifestyle. She bolts her family mansion on New Years' Eve and heads for a boisterous nightclub, where she meets blue-collar worker Dick Powell. Hutchinson pretends to be poor, and soon she and Powell are pitching woo. Powell has ambitions to go into business for himself, so Josephine secretly pulls strings to help him get ahead. But when Powell finds out, he renounces the girl and breaks up the relationship. Hutchinson returns to a loveless engagement with a society type, but her father has grown fond of Powell and arranges a reconciliation. Happiness Ahead isn't exactly a musical, though Dick Powell does sing the title song during the opening credits and later introduces the Warner Bros. cartoon perennial "Pop Goes Your Heart." ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Frank McHugh, (more)
- 1934
A pre-stardom Bette Davis struggles mightily as the "other woman" in this rather obvious divorce court drama from Warner Bros. George Brent stars as William Reynolds, a hardworking but markedly unmotivated office manager whose wife, Nan (Ann Dvorak), manages to make ends meet with the little she's got. Enter Patricia Berkeley (Davis), a high-powered advertising exec, with whom William falls madly in love. Does he leave the little wife for the glamorous co-worker? Well almost, but all bets are off when young Buddy Reynolds (Ronnie Cosbey) is hit by a car and nearly killed. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- George Brent, Bette Davis, (more)
