Bernard-Pierre Donnadieu Movies

Francois (Jean-Paul Belmondo) was framed as a drug-trafficker by none other than the head trafficker himself and spent seven years in prison for his supposed crimes. Now an ex-con, the vengeful Francois carefully arranges things so that the kingpin's own henchmen murder him, as they believe that they are also about to fall victim to the mobster's ruthless schemes. Flashbacks show that Francois had a rewarding, though tumultuous life before his imprisonment. Now he has a new girlfriend, and a new life, in this movie based on a book by Marceau. ~ Clarke Fountain, All Movie Guide

Laura (Bibi Andersson) has long been divorced from her theater-critic husband Alfred (Anthony Perkins), though they still see one another from time to time. One day, while working at the icon museum she directs, Laura strikes up a conversation with Sylvia (Sandra Dumas). The two take a shine to one another immediately, and soon they are in bed together. This begins to lead to problems, because Sylvia is young and still lives at home with her parents, who are beginning to suspect something has been going on. Ex-husband Alfred chimes in, saying that Laura should be more careful. By this time, Alfred and Sylvia have also become lovers, as Laura soon discovers. ~ Clarke Fountain, All Movie Guide

The Return of Martin Guerre is set in France during the Hundred Years' War. Imagining herself a widow, Nathalie Baye is astonished when her husband Gerard Depardieu returns after nine years. He looks like her husband and sounds like her husband, and certainly has a working knowledge of the couple's prior relationship. Still, neither Baye nor her neighbors can shake the notion that Depardieu is an imposter--especially since he's a much nicer and more responsible person than the man who marched off to war so long ago. Matters come to a head when the local magistrate sentences Depardieu to hang for his own murder. Return of Martin Guerre was the principal source for an American film, Sommersby (1993). ~ Hal Erickson, All Movie Guide

With Life is a Bed of Roses, filmmaker Alain Resnais wanted to create a lighthearted tribute to three important French directors, each of whom defined a particular era in his country's cinema Melies (the first French filmmaker to use narrative--his most famous film is A Trip to the Moon), the impressionist L'Herbier (most famous for his inspirational avant garde work during the '20s) and Rohmer (most famed for his sextet of "Moral Tales" during the '60s). To present his chronicle of the human quest for a utopia of personal happiness and fulfillment, Resnais created two distinct narratives representing the past and present, and then interspliced them with a third more fantastical tale to provide contrast. Representing the past, the first tale centers on a monied eccentric who creates a "temple of happiness' in his chateau. There, guests are given a special potion, laid inside enormous cribs and surrounded by pleasant sensations to help them return to the blissful state of infancy. The second story takes place in the same chateau where a symposium on the techniques and philosophies of the eccentric are hotly debated and elaborated upon. Weaving its way between the two tales is the third, which represents the medieval fantasies of children in a forest who imagine the struggle between a wicked king and a brave good-hearted warrior. ~ Sandra Brennan, All Movie Guide

Julien (Jerome Zucca) is a left-leaning student whose politics and love interest end up clashing as the young man makes a long, epic journey through his years at a private school in Paris when Algeria is fighting France for its independence, up to his time spent as a courier for Algeria's National Liberation Front (known by their French acronym, the FLN). While at school, Julien already had a conflict with his good friend Gilles (Philippe Caroit) and the right-wing politics that Gilles embraces. This relationship will come to have a crucial bearing on the future, as Julien continues on his path. ~ Eleanor Mannikka, All Movie Guide

Also known as A Certain Desire, this French murder melodrama stars Sam Waterston and Marisa Berenson. Waterston plays Gerry Morrison, an Interpol agent assigned to solve the murder of a Bordeaux wine heiress. Jeanne Barnac Berenson is one of the suspects, who in the course of the investigation is revealed to be a lesbian, in love with the widowed Marlene Bell-Ferguson (Lauren Hutton). Pretty soon, Morrison has exposed virtually all the secrets of those closest to the murder victim. Indeed, with so much else going on, the solution of the mystery is almost an afterthought. ~ Hal Erickson, All Movie Guide

In this 1987 film, director Bertrand Tavernier depicts French life in the Middle Ages as dreary, unromantic, and brutal. The story begins when a warrior leaves home to fight in the Hundred Years' War (1337-1453) between France and England. Before his departure, he gives his young son, François, a sword to safeguard his mother and her virtue. One day, after the boy opens a bedroom door to find his mother willingly submitting to a man, he uses the sword to kill the man and becomes traumatized with guilt and enmity toward his mother. Years later, François (Bernard Pierre Donnadieu) must go off to war as a chevalier, or knight. While he is away, his daughter, the gentle and loving Béatrice (Julie Delpy), sees to the needs of her little brother and her feckless mother. Although the castle in which they live is a sepulcher of shadows and stone, Béatrice maintains her spirits as she looks forward to the day when her father's voice will once again echo in the corridors. After four years of war in which he was held captive for a time by the English, he returns to the castle, a hardened warrior who has renounced God. Inside his twisted mind, he still carries the memory of that terrible day long ago, the day he discovered his mother was an adulteress. Giving the demons within him free rein, he begins to abuse everyone around him: He insults, bullies, and pillages the local village. He even forces his son Nils Tavernier to wear women's clothes and become the prey in a hunt. As he descends deeper into depravity, it is innocent Béatrice who suffers the most. Whether he has completely destroyed her, or whether she will rise up and destroy him, becomes the central focus of the film as it moves toward its conclusion. The dialogue is in French with English subtitles. ~ Mike Cummings, All Movie Guide

Based on Time Krabbe's The Golden Egg, The Vanishing is a deeply disturbing psychological thriller about a young man's search for his girlfriend after she disappears at a rest stop during a short trip. Over the course of three years, the man obsessively searches for her, using his spare time to put up posters and leave handbills, hoping that someone will give him a clue to the mystery surrounding her disappearance. The kidnapper, having watched the man for some time, is intrigued by his increasing obsession and finally contacts him. He then gives the man the opportunity to learn firsthand of his girlfriend's fate. The film, frightening and moving with a chilling conclusion, is a small masterpiece as director George Sluizer confronts and examines the true nature of evil and obsession. Sluizer remade The Vanishing in an American version four years after the release of the original Dutch film, inexplicably changing the shocking ending which gave the original film such power. ~ Linda Rasmussen, All Movie Guide

Benvenuto Cellini was a gifted metalworker who created gorgeous objects for the rich, a rogue, a warrior and a sensitive man. In short, he was an archetypical product of his period in Renaissance Italy, a lusty antihero par excellence. This movie is based on selections from his famous autobiography, and chronicles the life of this egotistical fabricator of beautiful objects as he battles, murders, has love affairs, rapes, connives, copes with imprisonment and near madness and generally thrives amid the worst that his tumultuous times can throw at him. Not for the weak of stomach, this film graphically depicts the violence of the period, as well as the unpleasantnesses of the plague. His truly was A Violent Life. ~ Clarke Fountain, All Movie Guide

Based on a best-selling novel, this drama, set amongst a remote Eskimo tribe in 1935, was -- at the time it was produced -- the most expensive Canadian motion picture ever made, with a budget of $31 million. Lou Diamond Phillips stars as Agaguk, the rebellious son of tribal leader Kroomak (Toshiro Mifune). The two men disagree strongly over the growing presence of white men in the area. Agaguk wants nothing to do with the interlopers, while his father has opened a fur trade with one of them, Brown (Bernard-Pierre Donnadieu). Agaguk and Kroomak also clash over Igiyook (Jennifer Tilly), a beautiful woman whom both men want to marry, but Agaguk wins her hand. After he slays Brown in an argument, Agaguk is cursed and cast out of the tribe by his father. Agaguk takes Igiyook into the wilderness and struggles to survive there as she gives birth to a child, while Henderson (Donald Sutherland), a lawman, shows up to investigate Brown's death. ~ Karl Williams, All Movie Guide