Sue Rogers Movies

In this outrageous martial arts-comedy from New Zealand filmmaker Jason Stutter, the world's deadliest ninja must travel to the mountaintop Patio of Death and do battle with his childhood archenemy to save the love of his life. As a child the Tongan Ninja survived a plane crash by landing on an uncharted pacific island. His father eaten by fish, the young boy was trained by the locals in the art of Ninjitsu and grew to become the most dangerous ninja alive. Upon learning that the peaceful owners of a New Zealand eatery have been receiving threats from the feared Syndicate, the Tongan Ninja must work his way through a trio of formidable foes: Knife Man, Gun Man, and Hench Man before battling the dreaded Action Fighter (aka Marvin). ~ Jason Buchanan, Rovi

Scott Reynolds directed this New Zealand thriller about a transsexual stripper. Architect Robert Marling (Martin Donovan) has mounting problems that include drinking, gambling, and alimony payments to his ex, Jennifer (Joanna Going), who's attempting to gain custody of their son. Redesigning a strip club for his psycho friend Stanner (Richard Schiff), Marling meets transsexual dancer Heaven (Danny Edwards), who has precognitive visions. Heaven's therapist, Dr. Melrose (Patrick Malahide), employs his patient's predictions to boost his own bank account. With all professional ethics evaporating, the evil Melrose sleeps with Jennifer while counseling Marling. Hallucinatory visions prompt Heaven to warn Marling of even more hellish events awaiting in his future. Shown at the 1998 Montreal World Film Festival and the 1998 Toronto Film Festival. ~ Bhob Stewart, Rovi

Originally presented to an unsuspecting New Zealand public as the real deal, Lord of the Rings director Peter Jackson's masterful mocumentary initially proved so convincing that unsuspecting viewers bought it hook, line, and sinker. A remarkably detailed look at the life of early filmmaker Colin McKenzie (Thomas Robins), the film traces the life of the young innovator as he makes incredible advances in the realm of cinema years before they are generally though to have occurred. From McKenzie's creation of the first "talkie" in 1908 (the first true sound feature is generally considered to be 1927's The Jazz Singer) to his creation of the first color film three short years later (which is generally considered to be 1922's The Toll of the Sea), the discovery of the remarkable advances made by him would forever change the face of film history. With Jackson himself providing commentary on the importance of the recent "discovery" of McKenzie's lost epic Salome -- which was preserved in a garden shed for nearly a century -- the significance of this "lost film" is further cemented by interviews with such notable film figures as Miramax's Harvey Weinstein and film critic Leonard Maltin. As McKenzie's rise and eventual downfall is documented through the use of newspaper articles, still images, and rare behind-the-scenes footage of Salome, the viewer is drawn into a remarkably staged ruse that is so effectively executed that it even includes interviews with McKenzie's "wife," Hannah (Beatrice Ashton). ~ Jason Buchanan, Rovi