Olivier Raoux Movies

Writer/director Olivier Dahan (Crimson Rivers II) helmed La Vie en Rose, the screen biopic of tragic French songstress Edith Piaf. Marion Cotillard portrays Piaf, the superstar once raised as a young girl by her grandmother in a Normandy bordello, then discovered on a French street corner -- as a complete unknown -- by cabaret proprietor Louis Leplée (Gérard Depardieu). The film segues breezily between various episodes from Piaf's life -- such as her lover, French boxer Marcel Cerdan's (Jean-Pierre Martins) championship bout in mid-'40s New York; her period in Hollywood during the '50s; Piaf's abandonment as a young girl by her contortionist father (and earlier by her mother, a street singer); her brushes with the law as an adult; and her 1951 car accident and subsequent morphine addiction that caused her to age well beyond her years and left her barely mobile; and, through it all, her ability (like Billie Holiday) to funnel personal tragedy and emotional struggles into her vocalizations -- dazzling audiences in the process. ~ Nathan Southern, All Movie Guide

French director Isabelle Doval directs her husband, popular comedic actor José Garcia, in the comedy Rire et Chatiment (Laughter and Punishment). Vincent (Garcia) is a popular physician whose aggressive need to be funny and get people's attention annoys his girlfriend, Camille (Doval), to the point that she leaves him. He begins to suspect she might have been onto something when his behavior begins causing people to die. ~ Perry Seibert, All Movie Guide

The Sephardic Jewish characters who headlined the riotous 1997 comedy Would I Lie To You? - all employees in the garment business - return for this laugh-filled 2001 sequel. At the center of the farce are Dov (Gad Elmaleh), Patrick (Gilbert Melki), Serge (Jose Garcia), Yvan (Bruno Solo) and Eddie (Richard Anconina), friends for life and colleagues in the said industry, who spend their days wheeling and dealing and establishing connections but run the socioeconomic gamut from filthy rich to lower working class. A series of misunderstandings commences when blue-collar Serge - employed as a motorcycle messenger and living with his parents - takes the wealthy Patrick's blue Rolls Royce convertible out on an errand and runs headfirst into Chochana (Elisa Tovati), a Jewish girl with whom he feels instantly smitten. She naturally assumes, given the car, that he's wealthy - and he of course does nothing to discourage this. In time, Serge manages to prolong the economic ruse to such a degree that he ends up engaged to the high-maintenance Chocana, and on a headfirst collision course with her furniture kingpin father (Enrico Macias). Meanwhile, the garment industry as a whole in Le Sentier (the chief Parisian neighborhood in which the men do business) suffers from a massive economic downturn, thanks in no small part to escalating labor costs and the flourishing of Internet start-ups; in desperation, Yvan and Eddie turn to EuroDiscount, a massive chain of European department stores, with a feeble attempt to sell their merchandise to that outfit. They fail to count, however, on the ugly reaction of the cunning manager, Vierhouten (Daniel Prevost), which threatens to send them spiraling toward bankruptcy. ~ Nathan Southern, All Movie Guide

In this French box-office smash, director Thomas Gilou once again trains his sights on working-class immigrants living in metropolitan Paris, as he did with Black Mic-Mac. This time the subjects are the Sephardic Jews working in the garment district of Sentier. Eddie Vuibert (Richard Anconina) is an unemployed man who gets a job working in the stock room of a wholesale fabric dealer because the owner, Victor Benzakem (Richard Bohringer), believes that Eddie is Jewish, just like him. The opportunistic Eddie owes his job to this mistaken identity, and he does his best to preserve it, comically navigating the dangerous waters of learning strange customs and behavior. Eddie is promoted to a salesman and tries to romance Victor's daughter Sandra (Amira Casar), but she is involved with another fabric dealer, a corrupt man. Eddie must prove himself worthy on his own terms. ~ Michael Betzold, All Movie Guide

Europeans (and Americans) have a horror of their citizens "going native" in non-Western counties. It is considered to be a form of insanity, demonstrating a lack of character in those who do it. In this story, Anton (Tim Roth), an English writer, visits Ethiopia with his girlfriend Julie (Marie Matheron), and chances upon a house once inhabited by the French decadent poet Rimbaud. Soon enough, he has abandoned her and taken up with the daughter of the impressive old wise-woman who owns the house. He is growing ever more interested in local customs and ways. Despite urgent pleas from Julia, Anton progressively divests himself of his western lifestyle and manners, and eventually heads out into the desert. ~ Clarke Fountain, All Movie Guide