Douglas McGrath Movies

A working mother strives to balance her demanding career with the stress of raising two young children and maintaining a healthy marriage in this comedy adapted from the best-selling novel by Allison Pearson. By day, Kate Reddy (Sarah Jessica Parker) works for a Boston-based financial management firm; by night, she's a devoted mother to two adoring children and the happily married wife of out-of-work architect Richard (Greg Kinnear). Though balancing those two worlds has its fair share of challenges, Kate generally manages to come out on top thanks to the support of her best friend, Allison (Christina Hendricks), who's had plenty of experience balancing kids and a career. Meanwhile, on the other end of the spectrum, Kate's sharp-as-a-tack junior associate assistant, Momo (Olivia Munn), possesses a fear of children and a strong work ethic. Just when Kate lands a lucrative new account that will see her traveling across the country on a regular basis, however, her new business associate Jack (Pierce Brosnan) reveals his flirtatious side and Richard receives a job offer he can't turn down. Though it looks as if Kate and Richard couldn't possibly take on any more responsibility, the demands of modern living ensure they'll never have a dull moment, even if they try. ~ Tracie Cooper, Rovi

One of Charles Dickens' best-loved (and most complex) stories receives its fourth feature film adaptation in this lively historical comedy-drama. Nicholas Nickleby (Charlie Hunnam) is a 19-year-old who becomes the head of the family when his father dies unexpectedly. Keeping watch over his mother (Stella Gonet) and his sister Kate (Romola Garai) becomes an even greater challenge when Nicholas discovers that his father lost the family fortune due to ill-advised investments. Without a shilling to his name, Nicholas turns to his wealthy but unforgiving Uncle Ralph (Christopher Plummer) for help; Uncle Ralph offers to find work for all three, and Nicholas becomes a teacher at a school for unfortunate boys run by Wackford Squeers (Jim Broadbent) and his wife (Juliet Stevenson). Squeers and his wife are cruel and frequently violent toward their charges, and when Wackford, without cause, beats a weak and timid student, Smike (Jamie Bell), Nicholas decides he can take no more and runs away, with Smike in tow. The two young men fall in with a traveling theater troupe run by the genially eccentric Vincent Crummles (Nathan Lane) and his equally flamboyant spouse (Barry Humphries, aka Dame Edna Everage). In time Nicholas returns to London to check in on his sister and mother. To his horror, he learns that Uncle Ralph has promised Kate's hand to Sir Mulberry Hawk (Edward Fox), a wealthy older man with a less-than-wholesome interest in young women. Both Kate and Nicholas are upset at the prospect of this union, and Nicholas attempts to tear his family away from Uncle Ralph's control, beginning with a job working for the warm-hearted Charles Cheeryble (Timothy Spall) and his brother (Gerard Horan). Nicholas also falls in love with the fair Madeline (Anne Hathaway), but when Uncle Ralph learns of Nicholas' plot to foil Kate's impending marriage, he strikes back by kidnapping Smike and attempting to force Madeline to wed Sir Hawk. Actor, writer, and filmmaker Douglas McGrath adapted Nicholas Nickleby into a screenplay, as well as directing the picture. ~ Mark Deming, Rovi

Former Woody Allen collaborator Douglas McGrath co-wrote, co-directed, and stars in this historical screwball comedy that offers up its own creative suggestion as to what might have spurned 1961's Bay of Pigs invasion. McGrath plays Allen Quimp, a nebbish schoolteacher who -- in an attempt to appease his browbeating wife Daisy (Sigourney Weaver) -- boasts that he leads a double life as a CIA operative. Daisy immediately sets to work writing a tell-all biography, and as his rumor spreads, Quimp bumbles his way into working at an actual CIA post in Cuba. There, he's confronted by a Cold War vigilante (John Turturro) who enlists his help in taking down the country's communist strongman, Fidel Castro (Anthony LaPaglia). Company Man was co-written and co-directed by New York stage director Peter Askin; both Askin and McGrath sued the film's production company in 1999 when, they claimed, the privilege of editing the final cut was denied to them. ~ Michael Hastings, Rovi

Based on the novel by Jane Austen (who in the '90s seemed to be in the running alongside William Shakespeare and Stephen King for the honors of most adapted author in Hollywood), this period romantic comedy stars Gwyneth Paltrow as Emma Woodhouse, a young woman who imagines herself an authority on matters of the heart. With the best of intentions, Emma plays matchmaker for her friends, most notably her friend Harriet (Toni Collette), who Emma links up with the Reverend Elton (Alan Cumming), and her governess, (Greta Scacchi), who she introduces to her future husband, Mr. Weston (James Cosmo). However, Emma is not nearly as good at playing Cupid as she likes to imagine, and she spends so much time trying to solve everyone else's romantic problems that it takes her quite some time to realize that she's fallen in love with Mr. Knightly (Jeremy Northam). A television miniseries based on Austen's book appeared a year later, while a year prior to Emma, the story appeared in modernized form in the popular teen comedy Clueless. ~ Mark Deming, Rovi

It's 1958, and the producers of the quiz show 21 have a problem. Their current champ, Herbert Stempel (John Turturro), has a phenomenal memory and a broad range of knowledge. He's also a pudgy loudmouth with a grating personality, so Herbert is encouraged to "take a dive" and allow Charles Van Doren (Ralph Fiennes), a handsome and charming college professor, to become the show's new champion. Audiences like Van Doren, and he's certainly not averse to the money he's winning, but the ethics of the situation begin to trouble him, especially when the show's producers begin to give him the questions in advance. Director Robert Redford and writer Paul Attanasio paint a telling portrait of how the network heads and advertising men who manipulated the quiz shows were also able to manipulate the responsibility for the scandal away from themselves. While on the surface a story about the scandal itself, Quiz Show is just as importantly about a turning point in the 1950s when TV and advertising began to change American character and culture. ~ Mark Deming, Rovi