Arturo Dominici Movies
- 1972
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Helmed by acknowledged horror master Lucio Fulci, the political satire All'onorevole Piacciono le Donne stars Lando Buzzanca as Gianni Pupis, a powerful politician who takes a fall in the public eye after his habit of slapping women on the behind leads him to humiliate a different country's leader, causing an international incident that leads Gianni to the church in hopes of rehabilitating his image. ~ Perry Seibert, All Movie Guide
- 1971
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A mild-mannered police commissioner (Martin Balsam) is frustrated at every attempt to capture a political crimelord with legal means, so he is forced to turn to vigilante justice to get his man. ~ John Bush, All Movie Guide
- Starring:
- Franco Nero, Martin Balsam, (more)
- 1970
- R
Better known as Investigation of a Citizen Above Suspicion, this Oscar-winning political drama stars Gian Maria Volonte as the citizen of the title, an unnamed police inspector. The story finds the inspector calmly cutting his mistress' throat, then planting evidence that will clear him of accusation -- and attempting to evade arrest by virtue of his "clean" public image. Elio Petri's own anti-establishment stance was never more pronounced than in this film, where the truth is whatever the ruling class chooses to acknowledge. The original Italian title of Investigation of a Citizen Above Suspicion was Indagine su un Cittadino al di Sopra di Ogna Sospetto. ~ Hal Erickson, All Movie Guide
- Starring:
- Gian Maria Volontè, Florinda Bolkan, (more)
- 1969
- PG
In this romance, a composer and a French film star, both of whom are married to others, meet and fall in love while shooting a film in the United States. The two illicit lovers begin touring the country together and enjoying the sights with particular emphasis on Monument Valley and Las Vegas. The actress begins to feel guilty and confesses all to her husband on the phone. She and the composer then decide to end the affair. Later they reunite and decide that they will rendezvous in Nice. She goes there, but her lover never arrives. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jean-Paul Belmondo, Annie Girardot, (more)
- 1965
In the second installment of the parodic Fantomas series, the title arch criminal and master of disguise kidnaps prominent scientist Prof. Marchand in order to develop a new powerful weapon to threaten the world. Fantomas is also planning to kidnap another scientist, Prof. Lefebvre. Journalist Fandor (Jean Marais, who also plays Fantomas and Prof. Lefebvre) decides to set a trap for the elusive villain. He disguises himself as Lefebvre and attends a scientific conference in Rome expecting Fantomas to kidnap him. As always, Fandor's ingenious plan backfires due to the interference of the bumbling police commissioner Juve (Louis de Funès). ~ Yuri German, All Movie Guide
- Starring:
- Jean Marais, Louis de Funès, (more)
- 1963
Gordon Scott portrays Glaucus, the son of the king of Pyras, who journeys to the neighboring kingdom of Mycene, which is ruled by the evil cult of the god Moloch. There he assumes the name of Hercules and distinguishes himself in the arena, becoming a trusted member of the household guard. This allows him to organize and lead a rebellion against the followers of the murderous Moloch, then against the monster himself. The acting and production values of this sword-and-sandal adventure film are above average, with very elaborate battle scenes involving far more than the usual number of extras, a large visual canvas, and an ambitious finale set in a maze of caverns in which two contending sets of gods use the character as their pawns. A rich score by Carlo Rustichelli also enhances the viewing of this lively, action-filled fantasy-adventure, although parents might want to keep younger viewers away from this movie, with its depictions of Moloch mutilating the beauty of the women sacrificed to him. ~ Bruce Eder, All Movie Guide
- Starring:
- Gordon Scott
- 1963
The early '60s saw a plethora of sword-and-sandal adventure movies coming out of Italy, all featuring professional bodybuilders-turned-actors playing super-strong heroes out of the ancient Greek or Roman legends. Medusa Against the Son of Hercules, as this movie was generally released in the United States, was recut as part of a package for television and shown broken into five "episodes," presented nightly under the series title The Sons of Hercules. The movie is a retelling of the legend of Perseus and the Medusa, in which the hero is defending the besieged kingdom of Seriphos. Its people are near starvation, under siege by the army of Argus on one side, a huge dragon on another side, and the hideous Medusa on another. The king is about to give his daughter, Andromeda (Anna Ranalli), to the evil Galinor, king of Argus, as a bride for his son, in order to open up a route for trade. Perseus (Richard Harrison), the son of the murdered king of Argus, vows to avenge his father's death, stop the usurper Galinor's subjugation of Seriphos, and free both kingdoms. To do this, he must slay the dragon and then destroy the Medusa, which will restore her victims -- Seriphos' best soldiers -- who have been transformed into stone in her valley, to flesh-and-blood, so that they can defeat the army of Argus. First, however, he must defeat the evil son of Galinor in a tournament and win the trust of Andromeda's father. The action is a little clunky and the music too repetitive by half, and the dragon looks like a nasty version of Cecil the Sea Serpent from Beany & Cecil, but the Medusa, created by Carlo Rambaldi (who subsequently worked on E.T.), is an inspired vision, a giant hydra-like creature with tentacles for legs and an evil, glowing eye at its center. The scenes in the fog-shrouded valley where it claims its victims are particularly eerie. The presence of Perseus' mother as a half-mad queen also adds to the sense of verisimilitude with the ancient Greek origins of the story. ~ Bruce Eder, All Movie Guide
- 1963
Set during the time of the brilliant Queen Elizabeth I of England, this adventure tale is loosely based on the exploits of Sir Francis Drake (Rod Taylor). He was one of the Queen's leading commanders in the battles with Spain over the gold of the New World. Drake is shown wearing several hats, so to speak. He is a pirate who has no problems about raiding Spanish gold arsenals. He is a military commander who plans and executes naval battles with the Spanish armada -- and wins. He is a diplomat who knows how to maneuver in courtly circles -- but that does not stop him from trashing a Spanish-backed plan to assassinate the Queen. Although this costume drama by Rudolph Maté is not without a few minor flaws, Drake's adventures should entertain most audiences, especially the younger set. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Rod Taylor, Keith Michell, (more)
- 1962
In this biblical epic, the rise of the humble Joseph from hapless slave to prophet and advisor to the Pharoah is chronicled. ~ Sandra Brennan, All Movie Guide
- 1962
Steve Reeves gives the most dramatically demanding performance of his career (and a surprisingly good one) in The Trojan Horse. Essentially a retelling of the final year of the siege of Troy from the point of view of Aeneas (Reeves), the movie is filled with fascinating portrayals. Aeneas, taking the interpretation from the poet Virgil, is the wisest of the Trojans and, after ten years of war, has become the leading advocate for finding an end to the fighting. His wisdom and nobility have earned him a place at the table with King Priam and the other rulers, which puts him at odds with the vain, jealous Paris and his Helen. Opening with the slaying of Hector by Achilles, the film is steeped in complex personal relationships and mythological conceits. John Drew Barrymore is the other "name" actor here, playing Ulysses as a clever, cynical, and bold warrior among the Greeks. Reeves brings real nobility to Aeneas and relies on his acting skills as much as his physique to bring off this movie, often mixing the two in a script filled with ironies, as when Aeneas must kill a Greek warrior for whom he earlier expressed respect. Along with Reeves' two Hercules films from the end of the 1950s, and Vittorio Cottafavi's Hercules and the Captive Women, this is one of the best examples of Italy's sword-and-sandal genre. ~ Bruce Eder, All Movie Guide
- 1961
The trouble in this Italian crime drama begins when five convicts and their leader escape from Elba and endeavor to rob the payroll office of an iron mine. The mine owner's son refuses to allow this. Unfortunately, the son's sister and her pals happen into the office and soon find themselves held hostage. Fortunately one of the girls escapes and runs for help. Unfortunately, she is caught by a criminal who tries to rape her. A struggle ensues and the girl shoots him in the arm. Engraged, the convict kills her. The loyal son, having no choice, gives the fugitives the money. The ring leader then takes the son's sister with him to the bank to sign the checks. The quick-thinking girl endorses the checks, but on the back of one, she rewrites a note to the police. They return to the mine only to find that another crook has killed the leader. A gunfight ensues and the robbers kill themselves. Soon the police arrive. ~ Sandra Brennan, All Movie Guide
Generally considered to be the foremost example of Italian Gothic horror, this darkly atmospheric black-and-white chiller put director Mario Bava on the international map and made the bewitching Barbara Steele a star. Steele plays Princess Asa, a high priestess of Satan who is gruesomely executed in 1600s Moldavia by having a spiked mask hammered into her face. Before she dies, Asa vows revenge on the family who killed her and returns from the grave two centuries later to keep her promise. In a striking resurrection scene replete with bats, scorpions and fog, Asa rises from the tomb to claim her bloody vengeance. With vampires, bubbling flesh, dank crypts, undead servants and torch-bearing mobs, the plot is a little ripe, but the visuals are Bava's primary consideration. The atmosphere is so heavy and the imagery so dense that the film becomes nearly too rich in texture, but the sheer, ghastly beauty of it all is entrancing. Although this was only the second of Bava's twenty-six films as director, it is undoubtedly his best and the one upon which most of his considerable reputation rests. ~ Robert Firsching, All Movie Guide
- Starring:
- Barbara Steele, John Richardson, (more)
- 1960
Aimed at the youngsters, this typical Italian fantasy-adventure stars Steve Reeves as Karim, the thief of the title. Karim is not only the strongest, fastest, and smartest of thieves, he also has a magic ring and a cape that makes him invisible. Thus armed, he is well-prepared to face a series of Herculean tests in order to win the hand of the Sultan's beautiful daughter Anima (Georgia Moll). These "tests" purify his past wrongdoings and ultimately lead to a blue rose, the key to winning Anima in marriage. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Steve Reeves, Giorgia Moll, (more)
Irving Rapper's film is a dramatization of the Old Testament tale of Joseph, who ascends from slavery to the position of minister in the court of the pharaoh. ~ Jason Ankeny, All Movie Guide
- 1959
Buffed bodybuilder Steve Reeves, in his first sword-and-sandal epic since Hercules, stars as Emiliano, who seeks revenge when his village is destroyed and his father killed by marauding barbarians. Taking the name "Goliath," Emiliano straps on an animal mask and fur-covered loincloth for his raids on the enemy camps, as well as romancing the chieftain's daughter (Chelo Alonso). More brutal than most similar films, this exciting adventure from veteran director Carlo Campogalliani also features Livia Lorenzon and a brief appearances by King Kong star Bruce Cabot. ~ Robert Firsching, All Movie Guide
- Starring:
- Steve Reeves, Chelo Alonso, (more)
Steve Reeves' second (and last) film portrayal of Hercules is, in certain ways, better than his first. The plot this time is drawn from the legends surrounding the royal house of Thebes, which are most familiar to audiences through the Theban plays of Sophocles. The movie opens with Hercules, his new bride Iole (ylva Koscina), and the young Ulysses (Gabriel Antonini) travelling to Thebes following the end of the quest for the Golden Fleece (depicted in the previous movie, Hercules). Their journey is interrupted when Hercules must do battle with the giant Anteus (Primo Carnera), whose strength seems to exceed his own until he realizes that Anteus is the son of the earth goddess and can't be defeated on land. On their arrival in Thebes, the trio discovers that the kingdom is in the midst of civil war -- Oedipus (esare Fantoni), the old king, is dying, and his two sons, Polynices and Eteocles, are contending for the throne and threatening to destroy each other and the populace. Hercules must leave Iole in the hands of one side in order to try and settle the dispute between the two would-be kings. While en route between the two armed camps, however, he is put under the spell of Omphale (Sylvia Lopez), the Queen of Lydia, who casts out his memory and takes him as a lover, with Ulysses in tow pretending to be his deaf-mute servant. Ulysses must figure out how to keep himself alive, restore Hercules' memory, get them both out of Omphale's grasp before she tires of Hercules and has him killed (as she has her previous lovers), and get them both back to Thebes before the kingdom is burned to the ground. His solution arrives in the form of his father, Laertes, and Hercules' companions from his voyage for the Golden Fleece. They all escape Omphale's clutches and arrive at Thebes as war has broken out between the two brothers and their armies. In a spectacular denouement, Hercules brings his chariot into the middle of the pitched battle, knocking down assault towers and sweeping cavalry before him to halt the battle. Peace is finally restored on a bittersweet note as the two brothers, Polynices and Eteocles, slay each other. ~ Bruce Eder, All Movie Guide
- Starring:
- Steve Reeves, Sylvia Lopez, (more)
Heralding a decade of Italian-made sword-and-sandal films, Hercules -- as it's been known in the United States since its 1959 release -- draws most of its plot from the legend of Jason and the Golden Fleece. Hercules, the half-immortal son of Jupiter (or Zeus) rescues Iole, the daughter of Pelias, the king of Jolco, when the horses pulling her chariot run wild. Returning her to the court, he is engaged by Pelias to train his vain, arrogant son in the use of arms, that he may one day become a warrior king. Pelias' hold on power is very uncertain, owing to the way he became king -- his brother, the previous monarch, was murdered by persons unknown in the palace -- and he looks to leave a dynasty. The prince is later killed through his own foolishness, however, and the blame falls on Hercules. In order to win back the grieving heart of Iole, Hercules surrenders his immortality and manages to triumph in a savage test of his strength against the Cretan Bull. One day, a stranger arrives in Jolco claiming to be Jason, Pelias' nephew, and son of the murdered king -- and the rightful king. To prove his claim, he vows to sail to the ends of the Earth and reclaim the Golden Fleece, the symbol of rightful rule in Jolco, which was stolen on the night that his father was murdered. A crew is assembled that includes various legendary figures out of Greek mythology, with Hercules at the head of the list. They survive encounters with sea storms and a predatory race of women, the machinations of a traitor in their ranks, and Pelias' treachery, and Jason slays the dragon guarding the Golden Fleece. On their return, however, the Fleece is stolen and Hercules is imprisoned. Jason and his men are surrounded by Pelias' soldiers and a battle ensues. Iole frees Hercules, who comes to the aid of Jason and restores him to the throne that's rightfully his. This battle features one of the best action sequences in the film as Hercules, his wrists still in the shackles and chains that bound him in Pelias' dungeon, first kills the man who murdered the old king and then, faced with mounted cavalry charging him on the steps of the palace, pulls down the pillars supporting the facade and wipes out the cavalry. Pelias, unable to contain his own guilt, commits suicide and Iole, seeing the truth about her father, goes to Hercules and accepts him as her husband. Ray Harryhausen's Jason and the Argonauts, made six years later, told the same story with far superior effects and a less conclusive ending, but Hercules is a fun movie in its own right, and Steve Reeves cuts a stunning figure, even if his voice is dubbed. Curiously, there are two different dubbed versions of Hercules in circulation, one of which (the one that was on television in the early '60s, and was on the VidAmerica videocassette) features a simpler range of English dialogue that works better. The other version occasionally uses more florrid language (and appeared on the Image Entertainment letterboxed laserdisc), which doesn't really resonate well. The giveaway comes in the scene where Hercules prays to Jupiter at the temple, surrendering his powers. The simpler, better track has the echoed voice come back "the Cretan Bull awaits." ~ Bruce Eder, All Movie Guide
- Starring:
- Steve Reeves, Sylva Koscina, (more)
