Agnès Jaoui Movies

A talented woman struggles to get out from under the shadow of her father in this comedy. Lolita (Marilou Berry) is the 20-year-old daughter of Étienne Cassard (Jean-Pierre Bacri), a wealthy and well-known editor and writer, and most of the people she meets seem to be more interested in her dad than in her; her zaftig figure doesn't help her self-esteem much, either. Lolita is a gifted singer and has been studying with a voice coach, Sylvia (Agnès Jaoui); however, as it turns out, Sylvia has a husband, Pierre (Laurent Grévill), who is a novelist and hopes that Cassard might be willing to help him get his new book into print and onto bookstore shelves. The great writer seems to take a cavalier attitude toward nearly everyone around him, though, including his wife, Karine (Virginie Desarnauts). Lolita strikes up a friendship with a young man named Sebastien (Keine Bouhiza) which seems to be leading to romance, but when Lolita learns that Sebastien wants to become a writer, she finds herself wondering if he really wants her, or just an introduction to her dad. Jaoui, who plays Sylvia, also directed Comme une Image (aka Look at Me) and co-wrote the screenplay. ~ Mark Deming, All Movie Guide

Christophe Blanc directs his nuanced character study of a nurse, wife, and mother of three who is on the verge of a breakdown. After learning that her husband of 15 years is having an affair with his young slatternly secretary, Francoise (Agnes Jaoui) throws her spouse out on his ear and starts frequenting seedy bars. As she slowly disconnects from her job and her children, she starts hanging out at boxing rings, having cheap and easy sex. and eventually ending up in the same hospital where she works. ~ Jonathan Crow, All Movie Guide

An ordinary guy with a crooked friend discovers no good deed goes unpunished in the comedy On The Run. Albert (Michael Imperioli) is having a quiet evening at home when he gets a call from his old pal Louie (John Ventimigila), whom he hasn't heard from in years. There's a good reason for this -- Louie's been in prison. Ever since childhood, Louie has never been able to stay out of trouble, though whenever they're together, the blame for Louie's indiscretions always seems to fall on Albert's shoulders. Louie calls Albert to tell him he's just broken out of jail and would like Albert to meet him at the bus station. Albert calls the police to tell them a fugitive is due on the next bus, but he soon thinks better of it and makes a dash to the depot, hoping to warn Louie in time. Louie manages to evade the cops, but Albert soon finds himself stuck with Louie for the evening, as he's dragged along for a progressively more dangerous series of misadventures where he's always left holding the bag. Though directed by a Portuguese filmmaker and financed by French and Portuguese production companies, On the Run was filmed on location in New York City, with English dialogue and a primarily American cast. ~ Mark Deming, All Movie Guide

In this homage to acclaimed TV scripter Dennis Potter (1935-1994), famed 75-year-old French director Alain Resnais (Hiroshima, Mon Amour, Last Year at Marienbad) has actors lip-synch in a manner instantly recalling Potter's Pennies from Heaven (1978 TV serial, 1981 movie) and The Singing Detective (1986), regarded by some as the best original work ever created for television. Completing her history dissertation, Camille (Agnes Jaoui) is a Paris tour guide, and Simon (Andre Dussolier) is a regular on her tours because he's attracted to Camille -- although he claims to be researching his historical radio dramas. Camille's sister, business-executive Odile (Sabine Azema), is married to weak, furtive Claude (Pierre Arditi). In the past Odile was close to successful businessman Nicolas (Jean-Pierre Bacri), now married with kids and returning to Paris after an eight-year absence. Odile seeks an apartment from real estate agent Marc (Lambert Wilson). Camille and Marc begin an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris. These characters make easy transitions back and forth from the dialogue to 36 song fragments. The film's debt to Dennis Potter is acknowledged with a dedication in the opening credits. ~ Bhob Stewart, All Movie Guide

Since Smoking and No Smoking, though they are separate films, were conceived (and shown) in tandem, and since they are both based on a closely connected set of plays by the English dramatist Alan Ayckbourn, they are considered together here. When the two films were shown in France, viewers invariably reported preferring the second one they saw, whichever one that was. The original plays covered eight separate stories, which have been pared down to three each for these movies. At a certain point in the story of each movie, the three female characters (all played by Sabine Azema) and the three male characters (all played by Pierre Arditi) have their lives skilfully recapped in terms of "what might have happened" if they made or failed to make certain choices. For example, No Smoking focuses chiefly on the relationship between the mild-mannered Miles Coombes and his infinitely more aggressive and ambitious wife Rowena. Reviewers were overwhelmed by the amazing fact that not only did director Alain Resnais successfully carry off this complex premise twice, but that he succeeded in creating powerful entertainments each time. In fact, the two films have begun showing up on "must-see" lists all over the place. In 1993, competing together as one film, they won most of the major awards (Césars) of the French Academy of Cinema. ~ Clarke Fountain, All Movie Guide

Noted stage director Patrice Chereau adds his stylistic flair to this drama loosely taken from a story by Anton Chekhov. A French family is shown as they go through the daily routines of life. Arguing, feasting, crying, and yearning for love are just some of the human emotions encountered. The mood wavers between excessive noise to silence while those not participating in the conversations listen in. ~ Dan Pavlides, All Movie Guide