Jimmie Dodd Movies

The 1940s was a monumental decade for the United States. Amid World War II, economic recovery, and the start of the Cold War, American music provided a soundtrack to a generation. The Music Classics line from MPI Home Video attempts to offer the chance to relieve the era with a ten-volume series of restored film footage featuring performances by many of the 40's most revered artists. Wrapping up the series, Music Classics, Vol. 10 features clips of Duke Ellington, Lawrence Welk, Lorraine Page, The Slim Gailard Trio, Benny Goodman, and several others. ~ Matthew Tobey, All Movie Guide

The premise of this Disneyland "clip show" is manifested in a birthday party for Donald Duck. Having planned a surprise party for their "Unca Donald", Huey, Dewey and Louie are surprised to discover that Donald has already arranged his own natal celebration, complete with home movies. While the nephews would rather watch Donald's Disney colleagues Mickey Mouse, Goofy and Pluto--in fact, they'd sooner enjoy The Mickey Mouse Club on TV, or even make their umpteenth trip to Disneyland--Donald insists upon screening his own cinematic triumphs. Included in this mostly-animated entry is a live segment featuring the Mousketeers and Disney's own ragtime band, The Firehouse Five Plus Two. Rebroadcast three times on Disney's various TV anthologies, "At Home with Donald Duck" was again seen as a special on April 4, 1979, retitled Happy Birthday Donald Duck. ~ Hal Erickson, All Movie Guide

Ronald Reagan delivers one of his best screen performances as baseball great Grover Cleveland Alexander in The Winning Team. The title refers to the mutually supportive relationship between Alexander and his loving wife Aimee (top-billed Doris Day); with this in mind, is it any surprise that the real Aimee Alexander served as the film's technical advisor. While the basic milestones of Alexander's career are adhered to, the film is a typical Hollywood blend of fact and fancy-plenty of fancy. While playing in the minors, Alexander is is hit on the heat by a batted ball, resulting in the dizziness and double vision that would ever after plague him. After toting up a record of 28 wins with the Philadelphia Phillies, Alex is traded to the Cubs, but World War 1 intervenes. On the battlefield, Alex suffers a recurrence of his double vision; and when he plays his first postwar game with the Cubs, he collapses on the field. Warned that his seizures will persist if he doesn't retire, Alex swears the doctor to secrecy. When the dizzy spells continue, Alex turns to drink. Branded an "alky", he descends to the depths of a House of David-style team, thence to the humiliation of carnival side shows. With the help and support of both Aimee and his old pal Rogers Hornsby (Frank Lovejoy), Alex stages a spectacular comeback, striking out Yankee Tony Lazzeri during the 1926 World Series and leading his team to victory. The script rearranges the chronology of Alexander's life, suggests incorrectly that the Lazzeri strikeout was the last play in the deciding Series game, and-most amusingly-depicts the unloveable Rogers Hornsby as a 100 % sweetheart. Otherwise, The Winning Team provides an excellent showcase for Ronald Reagan-though in later years he expressed some reservations about the script, noting that, by adhering to Warner Bros' insistence that the word "epilepsy" never be spoken, the picture confused audiences as to the true nature of Alexander's affliction. ~ Hal Erickson, All Movie Guide

The real Al Jennings was a wizened little man who, after a largely unsuccessful career as a western outlaw, reformed to the extent of hitting the lecture circuit and even producing his own films. Jennings was still alive when Columbia's Al Jennings of Oklahoma was produced in 1951, so one can assume that he approved of the radical changes made in his life story and the casting of the better-looking Dan Duryea in the lead. The story begins with Al and his brother Frank (Dick Foran) trying to go straight, even though there's a $25,000 reward on their heads. Al's hopes for connubial bliss with Margo St. Clare (Gale Storm), who loves him despite his reputation, is shattered by the vengeful machinations of a railroad detective. Forced back into a life of crime, Jennings is captured and sentenced to life imprisonment--a sentence that, of course, was eventually modified. Al Jennings of Oklahoma is not one of the classic westerns, but it manages to hold one's attention throughout a plenitude of plot twists. ~ Hal Erickson, All Movie Guide

Convicted stars Glenn Ford as a hotheaded young man convicted of manslaughter. Broderick Crawford plays a sympathetic warden (formerly a tough DA) who tries to help Ford adjust to prison life, eventually giving the lad responsibilities in the warden's office. Ford witnesses the killing of a stoolie by another convict (Millard Mitchell), but adheres to the prison "code" and refuses to talk, even though it means he will be accused of the killing. Mortally wounded by a guard in a subsequent fracas, the real murderer confesses and Ford escapes the electric chair--into the arms of the warden's daughter (Dorothy Malone), with whom he has fallen in love. Convicted was the third film version of Martin Flavin's 1929 stage play The Criminal Code. ~ Hal Erickson, All Movie Guide

When Lizabeth Scott's Jane Greer husband Arthur Kennedy accidentally gets his mitts on $60,000 in stolen money, she insists that he keep the dough rather than turn it over to the authorities. Two-bit private eye Dan Duryea catches on to Scott's subterfuge, and demands that she turn the cash over to him. Scott persuades Duryea to split the money with her--then, determining that Kennedy might be too honest for everyone's own good, she murders her husband. To cover her tracks, Scott reports her husband as missing. This brings in yet another fly in the ointment: Don DeFore, the brother of Scott's first husband, who died under mysterious circumstances. The already knotted webs of intrigue become even more tangled before Scott's ironic comeuppance. Too Late for Tears was scripted by Roy Huggins, who later produced such TV detective series as The Rockford Files. ~ Hal Erickson, All Movie Guide

Daredevils in the Clouds was one of Republic's several attempts to transform former cowboy star Robert Livingston into a non-cowboy leading man. With customers and creditors breathing down his neck, Terry O'Rourke (Livingston), the head of Polar Airways, does his best to bring his planes in on time. Johnny Martin (James Cardwell), top man at Trans-Global Airlines, covets O'Rourke's business, and will do anything-even commit murder-to gobble up Polar's clientele. Mae Clarke, who hadn't had a leading role in years, is quietly effective as Kay Cameron, a grounded aviatrix who carries a torch for her boss O'Rourke. The film is distinguished by the excellent miniature and special-effects work of the Lydecker Brothers. ~ Hal Erickson, All Movie Guide

Warren Douglas plays an average Joe who bears a striking resemblance to a famous gangster. A group of rival hoods beat up the innocent lookalike, which gives the police an idea. They set Douglas up as the real crook in hopes of forcing his gang out in the open. An outsized (but economically staged) gunfight brings this tense little tale to its conclusion. Incident is one of the slicker directorial accomplishments of B-picture maestro William "One Take" Beaudine. ~ Hal Erickson, All Movie Guide

In this drama, a California artist abandons his work to become a New York prizefighter after he falls in love with a married nightclub singer. Her husband was a fighter, but suffered a crippling accident in the ring and was unable to fulfill his lifelong dream of becoming the world champion. The husband decides to live out his dream through the artist and begins tutoring him. Things go well until the hubby discovers that the artist has been sleeping with his wife. He then begins giving the artist bad advice so he will get creamed in the ring. Fortunately for the artist, he wins the Big Fight. ~ Sandra Brennan, All Movie Guide

One of the most ambitious productions ever turned out by Monogram studios, Song of My Heart represented the directorial debut of screenwriter Benjamin Glazer. The film unfolds the life story of Peter Ilytich Tschaikovsky, with Swedish actor Frank Sundstrom in the title role. Avoiding the sensualism and sensationalism of Ken Russell's later Tschaikovsky biopic The Music Lovers (wisely, given the censorial limits of 1947), Glazer's film tastefully concentrates on the Russian composer's romantic relationship with his patroness Amalya (Audrey Long). Though he achieves great professional success on the concert stage, Tschaikovsky finds personal happiness and contentment only when he is on the verge of death. The huge cast includes such diverse personalities as Sir Cedric Hardwicke, Mikhail Rasumny, Gale Sherwood, Jimmie Dodd, and even veteran western heavy Lane Chandler. Deemed too good to be released with the Monogram imprimatur, Song of My Heart was handled by the studio's "prestige" division, Allied Artists. ~ Hal Erickson, All Movie Guide

With The Outlaw still being withheld from general release, Young Widow represented the first time that most filmgoers ever saw Jane Russell on the screen. Unfortunately, she was hardly at her best in this lachrymose tale of a woman named Joan Kenwood, who can't get over her husband's death in WW II. A journalist by profession, Joan is reminded in large ways and small of her late husband during every one of her assignments. Sympathetic ex-soldier Jim Cameron (Louis Hayward) follows Joan around throughout the picture, hoping against hope that she'll eventually forget her husband and pay some attention to him. Featured in the supporting cast is Faith Domergue, who like Jane Russell was a well-endowed Howard R. Hughes "discovery." Young Widow was based on the four-hanky novel by Clarissa Fairchild Cushman. ~ Hal Erickson, All Movie Guide

If Penthouse Rhythm is paced more like a two-reel comedy than a mini-musical, it may be because the director was Mack Sennett alumnus Eddie Cline. Kirby Grant, Lois Collier, Judy Clark and Edward Norris play Dick, Linda, Patty and Junior, young members of a singing quartet. The kids have trouble getting their career started until given a boost by boxer-nightclub manager Maxie Rosenbloom (playing himself). Their success seems to hinge on a mere handful of songs, a fact that many genuine musicians found laughable. Halfway down the cast list as "Jank" is Jimmy Dodd, ten years away from his Mickey Mouse Club fame. ~ Hal Erickson, All Movie Guide

In this musical romance, a young couple is still in love, but find themselves facing insurmountable turmoil in their relationship. They separate and head for Vegas for a quickie divorce. The wife is counseled by another that to save the union, she must make her husband jealous. She does, romantic mayhem ensues, and in the end, they reunite to form a rock-solid, happy marriage. Songs include: "A Dream Ago," "Moon over Las Vegas," "Faithful Flo," "So Goodnight," "A Touch of Texas," "You Marvelous You," "Oklahoma's One with Me," and "My Blue Heaven." ~ Sandra Brennan, All Movie Guide