Aurelle Doazan Movies

Nine women gather in a seaside home to discuss life, love, and the search for men in this routine comedy. The hostess leaves after her boyfriend calls her up, and one of the others picks up an American tourist at a local bar. She confiscates his passport to keep him for her temporary boytoy. ~ Dan Pavlides, All Movie Guide

The troubled life of French sculptor Camille Claudel and her long relationship with legendary sculptor Auguste Rodin are portrayed in this passionate biographical drama, featuring an acclaimed performance by Isabelle Adjani. Beginning in the 1880s with a young Claudel's first meeting with Rodin, the film traces the development of their intense romantic bond. The growth of this relationship coincides with the rise of Claudel's career, helping her overcome prejudices against female artists. However, their romance soon sours, due to the increasing pressures of Rodin's fame and his love for another woman. These difficulties combine with her increasing doubts about the value of her work to drive Claudel into an emotional tumult that threatens to become insanity. First-time director Bruno Nuytten had previously served as a cinematographer, and he brings this experience to bear in his loving presentation of Claudel's sculpture and the lavish period setting. The dramatic approach is in tune with the impressive visuals, which present Claudel's life as a grandiose melodrama, a transformation that irritated some critics. However, few questioned the film's value as a dramatic showcase for Adjani, whose fervent portrayal was rewarded with an Academy Award nomination for Best Actress. The American release version was cut to 159 minutes. ~ Judd Blaise, All Movie Guide

Francois Marboni (Victor Lanoux) is a butcher who is being blackmailed for having an affair with the prostitute Rache (Pauline Lafont) in this black comedy. He decides to hire a hit man when the blackmailer demands that he start cutting his profit margin to the bone. Francois soon becomes a target of the hitman he hired. Michel Aumont plays the policeman who also covets Rache, with Francois Stevenin as the hilarious hit man. Marie Laforet stars as Francois' space-cadet spouse Marthe. ~ Dan Pavlides, All Movie Guide

A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carola Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma. ~ Dan Pavlides, All Movie Guide

The sentiments of producer, co-writer, and star Alain Delon provide the particular slant in this routine thriller about vigilante justice over other vigilantes. The angry hero (Delon) leaves France in a fury because of a technicality in the justice system that failed to convict the murderers of his wife. After lazing away his days in a Congolese village, sleeping with whatever woman he chooses or playing cards, he finds out that vigilantes have murdered his daughter because they are intent on ridding France of undesirables -- which include delinquents (a category mistakenly attributed to her) and North Africans, as well as drug dealers. Now really out of control, revenge propels the bereaved father to return home and murder the vigilantes one by one, maiming them first to watch them suffer. Justice, of course, is too blind to catch up with him. ~ Eleanor Mannikka, All Movie Guide