Robert DoQui Movies

Created by Earl Hamner, A Dream for Christmas is set in the 1950s. African-American minister Will Douglas (Hari Rhodes) moves his family from Arkansas to the Watts section of Los Angeles to take charge of an impoverished church. The attendance, at least at first, is as poor as the congregation. Worse still, the church is slated to be demolished. But it's close to Christmas, a time when miracles have been known to happen. Featured in the all-black cast are Beah Richards, Lynn Hamilton, Robert Do'Qui, Juanita Moore, and Clarence Muse. Appropriately enough, A Dream for Christmas originally aired on December 24, 1973. It was originally designed as the pilot for a never-sold TV series titled The Douglas Family. ~ Hal Erickson, All Movie Guide

New police recruit Ernie Sampson (Warren Munson) is afraid to reveal the fact that he stutters when under pressure. In his efforts to hide his impediment, Ernie fails to warn Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) that they're about to be ambushed by an armed robber. After this near-fatal incident, Ernie's training officer is all for washing the young man out of the program--but surprisingly, Jim and Pete are convinced that the rookie deserves a second chance. ~ Hal Erickson, All Movie Guide

Based on the story by Richard Wright, Almos' a Man stars LeVar Burton as a black teenager in the South of the 1930s. Working as a field hand, Burton is frustrated at being considered inferior to the local whites. Perhaps if he purchases a gun, he can prove his manhood. This is the decision he makes-much to the anguish of his mother, played by Madge Sinclair. Originally a PBS American Short Story presentation, Almos' a Man was first telecast April 26, 1977. Running some 45 minutes, it was offered in tandem with a dramatizaton of Ernest Hemingway's Soldier's Home. ~ Hal Erickson, All Movie Guide

"Truth is whatever gets the loudest applause." Debunking western myths even more than he did in McCabe and Mrs. Miller (1971), Robert Altman's Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976) sardonically explores the gap between western history and legend in show biz-obsessed America. Megalomaniac "Buffalo Bill" Cody (Paul Newman) assumes the legend created for him by writer Ned Buntline (Burt Lancaster), aided and abetted by his producer (Joel Grey) and his publicist (Kevin McCarthy), perpetuating myths of white triumph over savage "Injuns" in his Wild West show, as audiences cheer him on and buy his merchandise. But when Sitting Bull (Frank Kaquitts) joins the troupe with his interpreter (Will Sampson), his request for authenticity threatens to throw a wrench into the proceedings. Regardless of how Bill may feel about the facts, he must bow to the preferences of the paying public. ~ Lucia Bozzola, All Movie Guide

In Robert Kaylor's Carny, the world of the carnival is an illusion manipulated by the carnies to fleece the suckers. The marks generally deserve what they get, because of their greed, corruption, or just plain stupidity. It's share and share alike for Frankie (Gary Busey) and Patch (Robbie Robertson), partners in a dunk-the-bozo act in a carnival travelling through the American South. At one of the small-town stops, Donna (Jodie Foster), an alienated teenager, dumps her obnoxious boyfriend and, with Frankie's encouragement, joins up and moves into their trailer (and Frankie's bed). Feeling displaced, Patch schemes to get Donna out of the carnival. However, the carnival's owner needs Donna to foil a loathsome pair of local officials who demand payoffs. She plays her part perfectly and is accepted by all, although she moves into another trailer. ~ Steve Press, All Movie Guide

Dr. Marsh Tracy (Marshall Thompson) is an animal behavioral research director who travels to East Africa with his daughter Paula (Cheryl Miller) in this engaging wildlife saga. While Tracy develops a relationship with anthropologist Julie Harper (Betsy Drake), Paula befriends the visually challenged lion named Clarence. Because his eyes are crossed, Clarence has never been able to rely on hunting for survival, so the family adopts the lovable lion. Richard Haydn plays the schoolmaster with comic flair as he runs scared from the harmless king of the jungle. The evil Gregory (Maurice Marsac) is the leader of a group of mercenaries who plan to capture Julie's beloved gorillas and sell them for profit. Clarence later traps Gregory in a slapstick scene to save the animals from danger. The film served as a pilot for the television series Daktari. ~ Dan Pavlides, All Movie Guide

Writer-director Jack Hill (Spider Baby, Switchblade Sisters) managed to beat Death Wish to the screens by a year with this violent tale of a citizen touched by crime and deciding to fight back. Her little 11-year old sister is a hopeless addict, the police can't help, and poor Nurse "Coffy" Coffin (Pam Grier) has no choice but to take the law into her own hands. Posing as a Jamaican prostitute, Coffy infiltrates the lairs of pimp King George (Robert DoQui) and kingpin pusher Vitroni (Allan Arbus). Eventually, after her childhood sweetheart is beaten into a coma and she finds out her politician-lover (Booker Bradshaw) is involved, Coffy kills everyone with a shotgun. However, by having a black woman named Coffy get injected with a sugar mixture (the crooks think it's heroin), one can only imagine the filmmakers cackling about Coffy with cream and sugar. In fact, the original ad line promised "Coffy...she'll cream you!" ~ Robert Firsching, All Movie Guide

Carol (Julianna Margulies) comforts a security guard (Michael Rapaport) as he lies dying from severe chemical burns. The other staffers tend to a young man (Keith Bogart) who fell 75 feet into the Chicago river. Also part of the ER caseload is an elderly couple who may or may not have AIDs, and a heroin-addicted infant named Josh McLean. And elsewhere, Benton (Eriq La Salle) is none too happy that Carla (Lisa Nicole Carson) has invited her boyfriend to Reese's baptism. ~ Hal Erickson, All Movie Guide

In yet another rubber-stamped, mid-'80s teen dancing film, hot on the success of Flashdance, a group of high schoolers called the "Adventurers Eight" from Sandusky, Ohio (known by Midwest teens for its large amusement park), decide to undertake a journey to New York City to enter the Big Showdown, a dance competition with corporate sponsors. As though Sandusky were somehow insulated from the teen culture that otherwise spreads new trends like wildfire, these teens are not aware of the latest dance crazes on the streets of New York, something they pick up while in the city. But misfortune strikes, and they lose their one connection to entering the big contest. They then have to survive the usual con artists or worse -- look for another way to get into the competition. If this script had been rehauled by teens familiar with their real language and attitudes, then the title Fast Forward would apply more to the action in the movie than the remote control. ~ Eleanor Mannikka, All Movie Guide

The beat of "go-go" music -- hip-hop oriented dance music with a heavy emphasis on percussion -- provides the backdrop for this drama about corruption and racism in Washington D.C. There are the good guys who play and promote the music, the bad guys who deal in drugs and crime, the bad racist cop out to close the go-go clubs once and for all, and the powerless reporter (Art Garfunkel) who is caught in the middle. While the script raises interesting points about police persecution of African-American men and journalistic credibility in coverage of issues regarding the black community, music is the dominant force in this film, with performances by Trouble Funk, Chuck Brown and the Soul Searchers and edds & The Boys. The film also deserves credit for portraying a side of Washington, D.C. not often shown on screen. ~ Eleanor Mannikka, All Movie Guide

"Names have been changed to protect the innocent" in this infamous fictionalization of the tragic mass suicide of 914 followers of Jim Jones' "People's Temple" in Guyana in the fall of 1978. Rev. James Johnson (Stuart Whitman) is a charismatic but deeply paranoid man of the cloth who moves his flock from Northern California to a settlement in Guyana, where he intends to create an interracial socialist utopia. Addicted to prescription drugs and convinced he is surrounded by enemies, Johnson rules his colony, "Johnsontown," with an iron fist, torturing anyone who violates his rule, seducing both women and men from his congregation, confiscating money and property from his followers, and forcing them to work long hours in the fields for meager rations. Lee O'Brien (Gene Barry), a California congressman who represents the district Johnson and his followers once called home, has received complaints from friends and relatives of the Johnsontown settlers, convinced something is wrong. O'Brien and a team of reporters fly to Guyana to find out the truth about what is happening; Johnson is convinced O'Brien has seen too much, and armed gunmen ambush his party before they can return to the United States (with a number of Johnsontown residents who wish to leave). After a failed attempt to arrange exile in the Soviet Union, Johnson convinced his followers to perform a "final revolutionary act" before authorities arrive. This oddball blend of fact and fiction also features Joseph Cotten and John Ireland as Johnson's lawyers, Yvonne de Carlo as Johnsontown's press officer, and Bradford Dillman as the doctor who mixes the punch for Johnson's final gathering. ~ Mark Deming, All Movie Guide

Jason Alexander stars in this sweet-natured romantic comedy, marred by some overblown stereotypes. Alexander plays shoe salesman Bernie Fishbine. Bernie is lonely and shy and ever conscious about his weight problem. He stills lives at home with his mother Sarah (Lainie Kazan) and grandpa Irving Fein (Lou Jacobi). One night, taking a bus back home, he meets Theresa Garabaldi (Nia Peeples), an attractive graduate student in psychology who works at night as a singer in her uncle's Italian restaurant. Bernie falls in love with her, and he thinks she loves him too. To make her proud of him, Bernie stops eating the chocolate kisses he purchases every day from Frieda's (Eileen Brennan) candy store and, instead, works out at a gym to lose weight. But Bernie is crestfallen to learn that Theresa is being friendly to him because she is using him as the subject of her graduate thesis entitled "The Psychological Study of an Obese Male." ~ Paul Brenner, All Movie Guide