Joel Thurm Movies

To paraphrase the late, great NBC programming executive Brandon Tartikoff, the television industry is comprised of two different groups of people: The "beggars," those actors, writers, directors, and producers who tirelessly and relentlessly package and pitch ideas, concepts, and premises for new TV series; and the "choosers," those elite network chieftans who make the final decisions as to what will or will not be seen on the air. With this in mind, Beggars and Choosers was the perfect title for a raunchy, ribald cable-TV satirical sitcom, set behind the walls of a major (but not too major) television network. The setting for this weekly, 60-minute series was the headquarters of the LGT network, which, though it ran a distant last to such prestigious webs as ABC, CBS, and NBC, still managed to score a few ratings successes, notably the Seinfeld clone "Peter's Pals" and the ethnic soaper "Puerto Vallarta." Like most contemporary entertainment-manufacturing concerns, LGT was a hotbed of betrayals, double-crosses, backstabbings, dark intrigues, covert conspiracies, and sexual shenanigans. Heading the huge cast of regulars and recurring characters was Brian Kerwin as youthful LGT president Brian Kerwin, who manfully kept his wits about him while swimming with sharks at the workplace and dealing with domestic problems engendered by his demanding wife Cecile (Isabella Hoffman) and his troublesome teenaged children Audrey (Keegan Connor Tracy) and Cary (Kaj-Erik Eriksen). Co-starring with Kerwin was Charlotte Ross as Lori Vopone, LGT's barracuda-like vice president of development, who would stop at literally nothing to get bigger ratings and advance her own career. Others in the cast included Tuc Watkins as the network's closeted homosexual casting executive Malcolm Laffley, who spent most of the first season trying to work up the courage to "out" himself; William McNamara as supercilious talent agent Brad Advail, who was convinced that his success hinged upon which pair of socks he wore on any given day; Christopher Kennedy as Marty Hertz, LGT's bean-counting head of business affairs; and Sheila Moore as the network's hypersensitive vice president of standards and practices. Initially, LGT was owned by the senile, semi-comatose E. L. Ludden (Bill Morey) and his scheming trophy wife Lydia (Carol Kane). During a bitter power struggle between Mr. and Mrs. Ludden, control of the network was seized by flaky dot.com billionaire Dan Falco (Beau Bridges), who shortly thereafter turned the business over to his nitwit brother Freddie (James Belushi). The gloriously uninhibited and diabolically clever Beggars and Choosers debuted over cable's Showtime network on June 19, 1999, remaining in first-run for the next two seasons. ~ Hal Erickson, All Movie Guide

In this bittersweet comedy drama, a man nearing the end of his life seeks closure with his family and friends, and he confronts the issues of the right to die. Nick Stark (Eric Roberts) is a successful architect who is openly gay. He was involved in a committed relationship with Brandon Theis (Gregory Harrison), a television director, until Nick discovered that he's HIV-positive. Nick's first question to Brandon is "You won't leave me, will you? I don't want to die alone." Brandon, however, doesn't have the emotional strength to deal with Nick's condition and soon moves on. Several years later, even though Nick has been mindful of his health, he begins to display symptoms of full-blown AIDS, most notably the brain lesions that indicate Progressive Multifocal Leukoencephalopathy, an AIDS-related illness that has already claimed several of his friends. Wanting to go out with his dignity intact, Nick decides to throw one last party, which will give him the opportunity to say goodbye to his friends and family while he's still lucid -- shortly after which he intends to take his own life with painkillers. Nick attempts to make peace with his mother and father (Lee Grant and George Segal), who had difficulty accepting their son's lifestyle, and he enjoys a last laugh with his close friends, until Brandon -- who is hardly welcomed by the group -- shows up. Appearing as Nick's friends and family are Margaret Cho, Bronson Pinchot, Bruce Davison, Sally Kellerman, Marlee Matlin, Roddy McDowall, and Dennis Christopher. Writer and director Randal Kleiser loosely based It's My Party on his own personal experiences when his longtime companion was diagnosed with AIDS and opted to take his own life before his symptoms became too severe. ~ Mark Deming, All Movie Guide

This lightweight and slightly ribald comedy marks the feature film debut of Elvira (Cassandra Peterson), a buxom seductress best known for hosting a popular syndicated television show that features wonderfully bad old horror movies. After losing her latest job for refusing to sleep with her new boss, Elvira tries to launch a Vegas career. Just before that scheme falls flat, she finds salvation when an aunt dies and leaves her a huge old New England mansion. When the black-clad and sexy Elvira, with her flamboyant make-up and acres of cleavage hit the town, she creates an instant scandal amongst the old folks and inspires lusty dreams in the minds of the young. ~ Sandra Brennan, All Movie Guide

Not surprisingly, this fascinating dissection of Gypsy life in America was vilified by several ethnic special-interest groups, who'd previously delivered their mimeoed missives to novelist Peter Maas, on whose book the film was based. Sterling Hayden is the "king" of a New York-based gypsy tribe, who on his deathbed passes his crown to his reluctant grandson, Eric Roberts. Roberts' scuzzy father Judd Hirsch, envious that he's been passed over, begins plotting the demise of his own son. It appears at first that the boy, a thoroughly assimilated Manhattanite, would be more than willing to give up his invisible throne to Hirsch, but there's something about his heritage that always draws him back to his own people. Several genuine gypsies took part in the film as extras, bit players and technical advisers; reportedly, they also spent much of the shooting time trying to cadge a few dishonest dollars from cast and crew. ~ Hal Erickson, All Movie Guide