Richard Dix Movies

Actor Richard Dix originally intended to be a surgeon, but dropped out of the University of Minnesota to take a job at a bank. He then accepted an office job in an architecture firm, attending a dramatics course at a local high school in his spare time. Deciding to become a professional performer, Dix secured work with a stock company, eventually graduating to leading-man parts with the celebrated Morosco stock troupe. Following World War I service and a brief stint on Broadway, Dix made his first film, 1920's Not Guilty. This led to a long-term contract with Paramount Pictures, where Dix starred in a string of rugged adventure films which defined his standard screen characterization: the modest, dependable, strong and silent man of action who was moved to violence only when there was no other recourse. Switching from Paramount to RKO Radio in the early talkie period, Dix starred as empire-building Yancey Cravat in RKO's only Oscar-winning film, Cimarron (1931). This film, for which Dix was himself Oscar-nominated, would remain the high water mark of his talkie career, which gradually diminished into inexpensive programmers and westerns. During the 1940s, Dix altered his long-established screen image, allowing himself to play neurotics and psychopaths. He was particularly effective as the obsessive-compulsive captain in Val Lewton's The Ghost Ship (1943) and was equally convincing in "not what he seems" leading roles in Columbia's Whistler "B"-picture series. Illness forced Richard Dix to retire after his last Whistler effort, 1947's The Thirteenth Hour; two years later, he died of heart failure. ~ Hal Erickson, All Movie Guide
1921  
 
Wife May Collins is convinced by a homewrecking female (Marcia Manon) that her husband Richard Dix is unfaithful. Upon learning that she's been hoodwinked, Collins decides to use a few underhanded feminine wiles herself. By proving herself the equal of the woman who broke up her home, wifey wins back hubby. This is what people used to do before talk radio, we suppose. All's Fair in Love was based on The Bridal Path, a play by Thompson Buchanan. ~ Hal Erickson, All Movie Guide

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1921  
 
When she starred in this drama, Helene Chadwick was being referred to as "the most photographed girl in America." Phoebe Mabee (Chadwick) has two suitors: Harley Jones (Richard Dix) and the wealthy Anson Newton (Maurice B. Flynn). Jones wins her and the newly married couple move to the big city and start a family. They are happy for the most part -- only the occasional appearance of Newton and his socially prominent aunt, Mrs. Noxon (Kate Lester), annoys Jones. But after a number of years and several children, Phoebe begins longing for a social life. She accepts a dinner invitation from Mrs. Noxon, even though her daughter is sick. Jones believes she is going just to see Newton, which Phoebe vehemently denies. She comes to her senses and rushes home from the dinner party to the little girl, who is calling for her. The lure of hearth overcomes Phoebe's desire for social prominence, and all is well with the Joneses. ~ Janiss Garza, All Movie Guide

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Starring:
Helene ChadwickRichard Dix, (more)
1917  
 
Shirley Bryson (Frances Nelson) lives in poverty with her sister Emma (Mary Mersh) and their mother (Caroline Harris). Mrs. Bryson becomes seriously ill and will die if she is not sent away to be cared for. Shirley's job as a manicurist certainly can't pay for this, but one day Wilfred Templeton (Harold Entwhistle) walks into the shop and makes her an offer: If she comes to live with him as his mistress, he will pay for her mother's nursing. Shirley reluctantly agrees but is humiliated by the condescending attitude of Templeton's servants. Then when Emma comes to visit and notices that Shirley isn't wearing a wedding ring, Shirley is overcome with shame. Templeton dumps her and she goes to work at a cabaret. There she meets Harold (Niles Welch), a sad young man who is burying his loneliness in drink. When he defends her from an insulting cad, a romance begins. Shirley reforms Harold and they marry, but when his father comes by to congratulate them -- it turns out to be Wilfred Templeton. He tells Harold all about Shirley's past, which gives Harold pause, but in the end he forgives her completely. This film suffered from two major problems -- a tired story and some unlikely plot twists (how could Shirley not know who Harold's father was?). ~ Janiss Garza, All Movie Guide

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