Oliver Parker Movies

A vain London playboy offers his soul in exchange for eternal beauty in this adaptation of the chilling tale by author Oscar Wilde. Seduced into the decadent world of Lord Henry Wotton (Colin Firth), handsome young aristocrat Dorian Gray (Ben Barnes) becomes obsessed with maintaining his youthful appearance, and commissions a special portrait that will weather the winds of time while he remains forever young. When Gray's obsession spirals out of control, his desperate attempts to safeguard his secret turn his once-privileged life into a living hell. ~ Jason Buchanan, Rovi

As the employees at a London restaurant prepare for the arrival of a high-profile Hollywood actor, it quickly becomes apparent that the five women working to make this important meal a success suffer form delusions of grandeur. In the eye of most customers they're three waitresses, a cook, and a dishwasher, but ask these dejected young workers to describe themselves and chances are you'll get an ear-full. Whether discussing weighty issues of love and art, attempting to capture a rat, or contending with a kitchen coup d'état, the workers at this restaurant are always up to something behind the scenes. Later tonight, a famous Hollywood movie star is set to dine at the restaurant, a revelation that sends each one of the imaginative workers into a tailspin of anticipation. Neve Campbell, Shirley Henderson, and Danny Huston star in a film from writer/director Oliver Parker (St. Trinians, An Ideal Husband). ~ Jason Buchanan, Rovi

A superb cast brings Oscar Wilde's classic comedy of manners to life in the third big-screen adaptation of this hilarious look at fun, games, and dubious ethics among the British upper crust. Algernon Moncrieff (Rupert Everett) is a slightly shady, but charming gentlemen from a wealthy family who has a bad habit of throwing his money away. Algernon has a close friend named Jack Worthing (Colin Firth), a self-made man who acts as a ward to his cousin, a beautiful young lady named Cecily (Reese Witherspoon). Algernon has created an alter ego to help him get out of tight spots brought on by his financial improprieties, and when he learns that Jack has created a false identity of his own -- Earnest, a brother living in London whose exploits have earned him no small amount of notoriety -- Algernon arrives for a weekend visit in the country posing as the mysterious Earnest. Having heard of Earnest's misadventures many times over the years, Cecily had developed something of an infatuation with the lovable rogue, and Algernon's impersonation of him works no small degree of magic on Cecily. Meanwhile, Algernon's cousin, Gwendolyn (Frances O'Connor), arrives for the weekend, and is startled to discover Jack is also there -- except that she knows him as bad-boy Earnest. So just who is in love with who? How will Lady Bracknell (Judi Dench) handle the matter of her daughter Gwendolyn's suitors? And what's the truth about Jack's mysterious heritage? The Importance of Being Earnest was director Oliver Parker's second film adaptation of an Oscar Wilde comedy; he previously helmed An Ideal Husband, which also starred Rupert Everett. Everett and Colin Firth also co-starred in the 1984 drama Another Country. ~ Mark Deming, Rovi

Horror fantasist Clive Barker, director of the original Hellraiser, maintained creative control over this worthy sequel as executive producer, but was unable to occupy the director's chair due to his involvement on other projects. His creative touch is still quite evident here, as the original film's story is expanded in scope and intensity. The story picks up immediately after the events of the original, with the mentally unbalanced Kirsty (Ashley Laurence) confined to a mental hospital after her experiences in the hellish domain of the grotesque Cenobites, which included the gruesome death of her father. Her case attracts the attention of hospital director Dr. Channard (Kenneth Cranham), whose marked interest in her story has more than a little to do with his research into the occult. The chief focus of this extracurricular activity seems centered on his impressive collection of puzzle boxes, many of which are versions of the Lament Configuration -- the device which opens the gateway to the Cenobites' dimension. To further realize his diabolical obsession, Channard conducts grisly human sacrifices to resurrect the body of Kirsty's evil stepmother, Julia (Clare Higgins) -- who has literally been through hell and back. He also recruits mute autistic patient Tiffany (Imogen Boorman), an expert at solving puzzles, to decipher the correct version of the box.

Haunted by visions of her mutilated father suffering in hell, Kirsty joins Tiffany in hopes of rescuing him from the Cenobites' dimension. Tiffany gains them access to the portal, and they make the nightmarish journey down the corridors of hell. Narrowly escaping the diabolical Pinhead (Doug Bradley), they come face to face with Julia, who has already handed Dr. Channard over to the Cenobites to be transformed into a hideous new creation. First-time director Tony Randel acquits himself nicely, and seems to have a real flair for the surreal material; the script by longtime Barker collaborator Peter Atkins elaborates on elements only hinted at in its predecessor. It should follow that the slightly larger budget would allow ample room for this expansion, but the production values actually appear somewhat slimmer. What the film lacks in refined style it makes up for in utter dementia, particularly in its depiction of graphic bloodletting -- numerous scenes were trimmed or deleted altogether in order to obtain an R rating from the MPAA. ~ Cavett Binion, Rovi

Eric Idle and Robbie Coltrane team up for this bad boy comic burlesque, directed by Jonathan Lynn. Idle and Coltrane play Brian Hope and Charlie McManus, a pair of two-bit hoods who want to go straight, repulsed by the increasing reliance on guns and violence in their line of work. In thrall to vicious gangster Case Casey (Robert Patterson), the duo determine that their next job will be their last. When a large amount of money is extracted from a gang of Hong Kong drug dealers and it falls into the laps of Brian and Charlie, the two take off with the loot, with the Chinese Triad and Casey in relentless pursuit. When their car runs out of gas in front of a convent, Brian and Charlie run inside and disguise themselves as two of the ugliest nuns imaginable. Inside the convent, Brian and Charlie pass themselves off as nuns from a different order, assigned to the convent before leaving the country on missionary work. As the two men enjoy their undercover work with a collection of nubile nuns and coeds, the bad guys close in on their trail. ~ Paul Brenner, Rovi

The feature-film debut of multi-talented filmmaker Clive Barker, this grim and surreal project is based on the writer/director's own novella The Hell-Bound Heart. The film opens with a chilling prologue in which globe-trotting pervert Frank (Sean Chapman) -- a connoisseur of sexual depravity seeking the ultimate sensual experience -- purchases a small, intricate puzzle box from an unseen dealer in an unspecified country. Upon solving the puzzle, Frank opens the door to a hellish alternate universe and is promptly torn to ribbons by a network of hooks and chains; his strewn body parts are subsequently collected by the Cenobites -- grotesque, S & M-clad denizens of hell.

The story continues several years later, when Frank's brother, Larry (Andrew Robinson), moves into Frank's abandoned house with his daughter, Kirsty (Ashley Laurence), and his new wife, Julia (Clare Higgins). An accident causes some of Larry's blood to spill on the attic floor, which somehow triggers Frank's hideous resurrection. His body only half-composed, Frank seeks the tacit assistance of Julia -- with whom he had once had a torrid sexual liaison -- in restoring him to human form. Still secretly in love with Frank, Julia assists him by seducing men from the town and bringing them back to the house so her undead lover can drain their bodies of blood. Her increasingly furtive behavior arouses the suspicions of Kirsty, who had already moved to an apartment to get away from her despised stepmother. After following Julia and her next potential victim home, Kirsty comes face to face with the still-incomplete Frank, narrowly escaping with her life...and with the puzzle box.

After losing consciousness, Kirsty awakens in the hospital, where she manages to solve the box's intricate mechanism and summon a trio of Cenobites -- including their apparent leader (played by Doug Bradley and dubbed "Pinhead" on subsequent sequels) -- who are prepared to claim her. In desperation, Kirsty offers them a bargain in which they agree to spare her soul if she leads them to Frank. Kirsty soon returns home to find Julia with her father...whose behavior has become disturbingly unnatural. Realizing that her father has become Frank's latest victim -- and that her uncle is now walking around in his brother's skin -- Kirsty hands Frank over to the Cenobites, who have particularly evil plans for their old friend. ~ Cavett Binion, Rovi