Patrick McGrath Movies
Directed by David Mackenzie, Asylum follows a 1950s family living in a home on the grounds of an asylum after Max (Hugh Bonneville), the patriarch, is assigned to serve as deputy director of a remote psychiatric hospital. Neither his wife, Stella (Natasha Richardson), nor his young son, Charlie (Augustus Jeremiah Lewis), are particularly happy about the arrangements, though Stella finds herself slowly becoming attracted to Edgar Stark (Marton Csokas), a charismatic inmate. Despite the obvious repercussions of an extramarital affair and the sage advice of Dr. Cleave (Ian McKellen), a colleague of her husband, Stella's slow-burning attraction becomes an all out obsession; before long, Stella is barely aware that she is risking her family, her sanity, and even her very life for Edgar. Asylum is based on a novel by Patrick McGrath. ~ Tracie Cooper, All Movie Guide
- Starring:
- Ian McKellen, Natasha Richardson, (more)
- 2004
This three-hour TV biopic of actress Natalie Wood emulates Citizen Kane by beginning at the end -- the tragically ironic drowning death of the water-phobic actress in 1981 -- then recounts her life story in flashback. Justine Waddell plays the adult Natalie, with younger performers Elizabeth Rice, Candice Moore, and Nadia Scappa portraying the actress in various stages of childhood, adolescence, and puberty. Although little Natasha Gurdin's Russian-born mother and father (here played by Colin Friels and Alice Krige) had drive and ambition, it was the girl herself who energetically and enthusiastically promoted her career as a child star named "Natalie Wood," and it was Natalie herself who demanded that producer stop casting her in cute-kid and ingenue roles and take her seriously as an adult -- even before she technically was one. Naturally, the film recounts Natalie's marriage to actor Robert Wagner (Michael Weatherley), the breakup of the union as she pursued affairs with the likes of Warren Beatty (Matthew Settle), and Wood and Wagner's ultimate reconciliation and remarriage. One might assume that the "mystery" of the film's title is Natalie's death by drowning -- to this day, no one quite knows how she managed to end up in the water -- but it also manifested in the enigma of Natalie herself, a woman who despite her aggressive and unending pursuit of fame and stardom might well have willingly given it all up just to be a wife and mother. In fine old Hollywood-biography tradition, the movie boasts an endless parade of celebrity lookalikes impersonating such friends and colleagues of Natalie Wood as James Dean, Edmund Gwenn, Marilyn Monroe, and directors Irving Pichel, Elia Kazan, and Nicholas Ray, as well as several real-life celebs offering their reflections on the film's protagonist, notably Margaret O'Brien, Robert Vaughn, and Henry Jaglom. Directed by no less than Peter Bogdanovich, The Mystery of Natalie Wood first aired over ABC on March 1, 2004. ~ Hal Erickson, All Movie Guide
- Starring:
- Justine Waddell, Michael Weatherly, (more)
Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg's stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider's recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival. ~ Perry Seibert, All Movie Guide
- Starring:
- Ralph Fiennes, Miranda Richardson, (more)
- 1997
Owen McPolin made his directorial debut with this Irish drama set in the refinery business. Boarding a bus, impoverished Paul Kelliher (Andrew Scott) leaves rural Ireland with dreams of better luck in London. Scotsman Al Russell (James Quarton) offers Paul work, but it requires a return to Ireland. Al's bosses want a giant oil-storage tank cleaned, and the pressure increases as the deadline approaches. Meanwhile, Paul attempts to enroll in college as an alternative to toil with crude oil. Shown at the 1997 Montreal World Film Festival. ~ Bhob Stewart, All Movie Guide
- Starring:
- Andrew Scott, James Quarton, (more)
- 1995
The Grotesque (aka Grave Indiscretion, aka Gentleman Don't Eat Poets) is a very black, very British comedy that puts an unusual and perversely entertaining spin on the classic tea-cup-and-intrigue mystery. Sir Hugo Coal (Alan Bates) is a grumpy, eccentric English gentleman (and self-styled paleontologist) obsessed with reconstructing a dinosaur skeleton with bones dredged up from a nearby moor. He is also penniless, and so must live vicariously off the inheritance of his smoldering American wife Harriet (Theresa Russell). Enter: the crafty and secretive Fledge (Sting) and his wife and co-conspirator Doris (Trudie Styler) the new Coal family servants. Fledge immediately sets his sights on Harriet and the Coal fortune, Doris on the household wine cellar. When Hugo and Harriet's daughter Cleo (Lena Headey) announces her engagement to demure poet Sidney Giblet (Steven Mackintosh), Hugo is less than pleased, but not for long, since Sidney is murdered soon after and, we learn, his body gruesomely disposed of. As the rivalry between Fledge and Hugo escalates, Cleo, the police, and the poet's shrewd mother Mrs. Giblet (Anna Massey) follow a trail of clues from the swampy, bone-littered moor to the Coal pig sties and finally (rather horribly) back to the Coal dinner table. Though criticized for its irreverent humor and somewhat ambiguous ending, The Grotesque is worth a watch. Sting and his real-life partner Trudie Styler (who co-produced the film) are both wonderful as the loathsome, manipulative servants, as is Anna Massey as the poet's investigative mother. The real stars of the film, however, are not the actors, but the dense, ornamental interiors provided by Jan Roelfs and Michael Seirton. Every corner of the Coal mansion is littered with artifacts and art objects, every frame crawling with worms, frogs, and reptiles. Like a Dutch still life, The Grotesque is simultaneously repellent and attractive, a painterly assemblage of morbidity and dramatic artifice. ~ Anthony Reed, All Movie Guide
- Starring:
- Alan Bates, Theresa Russell, (more)
