Susan Anspach Movies

High in the Superstition Mountains of Arizona, a cache of stolen bank money was hidden back in the 1960s. LA based lawyer Bill Paxton, whose security-guard father (David Michael-Standing) has long been held responsible for the heist-he was the only survivor when his armored car was ambushed-conducts a search for witnesses in order to clear his dad's name. Working from his late father's notes, Paxton and his mentally handicapped brother Todd Field attempt to reconstruct the crime and recover the loot. Expressing inordinate fascination in Paxton's efforts are mysterious hitchiker Apollonia Kotero, as well as local sheriff Luke Askew, whose brother was murdered during the robbery. A great many hidden truths and deep dark secrets come to surface during a final bloody confrontation in the mountains. All evidence indicates that director John Kincade intended Back to Back as a tribute to filmmaker Sam Peckinpah-as evidenced by the presence of Peckinpah regular Ben Johnson in a pivotal role. ~ Hal Erickson, All Movie Guide

Siblings Eric Roberts and Julia Roberts appear in this old-fashioned saga about oppressed Sicilian wine-growers in 19th-century California. Giancarlo Giannini stars as Sebastian Collogero, the robust Italian patriarch who is battling with railroad mogul William Bradford Berrigan (Dennis Hopper) to prevent his land from being taken over by the rail company. Sebastian's spirited son, Marco (Eric Roberts), is in love with Angelica (Lara Harris), the daughter of a rival wine-grower's clan. Marco is not very concerned about the warfare about to erupt between the wine-growers and the railroad until Berrigan's thugs torture and kill Sebastian in front of his daughter Maria (Julia Roberts). Marco then gets his friends together and organizes a revolt against Berrigan and his railroad empire. ~ Paul Brenner, All Movie Guide

Page Fletcher stars as the title character in this 1983-1988 made-for-cable suspense anthology. ~ Jason Ankeny, All Movie Guide

Among the first original anthology series to be produced for cable television, The Hitchhiker was a collection of tales of the supernatural and bizarre. The title character, played during the first season by Nicholas Campbell and thereafter by Page Fletcher, was an unnamed drifter who wandered ubiquitously from story to story, sometimes briefly commiserated with the main characters, sometimes acting as a disinterested observer, but always ready with a few pithy and occasional chilling comments of the events which had transpired. Inasmuch as the series carried on pay cable and not "mainstream" commercial TV, the stories contained an abundance of nudity, profanity, and violence. Even so, in most of the half-hour playlets, Evil was severely punished (usually in an ironic "postman always rings twice" fashion) and Virtue more or less triumphed. After 39 episodes on HBO, the series moved to a basic-cable channel, USA, for 46 additional installments. While censorship was somewhat more stringent on USA, The Hitchhiker still managed to serve up rawer and meatier fare than was customary on over-the-air TV of the period. The series was first-run on HBO from November 23, 1983, to May 12, 1987, and on USA from January 4, 1989, to February 22, 1991. ~ All Movie Guide

The made-for-TV Portrait of an Escort stars Susan Anspach as a divorcee in financial straits, has a daughter to support. She takes a job with a professional dating service, charging fifty dollars per customer. Anspach last client of the evening turns out to be a man whose intentions are apparently homicidal. ~ Hal Erickson, All Movie Guide

When an heiress is falsely accused of the murder of her husband, she is assisted by 2 crafty criminal lawyers. ~ All Movie Guide

In this drama, a college president takes a sabbatical so he can work as a ditch-digger and a cafe cook. The story is based on John Chapman's autobiographical book, Blue Collar Journal. ~ Sandra Brennan, All Movie Guide

In the Los Angeles of yoga, therapy, and well-off liberals, a divorcé decides that his ex-wife is the love of his life in Paul Mazursky's romantic comedy. Beverly Hills divorce lawyer Stephen Blume (George Segal) becomes his own client when his social worker wife Nina (Susan Anspach) throws him out for sleeping with his secretary. Only then does Blume realize that he can't live without Nina, even though she seems fine without him, and he has a new sex partner in divorcée Arlene (Marsha Mason). So what does he do to win Nina back? Befriend her laid-back musician beau, Elmo (Kris Kristofferson), show up at her house with breakfast bagels, eavesdrop on her therapy sessions, and forcibly impregnate her, of course. Banished to their former honeymoon site in Venice, Italy while Nina thinks things over, Blume reflects on his past and his obsession, as he dreamily hopes for the best. Cutting between Blume's musings on love and loss in Venice's Piazza San Marco and the events in L.A. that brought him there, Mazursky humorously yet sharply dissects the complications of marriage in the let-it-all-hang-out Me Decade of the 1970s. Blume and Nina face the same dilemma as the couples in Mazursky's 1969 hit Bob & Carol & Ted & Alice: how to mesh traditional vows with the new freedom and its temptations. In this case, it takes a divorce to convince the solipsistic Blume that the woman he wants most is his own wife. Considered by some critics one of the decade's best interrogations of contemporary coupledom, Blume in Love astutely captured the absurdity of Blume's self-involved romantic quest, while slyly celebrating the operatic spirit of love that drives him. ~ Lucia Bozzola, All Movie Guide

This odd film was shot in 1967 but wasn't released until 1991. The reality of the production is quite amazing. The director, who up until then had only filmed documentaries, decided that he wanted to provoke his actors and crew beyond their level of tolerance so that they would in some fashion hijack his production. Ostensibly, they are filming an arty story called "Over the Cliff," which shows the same scene of a split between husband and wife as played by five different couples from a variety of different angles. Eventually the (secretly anticipated) revolt does happen, and the cast and crew film their late-night sessions in which they discuss what can be done to save the movie. Their uncensored and quite intelligent comments were then included in the completed film along with the footage of the continuing saga of the endlessly filmed marital break-up. While the set-up is nothing like that of the contemporaneous television show Candid Camera, reviewers professed discomfort in viewing the cold manipulations which led to the desired result. ~ Clarke Fountain, All Movie Guide

The tapes referred to in the movie title contain evidence revealing a chemical-weapons industry sanctioned by a Soviet-block country; they are filled with computer statistics of the African natives who have succumbed to the illegally dispensed chemicals. The evidence fall into the unwitting hands of an American journalist and her small son. An American special agent is sent to recover the tapes and rescue the endangered journalist from the intrigue. Meanwhile, ruthless Libyan agents intend to secure the tapes at any cost. ~ All Movie Guide