Charles Dingle Movies
Charles Dingle began acting in the first decade of the 20th century, and stayed at it until his last performance in 1955's The Court Martial of Billy Mitchell. His forte was playing brusque, seemingly above-reproach businessmen who'd sell their grandmothers to close a shady financial deal. Though he'd been cast in the New York-filmed One Third of a Nation (1939), Dingle's "official" movie debut was in 1941's The Little Foxes, recreating his stage role as the duplicitous Ben Hubbard. In this and many other film assignments, Charles Dingle lived up to critic Bosley Crowther's succinct description: "a perfect villain in respectable garb." ~ Hal Erickson, All Movie Guide
- 1955
- Add The Court Martial of Billy Mitchell to QueueAdd The Court Martial of Billy Mitchell to top of Queue
In this 1955 Otto Preminger film, Gary Cooper stars as World War I hero Brigadier General Billy Mitchell. The film recounts Mitchell's efforts to prove the viability of a strong air force. The hidebound military higher-ups refuse to finance aviation any further, figuring that the strength of the United States lies in its navy. When a friend is killed by flying a faulty plane, Mitchell charges the War and Navy department with incompetence and criminal negligence. When the brass tries to quietly court-martial Mitchell, they are forced into the open by the strength of public opinion, largely in Mitchell's favor. Subjected to the grilling of prosecutor Alan Guillon (Rod Steiger) during his trial, Mitchell sticks to his guns, even outlining a potential Japanese attack on Pearl Harbor unless the military wises up and strengthens its air power. Elizabeth Montgomery makes her film debut in the role of Margaret Landsdowne. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Charles Bickford, (more)
- 1953
Red Skelton does his best with the situation-comedy trappings of Half a Hero. A sort of poor man's Mr. Blandings Builds His Dream House, the story concerns one Ben Dobson (Skelton), whose wife Martha (Jean Hagen) talks him into leaving the big city and moving into a suburban housing development. Unfortunately, Ben doesn't make enough money to support his new life style, but Martha refuses to consider moving back downtown. When Ben's boss tells him to write a magazine article about the disadvantages of suburbia, Ben seizes upon the opportunity, hoping to teach his wife a lesson, and then, suddenly and improbably, our hero has a change of heart. Domestic comedy was not Red Skelton's forte, but he manages to extract a few laughs with the material at hand. Much funnier within the film's context is Kathleen Freeman as a "welcome wagon" lady and Willard Waterman as an unctuous real estate broker. ~ Hal Erickson, All Movie Guide
- Starring:
- Red Skelton, Jean Hagen, (more)
- 1953
The President's Lady is an historical drama starring Charlton Heston as Andrew Jackson and Susan Hayward as his wife Rachel, Jackson marries Rachel after she divorces her unfaithful first husband (Whitfield Connor), with scandal resulting when the ex-husband refuses to finalize the divorce. Jackson climbs up the military and political ladder, but Rachel is never socially acceptable due to her "tainted" past. Nonetheless, Jackson stands staunchly beside his wife, even fighting a duel for her honor. On the eve of Jackson's presidential election, Rachel dies, but "Ol' Hickory" takes comfort in recalling a marriage that remained happy against all odds. The best sequence in The President's Lady is a comic vignette which explodes the legend of the "pipe-smoking" Rachel Jackson. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, Charlton Heston, (more)
Ethel Merman reprised her role as a socialite turned diplomat in this screen adaptation of Irving Berlin's hit Broadway musical. Sally Adams (Merman) has made it her business to know everyone worth knowing in Washington D.C., and her penchant for parties pays off when she's appointed United States Ambassador to Lichtenburg. Once she is installed in her new position, she falls in love with suave Foreign Minister Cosmo Constantine (George Sanders), while Princess Maria (Vera-Ellen) has her head turned by Sally's press attaché, Kenneth (Donand O'Connor). Call Me Madam is a showcase for Merman's roof-raising musical comedy style, and here she gets to sing a handful of Berlin tunes, including "You're Just In Love," "Can You Use Any Money Today?" and "Hostess With The Mostes' on the Ball." Vera-Ellen's singing was dubbed by Carol Richards. ~ Mark Deming, All Movie Guide
- Starring:
- Ethel Merman, Donald O'Connor, (more)
- 1952
Self-centered Washington socialite Rosalind Russell joins the WACS in order to be near her boyfriend William Ching, a GI stationed in Paris. Russell is certain that her DC connections will enable her to get out of the service as easily as she got in. Unfortunately for her, Russell's ex-husband Paul Douglas decides to teach her a lesson by pulling a few strings himself. Several of the army-camp scenes are stolen by Marie Wilson as an amply proportioned chorus girl, who's joined the WACS to escape stage-door johnnies. Filmed in part on location at the Women's Army Corps training center at Fort Lee, Virginia, Never Wave at a WAC was produced by Rosalind Russell's husband, Frederick Brisson. The film was released in England as The Private Wore Skirts. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Paul Douglas, (more)
- 1949
Wallace Beery's final film was the curiously endearing "black comedy" Big Jack. Set in 1820, a time when "science was a crime and crime not yet a science," the film casts Beery and Marjorie Main as outlaws Big Jack Horner and Flapjack Kate. The two bandits rescue visionary young doctor Alexander Meade (Richard Conte), who is about to be hanged for body-snatching. Meade is a tireless campaigner for modern surgical methods, thus he is forced to steal cadavers for his experiments. Big Jack is only interested in having the doc operate on his injured leg, but pretty soon he too is captivated by Meade's idealism. The film's many subplots all come to a head when Meade must prove his surgical theories by performing a delicate operation. Throughout, the film displays a cheerful disregard for the "dignity" of the deceased. One lengthy sequence finds an unbilled Andy Clyde buried alive after being declared legally dead; he laughs uproariously about the misunderstanding, then promptly drinks himself to death! The punchline to this scene occurs when Clyde's widow finds his remains evenly distributed in several mason jars, whereupon she remarks, "Oh, paw, now they've gone and bottled ya!" Vanessa Brown provides the requisite love interest. ~ Hal Erickson, All Movie Guide
- Starring:
- Wallace Beery, Richard Conte, (more)
Frank Capra's only MGM film, State of the Union was adapted by Anthony Veiller and Myles Connolly from the Pulitzer Prize-winning play by Howard Lindsay and Russell Crouse. Spencer Tracy plays an aircraft tycoon who is coerced into seeking the Republican Presidential nomination by predatory newspaper mogul Angela Lansbury. Campaign manager Van Johnson suggests that, for appearance's sake, Tracy be reunited with his estranged wife Katharine Hepburn (replacing Claudette Colbert, who'd ankled the project after a pre-production donnybrook with director Capra). Realizing that Tracy and Lansbury are having an affair, Hepburn nonetheless agrees to grow through the devoted-wife charade because she believes that Tracy just might make a good President. Her faith is shattered when Tracy, corrupted by the Washington power brokers, publicly compromises his values in order to get votes. Only in the film's last moments does Tracy prove himself worthy of Hepburn's love and his own self-respect by admitting his dishonesty during a nationwide radio-TV broadcast. Much of the biting wit in the original Broadway production of State of the Union is sacrificed in favor of the director's patented "Capracorn," but the film is no less entertaining because of this. As usual, the supporting cast is impeccable, from featured players Adolphe Menjou (whose off-camera political arguments with Hepburn threatened to shut down production at times) and Margaret Hamilton, to bit actors like Carl "Alfalfa" Switzer and Tor (Plan 9 From Outer Space) Johnson. Because the television rights to State of the Union belonged to Capra's Liberty Films, the picture was released to TV by MCA rather than MGM's syndication division. ~ Hal Erickson, All Movie Guide
- Starring:
- Florence Auer, Spencer Tracy, (more)
- 1948
Hot on the heels of Columbia's The Fuller Brush Man, MGM released another Red Skelton gagfest, A Southern Yankee. Set during the Civil War, the film casts Skelton as bumbling bellboy Aubrey Filmore. Yearning to help the Northern cause by becoming an undercover spy, Aubrey succeeds beyond his wildest dreams when circumstances force him to pose as notorious Southern secret agent Major Drumman (George Coulouris), aka "The Grey Spider". Infiltrating rebel territory, our hero does his best (which is none too good) to intercept the Grey Spider's messages and smuggle them to the North. Along the way, he falls in love with pert Southern belle Sallyann Weatherby (Arlene Dahl). Many of the side-splitting gag routines were devised by Buster Keaton, notably the now-famous scene in which Aubrey gingerly walks across the battlefield between Northern and Southern lines carrying a two-sided flag -- the Northern Stars and Stripes on one side, the Southern Stars and Bars on the other -- a strategy that works until the wind suddenly changes! Though Edward Sedgwick is credited with the direction, Red Skelton later revealed that A Southern Yankee was actually directed by S. Sylvan Simon. ~ Hal Erickson, All Movie Guide
- Starring:
- Red Skelton, Brian Donlevy, (more)
- 1948
Hoping for a success commensurate with his previous Show Business (1945), comedian Eddie Cantor poured a lot of his own money into the RKO Radio musical If You Knew Susie. Cantor and his Show Business co-star Joan Davis are reteamed herein as ex-vaudevillians Sam and Susie Parker, who retire to a small and rather cloistered New England town. Faced with the snobbery of the local "aristocracy," Sam and Susie come to believe that they aren't worthy of their new neighbors, nor of their own children. All this changes when the Parkers find a document signed by George Washington bestowing $50,000 on one of Sam's forebears! According to the government, Sam and Susie are now owed several billion dollars interest. Sam patriotically refuses to accept the money, thereby becoming a national hero -- but not before a plenitude of comic plot twists involving gangsters Sheldon Leonard and Joe Sawyer. Cast as the Parkers' daughter Marjorie is "newcomer" Margaret Kerry, who'd actually been in films since 1936 as child actress Peggy Lynch. One of the musical highlights in If You Knew Susie is a clip from Show Business, featuring Cantor, Davis, George Murphy and Constance Moore. ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Cantor, Joan Davis, (more)
- 1947
Janet Leigh made an impressive film-debut in MGM's The Romance of Rosy Ridge. Though the title suggests a lighthearted musical, the film is actually a fairly sober adaptation (with slight comic undertones) of a novel by Mackinlay Kantor. In the days following the Civil War, a Missouri farming community lives in a state of constant tension due to conflicting pro-North and pro-South sentiments. Into this situation ambles ex-Union soldier Henry Carson (Van Johnson), who briefly camps out at the farm of unforgiving Confederate sympathizer Gill MacBean (Thomas Mitchell). Suspecting that Carson is up to no good, MacBean is sure of it when the handsome stranger begins courting MacBean's daughter Lissy Anne (Leigh). Things come to a head dramatically when the heretofore easygoing Carson comes face to face with a band of hooded, night-riding barn burners who've been fomenting discord among the farmers. ~ Hal Erickson, All Movie Guide
- Starring:
- Joyce Arling, Van Johnson, (more)
- 1947
A curmudgeonly small-town doctor resents the presence of a new younger physician and his newfangled ways. He is especially dismayed by the new doctor's tendency to sing, a behavior the older fellow deems inappropriate. When the new doc meets a pretty young school teacher, romantic sparks fly. Unfortunately, she is engaged to the town pharmacist. This coupled with the older doctor's disapproval convinces the new fellow to leave town. The elder physician's maid intervenes and changes the young ones mind. It's a good thing too, for he saves the older one from a near fatal attack of appendicitis and earns both the veteran medic's gratitude and respect. Later the two take on a snooty new surgeon whose ambition has blinded him to simple common sense. ~ Sandra Brennan, All Movie Guide
- Starring:
- Don Beddoe, Bing Crosby, (more)
Just as Bob Hope's My Favorite Blonde (1942) was a takeoff on Alfred Hitchcock, Hope's My Favorite Brunette was a lampoon of the noirish "hard-boiled detective" school popularized by Raymond Chandler. Awaiting execution on death row, Hope tells the gathered reporters how he got into his present predicament. It seems that Hope was once a baby photographer, his office adjacent to the one leased by a private detective (played in an amusing unbilled cameo by Alan Ladd). While hanging around the p.i.'s office, Hope is mistaken for the detective by beautiful client Dorothy Lamour. She hires Hope to search for her missing uncle, and also entrusts him with a valuable map. Hope's diligent (if inept) sleuthing takes him to a shady rest sanitarium, where he runs afoul of lamebrained henchman Lon Chaney, Jr. and sinister, knife-throwing Peter Lorre. Both are in the employ of attorney Charles Dingle, who is responsible for the disappearance of Lamour's uncle. Escaping the sanitarium with Lamour in tow, Hope follows the trail of evidence to noted geologist Reginald Denny. The geologist is murdered, and Hope is accused of the crime. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Dorothy Lamour, (more)
- 1946
Otto Preminger directed this romantic musical (something of a change of pace for the rather serious-minded director) set in Philadephia in 1876. The upcoming Centennial Exposition is the talk of the town, and sisters Julia (Jeanne Crain) and Edith (Linda Darnell) find themselves romantic rivals when they both fall for Philippe (Cornel Wilde), a suave Frenchman in town for the celebration. Their mother Harriet (Dorothy Gish) might offer more advice if she weren't busy looking after her husband Jesse (Walter Brennan), who is busy tinkering with inventions that he's convinced will make him a rich man. Jerome Kern composed the film's'score and co-wrote several songs, including "Up with the Lark," "The Right Romance," and "All Through the Day." It was the last film work he would complete prior to his death in 1945. ~ Mark Deming, All Movie Guide
- Starring:
- Jeanne Crain, Louis Austin, (more)
- 1946
We prefer Rosalind Russell when she's making us laugh; judging by such films as Mourning Becomes Electra and The Velvet Touch, Russell preferred herself in heavy dramatics. In Sister Kenny, Rosalind Russell is all grim determination and pursed lips as Elizabeth Kenny, tireless battler of infantile paralysis. It is in the Australian outback that nurse Kenny first confronts the debilitating illness. Forsaking her private life (as well as any romantic entanglements), Kenny battles with the medical establishment in order to bring her radical theories towards conquering the disease to the public. Her ultimate triumph is solidified upon the formation of Minneapolis' Kenny Institute. Based on Elizabeth Kenny's autobiography, A solid piece of film craftsmanship, Sister Kenny was the sort of glossy prestige picture that always made Hollywood look good in the eyes of its staunchest critics; it was also the sort of picture that almost invariably lost a fortune at the box office (Sister Kenny took a bath to the tune of $660,000). ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Alexander Knox, (more)
- 1946
Alexandre Dumas' famous fictional count gets revenge in this lively sequel to the original story. The Monte Cristo count begins by returning to Paris under an assumed name. There he helps the beleaguered poor who most suffered from the early 19th-century revolution. The cloaked count soon finds himself pursued by a cruel policeman. The count's brave wife throws the cop off her husband's scent by dressing up as the masked avenger herself and by proving that she too is most competent with a sword. Swashbuckling mayhem ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lenore Aubert, Colin Campbell, (more)
In David O. Selznick's Duel in the Sun, Jennifer Jones stars as Pearl Chavez, whom everyone has tagged as a "bad girl" foredoomed to an unhappy end. She is taken into the home of wealthy, greedy rancher McCanles (Lionel Barrymore) and his kindly wife Laura Belle (Lillian Gish), who'd once been the sweetheart of Pearl's recently executed father (Herbert Marshall). Almost immediately, Pearl becomes the object of an emotional tug-of-war between McCanles' virtuous son Jesse (Joseph Cotten) and wicked ne'er-do-well offspring Lewt (Gregory Peck). After killing a man (Charles Bickford) who'd tried proposing to Pearl, Lewt becomes a fugitive, secretly working to undermine the railroad that threatens to cut across McCanles' land. The level-headed Jesse tries to negotiate with the railroad men, and as a result is ordered from the ranch by McCanles. While all this is going on, Pearl, sick to death of being told what a bad job she is, decides to become the Jezebel everyone assumes she is. Duel in the Sun was based on the novel by Niven Busch, who'd written the work hoping that his wife Teresa Wright would play Pearl--but that was before Selznick fell head over heels in love with Jennifer Jones. ~ Hal Erickson, All Movie Guide
- Starring:
- Griff Barnett, Jennifer Jones, (more)
- 1946
Busby Berkeley directed this lightweight musical comedy in which Judy Jones (Joan Leslie) is informed that she's due to receive a $10 million inheritance, but with one very large string attached: she has to marry an unusually intelligent man. With the call of her checking account ringing loudly in her ears, Judy gives her boyfriend Tommy Coles (Robert Alda), the leader of a dance band, his walking papers. She next enrolls in a (previously) all-male Institute of Technology, where she figures that bright boys will be easy pickings. However, snaring her dream man proves more difficult than she imagined, and she finds out that Tommy is a lot brighter than she originally thought. Sammy Cahn and Jule Styne wrote the songs for this film, which include "You Never Know Where You're Goin' Till You Get There" and "When the One You Love Simply Won't Love Back." ~ Mark Deming, All Movie Guide
- Starring:
- Joan Leslie, Robert Alda, (more)
- 1946
Even if the film had been released without opening and closing titles, it wouldn't have been hard to identify Three Wise Fools as an MGM production. Margaret O'Brien stars as Sheila O'Monhan, a wide-eyed Irish colleen who insists that she sees leprechauns (as, indeed, does the audience). She enters the lives of three dour, crusty old gentlemen: Dr. Richard Gaunght (Lionel Barrymore), Judge Thomas Trumbull (Lewis Stone), and industrialist Theodore Finley (Edward Arnold). Thanks to a curse imposed upon them by Sheila's grandfather, the three men have all found success at the expense of personal happiness. But there's still a chance for their salvation, and that chance manifests itself in an old tree which Sheila believes is the home of the leprechauns. The finale finds Gaunght, won over by Sheila's childish faith in The Unexplained, chaining himself to the tree to avoid its removal by Finley and Trumbull. Anyone who can't guess how this little bit of blarney turns out should have his or her film-buff card revoked. ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret O'Brien, Lionel Barrymore, (more)
- 1946
This movie is an early horror film classic and certainly one that a well-rounded horror movie aficionado should not miss. An invalid concert pianist dies, leaving a will that does not include his personal secretary Hilary Cummins (Peter Lorre) as a beneficiary. Furious, the left-out yes-man cuts off a hand from the corpse and plots revenge. Unfortunately for Hilary, the hand inherits a life of its own and relentlessly stalks the wild-eyed Lorre as he flees in vain. Special effects keep the audience jumping as they dread the next appearance of this gruesome walking hand. The film is directed by Robert Florey, who also directed Murders in the Rue Morgue (1932). ~ All Movie Guide
- Starring:
- Robert Alda, Andrea King, (more)
- 1945
This screwball comedy stars Claudette Colbert as Mary, the wife of bumbling but likeable banker Chris (Dick Foran). Foreign correspondent Joe (Don Ameche) Chris' best friend, is in danger of losing his job because he's not married (his boss insists that all his employees be married-and remember, bosses could get away with this in 1945!) Mary magnamimously offers to pose as Joe's wife, leading to all sorts of comic misunderstandings-the silliest of which finds Mary being accused of living in sin with her real husband. As one critic put it, "It's oh-ho time!" Guest Wife might have even been funnier had it not been hampered by the stringest censorship of the era. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Don Ameche, (more)
- 1945
At 88 minutes, Here Come the Co-Eds is one of the longest of Abbott & Costello's Universal starring vehicles, and though not necessarily the best, it manages to sustain a high comic content throughout. The scene is a financially strapped girl's college, where professional dancer Molly (Martha O'Driscoll) lands a scholarship. Molly's manager-brother Slat (Bud Abbott) has arranged this as a means to publicize his sister's showbiz career, which angers the college's chairman of the board (Charles Dingle), who threatens to foreclose on the school. To keep tabs on Molly and also find ways of raising the mortgage money, Slats and his pal Oliver (Lou Costello) takes jobs as school caretakers, immediately running afoul of ill-tempered groundskeeper Johnson (Lon Chaney Jr.) One of Slats' schemes involves a championship basketball game, in which Oliver, hypnotized into thinking that he's petite female student "Daisy Dimple", effortlessly sinks one basket after another (Costello, a top high school athlete, performed these scenes without the aid of a double). What ultimately saves the college is a concert by Phil Spitalny and his all-girl orchestra, featuring "Evelyn and Her Magic Violin." While the obligatory chase scene in Here Come the Coeds (this time involving a sailboat on wheels!) is a disappointment, several of Abbott & Costello's comic setpieces are hilarious, notably the time-honored "Jonah and the Whale" routine and the "oyster in the chowder" bit. Funniest line: while performing a musical duet with costar Peggy Ryan, Costello sighs "I feel just like Donald O'Connor." ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1945
John Steinbeck cowrote this sometimes hilarious, sometimes heart-wrenching study of small-town hypocrisy. Shiftless Benny (who is never seen) has been tossed out of his Southern California town by the "proper" citizens. Drafted into the army, Benny is killed in action--and now that he's a hero, his old home town gears up for a Congressional Medal of Honor ceremony. Suddenly the same upright townsfolk who'd previously scorned Benny and his impoverished father (J. Carroll Naish) bend over backward to prove how much they "loved" the boy. Only Dorothy Lamour, playing Benny's former sweetheart, sees through the sham, though she's honor bound to celebrate Benny's heroism. A Medal for Benny bestows top billing upon Lamour, but the film's true star is J. Carroll Naish as Benny's volatile Italian papa--a performance which won Naish an Academy Award nomination. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Arturo de Cordova, (more)
- 1944
This film gives a fictionalized version of how the popular real-life radio program of the title began. A promoter has an idea for a show devoted to various country musicians, and an ad agency owner is interested. The promoter goes down South, finds some talented acts, and brings them back to Chicago, but the owner has changed his mind. The musicians pose as the owner's servants and wow him with a show to end all shows, and "National Barn Dance" is born. ~ Steve Huey, All Movie Guide
- Starring:
- Jean Heather, Charles Quigley, (more)
- 1944
The title Together Again referred to the fact that frequent costarsIrene Dunne and Charles Boyer were once more united on film. Dunne plays the lady mayor of a small Vermont town. Boyer portrays a big-city sculptor, hired to erect a statue in the memory of Irene's husband, the former mayor. Dunne and Boyer fall in love, but there's plenty of interference from snoops, gossips and well-meaning relatives. Further muddying the waters is Dunne's daughter Mona Freeman, who mistakenly believes that Boyer has eyes for her. Foxy father-in-law Charles Coburn is the cupidic catalyst in getting Dunne and Boyer to the altar by film's end. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Charles Boyer, (more)
- 1944
In this touching drama, city-slicker Sparke Thorton goes to live on his aunt and uncle's horse farm in the country. The couple have basically retired from horse-breeding and only have one trotter left. Sparks fly when the young man meets the lovely Char and Cri-Cri, the two farm girls who introduce him to the finer aspects of country life including the cool pleasures of the swimming hole. He soon decides that he wants to raise a filly and become a champion racer. His uncle and the handyman help him. Much of the film was shot on location on racetracks in Kentucky, Indiana, and Ohio. There is also a sequence depicting the filly's birth, but it is sensitively handled. ~ Sandra Brennan, All Movie Guide
- Starring:
- Walter Brennan, Lon McCallister, (more)
