Nick Dimitri Movies

Arnold Schwarzenegger appears as a pumped-up Shakespearian hero while an announcer bellows, "Something is rotten in Denmark -- and Hamlet is taking out the trash!" This gag sets the stage for the post-modernist action epic The Last Action Hero. The film concerns Danny Madigan (Austin O'Brien), a lonely eleven-year-old boy who escapes from his bleak New York City reality by glorying in the action adventure movies of his favorite film character, Jack Slater (Arnold Schwarzenegger). Danny's friend is an elderly movie projectionist, Nick (Robert Prosky), who lets Danny into the shabby Times Square movie theater where he works so Danny can see Slater's new movie. He hands Danny a magic ticket given to him years ago by Houdini, and when Nick rips the ticket and gives Danny the stub, Danny finds himself catapulted from the theater into the back seat of Slater's speeding sports car in "Jack Slater IV." Danny becomes Slater's helper as Jack battles a trio of nefarious bad guys --Benedict (Charles Dance), Vivaldi (Anthony Quinn) and The Ripper (Tom Noonan). But things get out of hand when Benedict steals Danny's magic ticket stub and transports himself into Danny's reality. Benedict and The Ripper proceed to wreak havoc along Broadway, forcing Slater to cross into reality to get the villains and, in the process, learn about blood and pain. ~ Paul Brenner, Rovi

Steven Seagal plays a good if troubled man living in a corrupt world (sound familiar yet?) in this action drama. Gino Felino (Seagal) is a cop who grew up in a tough Brooklyn neighborhood, and while many of his old friends now live on the other side of the law, he retains a fierce loyalty to the community. When his partner, a friend since childhood, is murdered -- in broad daylight, and in clear view of his wife and children -- Gino is assigned to investigate, and he soon learns that the shooter was Richie Madano (William Forsythe), his life-long nemesis and now a low-level wise guy with an addiction to crack. Gino swings into action to bring Richie to justice, though he discovers that he's not the first in line -- the Don who oversees Richie's crew is appalled by this crime, and Gino has to bring Richie in before the Mafia can put a bullet in his head. Out for Justice also features Jerry Orbach, Jo Champa, and Gina Gershon; keep an eye peeled for John Leguizamo and Julianna Margulies in small roles. ~ Mark Deming, Rovi

Dead Poets Society and Die Hard bash heads in this action drama set in a Northeastern prep school. The film opens as a crazed Central American terrorist, Luis Cali (Andrew Divoff), goes on a shooting spree, attempting to gain his drug baron father's release from extradition to the United States. The following sequence introduces some malcontented rich kids from the prep school --Joey Trotta (Wil Wheaton), the son of a New Jersey mob leader; Billy Tepper (Sean Astin), a reprobate who has been to four boarding schools in as many years; Snuffy Bradbury (Keith Coogan), whose rich banker father is the chairman of the Republican Party; Ricardo Montoya (George Perez), the son of a big-shot lawyer; and Hank Giles (T.E. Russell), whose father is the head of the House Armed Services Committee. The boys disregard their studies and spend their waking hours giving Dean Parker (Louis Gossett Jr.) a hard time. The two storylines collide when Luis, with a group of terrorist goons, make their way across the U.S. border and invade the boarding school, planning to take hostage the son of his father's judge. But the authorities have already removed the boy from danger, so Luis and the terrorists decide to hold the entire student body hostage until their demands are met. Working with the FBI and the special government forces, the rebellious groups of boys have to devise a plan to short-circuit the hostage situation. ~ Paul Brenner, Rovi

One by-product of two consecutive Oscar wins is that Tom Hanks no longer has to appear in such potboilers as Turner and Hooch. Hanks plays Turner, a meticulously groomed, excruciatingly well-organized detective working in a small California coastal town. When local "character" Amos Reed (John McIntire) is murdered by drug smugglers, the only witness is Reed's slobbery, smelly mutt, Hooch. You're way ahead of us, folks: Turner, who despises dogs in general and Hooch in particular, is compelled to put the cantankerous dog up as his house guest. Also easily predictable is the fact that Turner and Hooch will, by the next-to-last reel, become boon companions. To its credit, the film has an abundance of laughs and thrills...but, gee, that ending! Neither terrific nor terrible, Turner and Hooch is a pleasant time-filler; we do wish, however, that more time had been spent on the budding romance between Turner and veterinarian Emily Carson (Mare Winningham). ~ Hal Erickson, Rovi

Carla (Rhea Perlman) wants to win the dance contest at the annual Boston Boppers reunion, but her partner of choice, ex-husband Nick (Dan Hedaya), already has a date (his wife). Intending to show Nick up, Carla chooses another partner, who is unfortunately sidelined by an injury. Thus it comes to pass that loyal old Sam (Ted Danson) escorts Carla to the dance floor. ~ Hal Erickson, Rovi

A teenage horror film addict is shocked to discover that his new next-door neighbor is a vampire in this delightful mix of horror and comedy. The problems only grow for young Charley Brewster (William Ragsdale) when he expresses his thoughts about fanged new neighbor Jerry Dandridge (Chris Sarandon). His girlfriend, Amy (Amanda Bearse), thinks Charley is avoiding their relationship issues, his single mom thinks Dandridge (Chris Sarandon) could be a potential boyfriend, and his buddy "Evil" (Stephen Geoffreys) just thinks Charley's losing it. Worst of all, Dandridge and his nasty assistant, Billy Cole (Jonathan Stark), are on to Charley's wild notions -- and have plans to pay him a late-night visit to silence him. With no one to help him, Charley turns to the one man he knows has faced the wrath of the undead and lived, the fearless vampire killer Peter Vincent (Roddy McDowall). A washed-up actor who has just been fired from his job as the host of a late-night horror show, Vincent is not about to believe in the rantings of an impressionable teen. However, lured by Amy's cash offer, he agrees to help her convince Charley that Dandridge isn't a vampire. There is just one problem: Dandridge is a vampire and when Amy falls under his evil spell, its up Charley and Peter to drive a stake through their potential romance. ~ Patrick Legare, Rovi

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, Rovi

Congregating at a French restaurant, the A-Team is reunited with Lin Duk Coo (Mako), formerly the cook at the Vietnamese POW camp where they'd been imprisoned during the war. Naturally, Lin is in desperate need of the team's help, thanks to the villainous machinations of the prison camp's sadistic former commandant General Chow (John Fujioka), who, in league with traitorous ex-soldier Tom Anderson (Marjoe Gortner), is currently smuggling heroin into the country. Disguising himself as a golf caddy, Hannibal (George Peppard) is able to figure out that the drugs are being hidden in bread produced at the Angel Bakery--thereby setting up the climax in which a modified bakery truck functions as a tank! ~ Hal Erickson, Rovi

In Richard Benjamin's directorial debut, Mark Linn-Baker stars as Benjy Stone, junior writer on the popular 1950s TV comedy/variety series The King Kaiser Show. Kaiser (Joseph Bologna)'s guest star this week is Hollywood matinee idol Alan Swann (Peter O'Toole), a swashbuckling Errol Flynn type, right down to his indiscriminate womanizing and fondness for mass quantities of booze. Stone is assigned to keep the actor out of trouble during rehearsals and deliver him sober to the performance. Becoming fast friends, Stone and Swann alternate baby-sitting responsibilities: Swann takes the young writer to the Stork Club and on an early-morning jaunt through Central Park with a "borrowed" police horse, while Stone takes Swann to his home, where the star is fawned over by Benji's mom (Lainie Kazan) and asked embarrassing questions about his love life by Uncle Morty (Lou Jacobi). Despite a few anxious moments, all goes well until Swann, panicking at the discovery that King Kaiser's show will be telecast live and not on film, walks out just before airtime. Shamed by Benjy into honoring his committment, Swann makes a spectacular, timber-smashing entrance, saving the show and rescuing Kaiser from being rubbed out by a gangster (Cameron Mitchell) whom the comedian has offended. The film co-stars Jessica Harper, Gloria Stuart and Selma Diamond, a real-life comedy writer for Sid Caesar. My Favorite Year was converted into an unsuccessful Broadway musical in the early 1990s. ~ Hal Erickson, Rovi

It's The African Queen meets Richard Pryor in this schmaltzy and salty attempt by Pryor to appeal to the family crowd. Pryor plays Joe Braxton, an inept burglar whose parole officer Donald (Robert Christian) wants to help out. Knowing that Joe is an excellent mechanic, he refers him to Vivian Perry (Cicely Tyson), the director of a school for emotionally disturbed children. The school is about to close for lack of funds, and Vivian wants to flee Philadelphia with eight of her charges and get to a farm in Washington State where the children can grow up in the fresh air and away from the urban environment. Joe is enlisted to drive the bus, which continually breaks down en route, permitting Joe plenty of time to interact with the kids -- taking them fishing, teaching them strip poker, and convincing a Vietnamese girl not to sell her body. The prim and proper Vivian holds up her nose at the vulgar and sloppy Joe, so it is inevitable that at journey's end the two will find true romance. ~ Paul Brenner, Rovi

In the first half of a two-part story, Jim (James Garner) investigates the mysterious death of his mentor Joe Tooley (Paul Fix) on the Ventura Freeway. Assisting Jim--in a manner of speaking--is greenhorn detective Richie Brockelman (Dennis Dugan), who likewise suspects that Tooley's demise was no accident. The evidence leads to a crooked city councilman and a sinister data-storage firm called the Credit Computer Centre. This episode and its followup served to introduce the character of Richie Brockelman, soon to be spun off into his own eponymously titled TV series. ~ Hal Erickson, Rovi

After writing, directing, and starring in The Adventure of Sherlock Holmes' Smarter Brother, Gene Wilder added the producer's hat to his three-headed beast in The World's Greatest Lover. Wilder plays Rudy Valentine, a Milwaukee baker who enters a talent search in the Hollywood of the 1920s, initiated by movie studio mogul Zitz (Dom DeLuise), to find a new Rudolph Valentino. He travels to Hollywood with his wife Annie (Carol Kane) in hopes of taking a screen test, but Annie falls in love with the real Valentino. Jealous of the Latin Lover, Rudy disguises himself as a sheik in an attempt to look like Valentino. Rudy then invites Annie to a rendezvous at the studio, where he tries to seduce his own wife. ~ Paul Brenner, Rovi

Also known as The Streetfighter, Hard Times stars Charles Bronson as Chaney, an aging bare-knuckle boxer, trying to scratch out a living in the middle of the Depression. "Speed" (James Coburn) is the two-bit promoter who books Chaney in the tank towns of the South and Midwest. He is briefly reinvigorated by an affair with the lovely Lucy (Jill Ireland, Mrs. Bronson in real life), but it's back to the seedy realm before too long. Hard Times represented the directorial debut of Walter Hill, who even at this early stage demonstrated the gritty verisimilitude that he'd bring to such future projects as The Warriors (1979) and 48 Hrs. (1984). ~ Hal Erickson, Rovi