Matt Dillon Movies
For a long time, Matt Dillon was a teen idol known mostly for his Tiger Beat-ready looks, but he was able to make a successful transition from pubescent star to adult actor. As he grew, his physical attributes -- the dark, pretty-boy eyes and glacier-cut cheekbones -- matured with him, making him well-suited to portray characters whose golden-boy pasts have been eclipsed by adult experience.A native of New Rochelle, NY, where he was born on February 18, 1964, Dillon was a product of a pop-culture milieu. The nephew of comic-strip artist Alex Raymond, creator of Flash Gordon, Jungle Jim, and Rip Kirby, he was named for the protagonist of the TV Western Gunsmoke. Dillon was raised as the second oldest of the five sons and one daughter of a stockbroker and a homemaker. He began acting in elementary school, and, at the age of 14, he was discovered by Warner Bros. talent scouts while cutting class. After making a memorable impression on casting director Vic Ramos with an eerily accurate impersonation of the character he was asked to audition for, Dillon won the part and made his film debut as a school bully in Jonathan Kaplan's 1979 teenage drama Over the Edge. His work in the film opened the floodgates for roles in similar teen movies, and over the next few years, Dillon could be seen as the photogenic mouthpiece for adolescent discontent in such films as My Bodyguard (1980), Little Darlings (1980), Tex (1982), Rumble Fish (1983), and that seminal exploration of teenage alienation, The Outsiders (1983).
By the mid-'80s, Dillon sought to move beyond the teen mold and began taking more adult roles. His breakthrough into the grown-up realm came with his somber, unheroic portrayal of a junkie trying to come clean in Gus Van Sant's acclaimed Drugstore Cowboy (1989). His status as an adult performer firmly established, Dillon went on to star in films of varying quality, doing some of his most memorable work in Singles (1992), as the egocentric slacker head of a terrifically bad grunge band; To Die For (1995), as the well-meaning but tragically dim husband of a psychotic weather girl (Nicole Kidman); Kevin Spacey's Albino Alligator (1995), as a small-time New Orleans crook; and Beautiful Girls (1996), in which Dillon was perfectly cast as a small-town snow plower unable to make good on the promise of his high-school glory days.
Dillon had pivotal roles in several Hollywood hits between 1997 and 1998. The first, In & Out, called for him to caricature himself as a peroxided movie star who unwittingly outs his ex-high school teacher on national television. The following year, he again proved his capacity for bottom-dwelling when he played a woefully unqualified high-school guidance counselor in the delightfully trashy Wild Things and once more when he starred alongside then-girlfriend Cameron Diaz in There's Something About Mary as a sleazy personal investigator, only to drop off the radar for three years before starring in the disappointing One Night at McCool's (2001) with John Goodman and Liv Tyler.
The year 2002 found Dillon in the director's chair as well as on the big screen in The City of Ghosts, in which he played a young man under suspicion of insurance fraud. Though the film -- which Dillon also helped write -- received mixed reviews critically, Dillon was lauded for a nonetheless impressive directorial debut. The same year featured Dillon as a mobster in director Scott Kalvert's Deuces Wild and later as an interviewee in the documentary Rockets Redglare!, which also included Steve Buscemi and Willem Dafoe. After participating in 2003's Breakfast With Hunter, which centered on gonzo writer Hunter S. Thompson, Dillon went on to film 2004's Employee of the Month with Steve Zahn and Christina Applegate, which screened at that year's installment of the Sundance Film Festival.
2005 would prove to be quite a big year for Dillon, with him appearing a no less than four films of varying size. In addition to the lead in the low-budget Charles Bukowski adaptation Factotum, the actor could also be seen in two ensemble dramas: the Kevin Bacon-directed Loverboy and Crash, a film from Million Dollar Baby scribe Paul Haggis about the intertwining lives of a group of Los Angelenos that would earn Dillon his first Oscar nomination. He also appeared as the villain in the rebirth of Disney's classic Lovebug series, Herbie: Fully Loaded.
He followed up his appearance in the Oscar winning Crash by starring opposite Owen Wilson and Kate Hudson in the comedy You, Me and Dupree as a loyal best friend forced to deal with the outrageous antics of a friend who becomes a houseguest and the effects it has on his marriage. He next signed on for a serious turn in the political drama Nothing But the Truth with Kate Beckinsale, and joined the cast of the thriller Armored, with Lawrence Fishburn. ~ Rebecca Flint Marx, All Movie Guide
- 1982
Most filmgoers will associate humorist Jean Shepherd exclusively with his autobiographical big-screen nostalgia piece A Christmas Story (1983), which has drawn millions of loyal viewers over the years with its charm. Its devotees may be surprised to discover that several PBS-produced Shepherd teleplays preceded it, nearly identical in tone and brand of humor. Made for PBS in 1982, the hour-long The Great American Fourth of July and Other Disasters sends up middle-American Independence Day festivities with manic glee -- thus doing for the Fourth exactly what A Christmas Story does for the Yuletide season. The Great American Fourth carries us to small-town Americana, where several subplots unfold concurrently. In one, Ralph -- here a teenager, played by Matt Dillon -- prepares to go on a date with his buddy's resplendent cousin, and makes a fool of himself by spilling licorice candy all over the aisles; in a second, Mom (Barbara Bolton) makes good to an absurd degree on a "chain letter" by suddenly inheriting more washrags (that's right, washrags) than she ever knew existed; in a third, a local baton twirler tosses his bar a little too high and blacks out the entire town. In yet another substory, the town drunk, Ludlow Kissel (Babe Sargent) sets off a rather destructive firework with a mind of its own, which manically chases a pack of children down the street and refuses to be outwitted. And, in the gut-busting showstopper that concludes the film, the Old Man (James Broderick, of Family) hosts a public fireworks display by shooting off Roman candles from his pants. This marked Broderick's final screen appearance; he died several months after it was produced. To date, neither The Great American Fourth of July nor any of Jean Shepherd's other early PBS specials have received home-video distribution. A witty prologue was added for Disney Channel screenings in the mid-'80s, wherein the late Shepherd himself is seen driving to a fireworks store in the Carolinas. ~ Nathan Southern, All Movie Guide
- Starring:
- James Broderick, Matt Dillon, (more)
- 1980
- R
Little Darlings is a teen sex comedy about a group of 15-year-old girls at a summer camp who establish a contest to see which one of them will lose their virginity first. Tatum O'Neal stars as Ferris, a naive but sexually aware rich girl on the make with the older camp swimming instructor Gary (Armand Assante). Her rival in this race for deflowering is Angel (Kristy McNichol), who is quick to point out, "Don't let the name fool you." She sets her sights on the young Randy (Matt Dillon). But the contest gets obscured by inter-personal crises: Cinder (Krista Errickson), a young tease in a bunny suit, seduces Randy away from Angel, while Ferris has second thoughts about offering herself to the camp counselor. ~ Paul Brenner, All Movie Guide
- Starring:
- Tatum O'Neal, Kristy McNichol, (more)
This quietly compelling film explores the hardships and anxieties of high school with intelligence, sensitivity, warmth and humor. Chris Makepeace stars as a shy, bookish student who has recently moved to Chicago and begun a new school. There he finds himself the target of a group of punks led by Matt Dillon (ideally cast as the weasel-like bully), who threaten him each day to turn over his lunch money for protection...or else. When he stands up to them, he nearly loses his dental work before being saved by Ricky Lindemann (Adam Baldwin), a hulking loner rumored to have murdered his own brother. Makepeace offers the boy a job as his bodyguard, and the two become unlikely friends -- that is, until the ousted bullies find a champion of their own who challenges Lindemann. When Lindemann refuses to fight back, he disappears into reclusion, and the bullying begins anew, worse than ever. Makepeace then learns the truth about Lindemann's past: he did indeed kill his brother, but the death was an accident while the two young boys were playing with a gun, and Lindemann lives tortured by guilt as a result. Just when things seem at their worst, the bodyguard returns to face his nemesis as Makepeace and Dillon square off in the final showdown of good versus evil. The real strength of the film is its handling of the relationships between its characters, particularly between Makepeace and Baldwin, and Makepeace and his family (Martin Mull and Ruth Gordon). My Bodyguard is light but thoughtful entertainment with a Rocky theme that's suitable for the entire family. ~ Jeremy Beday, All Movie Guide
- Starring:
- Chris Makepeace, Adam Baldwin, (more)
The protagonists of Over the Edge are the teen-aged offspring of the residents of a planned suburban community. This bland little town has been designed with conformity in mind, and with no thought of making the kids' lives worth living. Even worse, there is very little opportunity for any of the teens to grow "out" of the community and live elsewhere. Consequently, the kids rebel by drinking themselves sick, dealing in drugs, and indulging in deadly violence. Inasmuch as the local cops are predisposed to beat the teens into submission, the kids retaliate by directing their frustrations at the Law; the results are tragic, to be sure, but in no way predictable. Over the Edge struck as sensitive a nerve with young 1970s moviegoers as Rebel Without a Cause did with their 1950s forebears. Matt Dillon made his screen debut in Over the Edge, distinguishing himself in an ensemble cast that also includes Vincent Spano, Andy Romano and Ellen Geer. The screenplay was written by Charles Haas and Tim Hunter; the soundtrack songs feature the Ramones. ~ Hal Erickson, All Movie Guide
- Starring:
- Matt Dillon, Michael Kramer, (more)
