Bradford Dillman Movies

This bleak World War II action drama, directed by John Guillermin, concerns the Ludendorff Bridge at Remagen -- the last remaining span across the Rhine into Germany during the final days of the war in 1945. German General von Brock (Peter Van Eyck) is ordered to blow up the bridge rather than let it fall into American hands. Von Brock is reluctant to carry out the orders, however, because that would mean abandoning 50,000 soldiers to the on-coming Americans. Putting Major Paul Kreuger (Robert Vaughn) in charge, he tells him to try to hold the bridge as long as possible. Meanwhile, U.S. Brigadier General Skinner (E.G. Marshall) is trying to trap the retreating Germans by making a push to the Rhine. Leading the offensive is Major Barnes (Bradford Dillman), an officer held in contempt by most of the men. Platoon leader Lieutenant Phil Hartman (George Segal) takes a particular dislike to him. Hartman is also at odds with Sergeant Angela (Ben Gazzara), a scavenger who likes to steal from the corpses of dead German soldiers. As the Americans push onward to Remagen, the Germans step up their resistance. When the Americans reach Remagen, Krueger unsuccessfully attempts to blow up the bridge and throws all his soldiers into a full-assault on the Americans. Skinner orders that the American soldiers must push forward and take the bridge intact. In the face of heavy German opposition, Hartman and Angelo find that they must put aside their differences and fight for a common cause -- to take the bridge at all costs. ~ Paul Brenner, All Movie Guide

Black Water Gold stars Aron Kincaid as a self-styled "scuba bum" living in Nassau. Kincaid teams up with marine archaeologist Keir Dullea and historian Ricardo Montalban in seeking out a gold-laden sunken Spanish galleon. With so many veteran movie villains involved, there has to be some dirty work afoot; in this instance, the fly in the ointment is wealthy (and deadly) treasure hunter Bradford Dillman. France Nuyen and Lana Wood supply the feminine angle in this made-for-TV effort, which premiered as an ABC Movie of the Week on January 6, 1970. ~ Hal Erickson, All Movie Guide

Heavily in debt to a homicidal gambler named Burton (John Vernon), San Francisco banker Lawrence Reynolds (Bradford Dillman) embezzles two million dollars and heads to Puerto Rico with his Bostonian fiancee Beverly Kingman (Davey Davison), who is unaware of Reynolds' crime and is convinced that she's on a honeymoon trip. Erskine (Efrem Zimbalist Jr.) must catch up with the fugitive Reynolds before the vengeful Burton beats him to it. This episode has a particularly violent opening sequence involving Reynolds' long-suffering manservant Yoshimura, played by celebrated Japanese character actor Mako. ~ Hal Erickson, All Movie Guide

It's 1951 in Korea, a time that the United States Army doesn't like to remember. The Communists, led by Chinese forces, are tearing up the battlefield and overrunning American and South Korean positions, and in the midst of it, Sgt. Paul William Ryker (Lee Marvin), decorated World War II hero, with medals that would be the envy of any man in uniform, has been convicted of treason for allegedly deserting, going over to the enemy, and spending weeks behind enemy lines. He's scheduled to be executed, but Capt. David Young (Bradford Dillman), the prosecutor in the case, begins to worry that Ryker wasn't properly represented at trial -- he believes Ryker was guilty, but wants him to be convicted fairly. It hardly endears Young to the men around him when he starts pressing his doubts, and then he meets Ryker's wife, Ann (Vera Miles), who doesn't have the best of marriages but believes her husband is innocent. They start working together and, in the process, become attracted to each other. Ryker claims that a now-deceased counter-intelligence officer, Colonel Chambers, recruited him for a secret mission that would take him behind enemy lines, allegedly as an American turncoat, all to help plug a leak in his own command -- but Chambers was killed just 24 hours after Ryker's mission started, and nothing in his effects verifies Ryker's story. Young is ordered to lay off the case by his commanding officer, the new head of counter-intelligence, and General Bailey (Lloyd Nolan), commanding the sector, but Young risks his career to get Ryker a new trial. Now he's got to defend the man himself, against his own commanding officer as prosecutor, and prepare for his own court martial for conduct unbecoming an officer, for his affair with Ann Ryker. ~ Bruce Eder, All Movie Guide

When a SAC bomber crashes in a Communist country, the palne's fail-safe mechanism falls into the hands of American defector Paul Shipherd (Bradford Dillman). The IMF agents must retrieve the mechanism before Shipherd inadvertently triggers its self-destruct device. Posing as the husband-and-wife manufacturers of the device, Rollin and Cinnamon arrange to be arrested, the better to gain access to Shipherd's heavily guarded laboratory. Written by William Read Woodfield and Allan Balter, "Recovery" was originally seen on March 17, 1968, as the final episode in Mission: Impossible's second season. ~ Hal Erickson, All Movie Guide

The Plainsman was a Technicolor remake of the 1936 Cecil B. DeMille film, all about the fictional romantic triangle of Wild Bill Hickok, Calamity Jane and Buffalo Bill. DeMille had the advantage of a topnotch cast: Gary Cooper as Hickok, Jean Arthur as Calamity (complete with a Wally Westmore cosmetic job!) and James Ellison as Buffalo Bill. David Lowell Rich, director of the 1966 The Plainsman, had to make do with Universal contractees Don Murray, Abby Dalton and Guy Stockwell. Denied DeMille's budget, Rich turned out a cut-rate western, wherein the "big" Indian attacks look more like Disneyland exhibits. The usually reliable Abby Dalton further weakens the film with a Southern accent that wouldn't convince a prairie dog. Originally made for television, The Plainsman was instead released theatrically--then went promptly to the small screen. ~ Hal Erickson, All Movie Guide

This soapy melodrama based on the novel by John O'Hara earned an Academy Award nomination for Best Costume Design. Suzanne Pleshette stars as Grace Caldwell, a newspaper heiress and nymphomaniac whose numerous dalliances threaten to destroy her wealthy Pennsylvania family's image. Taken on a vacation to the Bahamas by her widowed mother Emily (Carmen Mathews), Grace can't resist a tryst with a waiter, which causes Emily a fatal heart attack. Back home, Grace meets a new beau, Sidney Tate (Bradford Dillman) at a Christmas party. The gentlemanly Sidney wins Grace's heart and she marries him, promising to end her sexually wild ways. A few years later, however, Grace sleeps with a construction worker and the resulting scandal when her lover dies in a drunken car wreck leads Sidney to believe that Grace is also having an affair with an old friend, Jack Hollister (Peter Graves). ~ Karl Williams, All Movie Guide

This 60-minute TV drama stars Bradford Dillman as Matt, a 34-year-old sculptor. Spectacularly unsuccessful, Matt knows he's hit rock bottom when he has to borrow money from his girlfriend in order to attend his father's funeral. As he stands at graveside, Matt vows to do something "worthwhile" with his life. Problem is, sculpting is all he knows. Written and directed by S. Lee Pogostin, Crazier Than Cotton first aired as a Bob Hope Chrysler Theatre episode on October 12, 1966. ~ Hal Erickson, All Movie Guide

Combining elements from William Faulkner's novel Sanctuary, its sequel Requiem for a Nun, and a stage adaptation of Requiem for a Nun by Ruth Ford, director Tony Richardson's film is set in 1920s Mississippi and recounts the story of Temple Drake (Lee Remick), a young, lustful white woman who falls for a man who rapes her, only to marry another when she is told that her lover has died. The story is told as a flashback in an attempt to explain what led to the film's present, in which a black maid is on trial for the murder of Temple's baby. This was Richardson's first film made for a studio; he agreed to make Sanctuary to fund his next film, A Taste of Honey. ~ Matthew Tobey, All Movie Guide

This penultimate film by director Michael Curtiz, perhaps best known for his 1942 Casablanca, is a verbose, routine religious drama on the life of St. Francis of Assisi. After quickly passing over St. Francis' early life as the son of a wealthy cloth merchant in Assisi, the story notes his talents in and out of battle. St. Francis hears the call to the cloth (in his hagiography, the call was repeated several times before he finally responded completely), and gives up all his worldly goods to dedicate himself to God. The main focus of attention is then on his relationship to Clare (Dolores Hart) a young aristocratic woman who was so taken with St. Francis that she left her family and became a nun. St. Francis by this time (1212 A.D.) had a well-established reputation for his vows of poverty, and aside from the dubious aspersions cast on his interest in Clare, the drama goes on to note miracles and other aspects of his life, up to and including his death on October 3, 1226. ~ Eleanor Mannikka, All Movie Guide

Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, All Movie Guide

Based on a novel by Francoise Sagan, A Certain Smile was a vehicle for Darryl F. Zanuck's latest protegee, Christine Carere. Parisian student Carere spats with her boyfriend Bradford Dillman, then impulsively agrees to accompany Dillman's worldly uncle Rossano Brazzi to the Riviera. At first thrilled at the prospect of an affair with the dashing Brazzi, Carere is disillusioned to discover that she is the latest in a long line of "diversions" for the old charmer. After a heart-to-heart with Brazzi's patient wife (Joan Fontaine), Christine returns to her boyfriend. The title song for A Certain Smile became a hit for Johnny Mathis, who sings the tune over the film's opening credits. ~ Hal Erickson, All Movie Guide

One of the most ambitious productions ever undertaken during the era of "live" television, this adaptation of Walter Lord's best-seller A Night to Remember successfully conveys the full scope and horror of the sinking of the superliner Titanic on April 14, 1912. Utilizing seven cameras, 31 different sets and over 100 actors, director George Roy Hill (Butch Cassidy and the Sundance Kid, The Sting), meticulously recreates the last three hours of the Titanic from the moment it struck an iceberg in the North Atlantic to its final descent beneath the waves, carrying some 1500 souls to a watery grave. Like Lord's book, John Whedon's adaptation emphasizes the element of fate in the tragedy, noting the hundred-and-one ways in which the disaster could have been averted, and also offers brief, poignant character vignettes, illustrating individual moments of courage and cowardice. Although there is plenty of dialogue, the dominant voice in the proceedings is narrator Claude Rains, who dispassionately dispenses the chronology of the disaster, minute by minute, as the viewer watches them unfold. Featured in the enormous cast is a pre-Avengers Patrick Macnee as Thomas Andrews, benighted designer of the Titanic. This version of A Night to Remember was originally telecast as an episode of the NBC anthology Kraft Television Theater; it was subsequently restaged for British viewers by the BBC, and was ultimately adapted as a theatrical feature in 1958 (long, long before either Kate Winslet or Leonardo DiCaprio were even born). ~ Hal Erickson, All Movie Guide