Phyllis Diller Movies

Long before Roseanne Barr's "domestic goddess," Phyllis Diller parlayed her life as a housewife into a profitable stand-up comedy career. The daughter of an insurance man, Phyllis Driver had hopes of becoming a concert pianist, and to that end attended Chicago's Sherwood Music Conservatory. Her zany behavior while attending Northwestern University and her 1939 elopement with her first husband Sherwood Diller put a temporary end to her musical career. Several years and many children later, a bored Diller went to work for the advertising department of a California department store, then got a writing job at an Oakland radio station. A knack for making people laugh at church and club functions prompted Diller (with her husband's encouragement) to set her sights on a comedy career. She studied acting and scrutinized the techniques of her favorite male comedians, finally making her nightclub debut in 1955 at San Francisco's Purple Onion, a progressive nightclub which presaged the "comedy workshops" of today. Eighty-nine additional weeks at the Purple Onion enabled Diller to hone her skills to perfection; her first comedy record album appeared in 1959, with numerous TV and stage appearances quickly following suit. Diller developed an outrageous comedy persona, complete with grotesque wigs, garish costumes and her trademarked cackling laugh. Though always a favorite with live audiences, Diller was never quite able to sustain her appeal on film: her 1966 TV series The Pruitts of Southhampton was unsuccessful, as was her only starring feature film, Did You Hear the One About the Travelling Saleslady? (1968). She fared somewhat better as a supporting actress in several Bob Hope comedy films of the late 1960s (Hope was a longtime Diller fan). In the last two decades, Phyllis Diller has periodically altered her public personality, "improving" her plain but distinctive facial features with plastic surgery, concentrating more time on piano concerts and less on stand-up comedy and confining her TV appearances to Home Shopping programs and "psychic hotline" infotainment half-hours. Perhaps Phyllis Diller's "funny hausfrau" throne has been usurped by younger talents, but one must not forget that Diller was the one who stuck her neck out first, blazing the trail for the many Roseannes and Brett Butlers who followed. ~ Hal Erickson, All Movie Guide
1988  
 
When his carefully rehearsed comedy act bombs in front of an audience full of talent scouts, the crestfallen Joey (David Coulier) decides to look for another line of work. He even goes so far as to don a business suit and alter his name to the more dignified "Joe." Unfortunately, DJ decides to follow Joey's lead by giving up her music lessons when she feels she ins't making any progress. Venerable comedienne Phyllis Diller and comic magician Ed Alonzo appear as themselves. ~ Hal Erickson, All Movie Guide

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1988  
R  
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In this low-brow combination slasher film and parody of the "Frankenstein" films, a doctor becomes desperate to somehow bring his late wife back to life. But before he can do this, he needs a few fresh parts. Hackenstein gets a golden opportunity when three girls, whose car has broken down, come knocking at his door. He lets them stay the night, but only one survives his fearsome hacksaw to see the light of day. ~ Sandra Brennan, All Movie Guide

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Starring:
David MuirStacey Travis, (more)
1987  
 
Another adaption of Lewis Carroll's classic Alice in Wonderland, this animated feature places the young girl in a contemporary setting and features the voices of Phyllis Diller, Jonathon Winters, Mr. T and Leif Erickson. ~ Kristie Hassen, All Movie Guide

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1985  
 
The Jeffersonsmoved from its familiar Sunday-night time slot to a new Tuesday evening berth with this star-studded episode, which takes place in Atlantic City. Hoping to raise enough money to attend her godson's graduation, Florence (Marla Gibbs) heads straight to the gambling tables. Meanwhile, Florence's employer Louise (Isabel Sanford) scours the resort city in search of celebrities -- but when they begin to show up, she fails to recognize them (even Charo). ~ Hal Erickson, All Movie Guide

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Starring:
Sherman HemsleyIsabel Sanford, (more)
1985  
 
This live action trip back to Wonderland finds Alice dodging the Jabberwocky and encountering a Wonderland crew including Humpty Dumpty, Tiger Lily, and Tweedledum and Tweedledee. The voice cast is staggering, including (to mention a few) father and son Lloyd Bridges and Beau Bridges, Phyllis Diller, and George Gobel, Ringo Starr, Jonathan Winters, Sally Struthers, Karl Malden, and many, many more. ~ All Movie Guide

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1983  
 
Beginning in the mid-1920s, the name "Minsky's" was synonymous with Burlesque. Not even Mayor LaGuardia's closing down of all the burleycue houses in New York was able to completely topple the Minsky empire. This 60-minute tape is a paean to the Minsky strippers and top bananas of yore. Contemporary comedians Phyllis Diller, Rip Taylor and Stubby Kaye recreate several of the comedy chestnuts that many burlesque habitues have committed to memory. And of course, there's that famous runway, and those fabulous strippers (a lot prettier and barer than their counterparts of 60 years ago). ~ Hal Erickson, All Movie Guide

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1982  
R  
This unfunny attempt at sexual comedy looks at the adventures of five different couples spending one night in a cheap motel. A 300-pound fullback is still a virgin and will be losing that distinction thanks to the hooker he has hired for the night, while a couple unfaithful to each other quibble over the lousy accommodations -- in skits much like those of the TV series, Love, American Style. Phyllis Diller and Slim Pickens are the motel managers. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Terri BerlandBrad Cowgill, (more)
1981  
 
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During the 1950s and 1960s, San Francisco's hungry i nightclub (the lower case is not a mistake: that's how the name read on the club's outside wall) was a primary breeding ground for young and hungry comedy talent. The "i" is no longer in existence, but most of its more illustrious alumni are still alive and kicking. Taped in 1981, The hungry i Reunion is comprised of interviews and brief snatches of several classic comic monologues. The star roster includes Mort Sahl, Jonathan Winters, Ronnie Schell, Jackie Vernon and the inimitable Professor Irwin Corey. And just so we won't forget that the "i" was also famous for its folk-singing sessions, the Kingston Trio is on hand to stir up fond baby-boomer memories. ~ Hal Erickson, All Movie Guide

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1979  
R  
In this comedy, three middle-aged men renew their boyhood friendship at a stag party and hatch a crazy scheme that involves making money off of a luscious prostitute. ~ Sandra Brennan, All Movie Guide

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1975  
PG  
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In this 1975 adaptation of Neil Simon's stage play, director Herbert Ross presents the story of two old-time Vaudvillians played by Walter Matthau and George Burns in his first starring role since 1939's Honolulu. After decades apart, the cantankerous duo is persuaded to reunite for a television special despite the fact that they hate each other. Richard Benjamin co-stars as Matthau's nephew, who has the responsibility of making sure the comedians go through with the show and don't kill each other in the process. Nominated for four Academy Awards, Burns took home the statue for Best Supporting Actor. ~ Matthew Tobey, All Movie Guide

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Starring:
Walter MatthauGeorge Burns, (more)
1969  
 
This satirical fantasy is based upon an Elmer Rice play from 1923. A hard-working office employee is rewarded for his years of slavish devotion to the company by getting fired just prior to retirement and being replaced with an adding machine. Now, with only his nagging wife waiting at home to add more misery to his dreary life, the man has nothing left and goes over the edge. He murders his boss and then goes on trial. He is convicted and put to death. He dies a happy and free man, thinking that he will surely go to Hell. Strangely enough, he ends up in a heavenly waiting area with other killers who are all there to be reassigned to new lives back on Earth. While waiting, he meets his new guardian angel. ~ Sandra Brennan, All Movie Guide

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Starring:
Phyllis DillerMilo O'Shea, (more)
1968  
 
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O'Farrell (Bob Hope) is a navy sergeant who tries to boost the moral of the men by bringing in a shipment of beer. When the beer turns up missing, he calls an all-out search for the suds. In the process, O'Farrell captures a Japanese submarine single-handedly and tries to pilot the boat to safety. Phyllis Diller stars as the nurse who does absolutely nothing for troop moral in this uneven and poorly conceived comedy. Gina Lollobrigida and Jeffrey Hunter also star in the feature. ~ Dan Pavlides, All Movie Guide

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Starring:
Bob HopePhyllis Diller, (more)
1968  
 
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The only theatrical feature from Rankin/Bass -- the outfit behind countless animated holiday TV specials including Rudolph the Red-Nosed Reindeer and Frosty the Snowman -- this quaint and colorful production pays amusing homage to nearly every movie monster in Universal's catalog, even to the extent of recruiting Boris Karloff to supply the voice of Baron Von Frankenstein. The story begins as the aged Baron invites all members of the Worldwide Organization of Monsters to attend the unveiling of his ultimate creation, a potion capable of destroying all matter. Before the assembled guests -- including Count Dracula, The Wolf Man, The Mummy, Dr. Jekyll and Mr. Hyde, The Invisible Man, and The Creature from the Black Lagoon -- Frankenstein announces his retirement as the group's leader and the selection of his successor: his bookish, allergy-ridden nephew Felix. Chaos ensues, as nearly every creep and creature on the list begins conspiring against each other in a bid for the coveted office, including the Baron's outrageously voluptuous assistant Francesca (whose very presence stretches the film's "G" rating). The "Animagic" technique of stop-motion puppets is a refreshing medium for the larger-than-life monsters, and the parade of horror movie put-ons should delight viewers of all ages. Though the original negative was believed lost to neglect after the film's poor box-office performance, a pristine print has resurfaced, much to the delight of devoted fans who first discovered this gem via Halloween TV airings. ~ Cavett Binion, All Movie Guide

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1968  
 
After registering well in supporting roles in such Bob Hope farces as Boy, Did I Get a Wrong Number and Eight on the Lam, raucous comedienne Phyllis Diller attempted to carry a picture all by herself. Alas, Did You Hear the One About the Travelling Saleslady? proved to be as bad as its title. Borrowing elements previously utilized in Joan Davis' Travelling Saleswoman (1950) and the Ginger Rogers-Carol Channing vehicle The First Travelling Saleslady (1956), the film casts Diller as a player-piano saleslady, dispatched to the Wild West. TV-sitcom perennials Bob Denver and Joe Flynn offer their usual overplayed support; at times they're funnier than Diller, though that's not saying much. The film's highlight is a cattle stampede, which should give you some idea. Did You Hear the One... was scripted by John Fenton Murray, soon to be a mainstay of such Sid & Marty Krofft kiddie fare as The Bugaloos and Lidsville; compared to the Diller film, the Krofft stuff was a step upward. ~ Hal Erickson, All Movie Guide

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Starring:
Phyllis DillerJoe Flynn, (more)
1967  
 
In this comedy, a widower, his seven children, and their maid find themselves on the lam, after he is falsely accused of embezzling at the bank where he works. ~ Sandra Brennan, All Movie Guide

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Starring:
Bob HopePhyllis Diller, (more)
1966  
 
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Joseph Cates (Who Killed Teddy Bear?) directed this insipid, widely reviled musical-comedy featuring heavyset comedian Jack E. Leonard in his leaden screen debut as twins Irving and Herman. The plot concerns some teenagers searching for treasure on a tropical island owned by a cosmetics tycoon (Brian Donlevy). His daughter (Jayne Mansfield, a year before her death) heaves her bosom a great deal and sings (badly). The best singing is done by lead teen Jordan Christopher, making his own screen debut with some promising numbers backed by the Wild Ones. There are a number of subplots involving spies, mermaids, and the legendary Fountain of Youth, as well as some amusing interplay between Leonard and Phyllis Diller to keep things interesting. ~ Robert Firsching, All Movie Guide

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Starring:
Phyllis DillerJack E. Leonard, (more)
1966  
 
Usually cited as the absolute nadir of Bob Hope's film career, Boy, Did I Get a Wrong Number! is by no means a classic, but it isn't nearly as bad as some of his other sixties efforts (take a look a Private Navy of Sgt. O'Farrell sometime). The plot is set in motion by movie sex bomb Elke Sommer, who flees from the set of her latest picture when she refuses to do yet another bathtub sequence. Sommer hides out in the home of real estate agent Hope, who is forced to keep the buxom starlet under wraps lest his wife Marjorie Lord misunderstand. Phyllis Diller plays Hope's maid, who conspires with her boss to keep Sommer out of sight. The plot lumbers forward to a wild climax wherein Hope, accused of Sommer's murder (she's still very much alive), embarks upon a slapstick car chase, chock full of Sennett-like sight gags. Though cheaply produced and perilously anachronistic, Boy, Did I Get a Wrong Number! is professionally assembled by director George Marshall, a Hope colleague from way back. The film turned a tidy profit, thanks largely to the popularity of Hope's costar Phyllis Diller. ~ Hal Erickson, All Movie Guide

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Starring:
Bob HopeElke Sommer, (more)
1961  
 
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1961's premiere "date" movie represented the screen debut of Warren Beatty. Set in the 1920s, William Inge's screenplay concerns the superheated romance between working-class high schooler Natalie Wood and rich kid Beatty. Trying their best to keep their relationship from going "all the way," Beatty and Wood go through a series of unsatisfying interim romances. The troubled Wood attempts suicide and is sent to a mental institution, while Beatty impregnates freewheeling waitress Zohra Lampert. Wood and Beatty still carry a torch for one another, but circumstances preclude their getting together -- and besides, Wood suddenly realizes that she's outgrown the still-floundering Beatty. Scriptwriter William Inge shows up as a minister in Splendor in the Grass, while comedienne Phyllis Diller does a cameo as famed nightclub entertainer Texas Guinan; also, keep an eye out for Sandy Dennis, making her first movie appearance. ~ Hal Erickson, All Movie Guide

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Starring:
Natalie WoodWarren Beatty, (more)

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