Diana Elbaum Movies

Patrice Leconte adapts Jean Teulé's darkly comic 2007 novel into a animated musical concerning a young child with a sunny disposition born into a family that thrives on the misery of others. Since 1854, the Tuvache family has owned a small shop catering to the suicidal impulses of its depressed clientele. A walk down the shadowy isles of this morbid boutique reveals a dazzling variety of instruments with which weary shoppers can end their suffering. When pessimistic proprietor Mishima and his depressive wife give birth to a baby boy named Alan, they're overjoyed at the thought that he will be just as miserable as his somber siblings. But Alan isn't like the others; bright-eyed and energetic, he's a ghastly ray of sunshine in their cherished world of grey skies. Not even the carcinogenic cigarettes enthusiastically bestowed to Alan by his concerned father are enough to snap the cheerful child out of his optimistic slump. Realizing that the very future of their enduring family business may be threatened by the beaming boy, the Tuvache's soon resort to desperate measures in their efforts to keep the misery alive. ~ Jason Buchanan, Rovi

One man's wealth, privilege, and power lead him into a world of danger and humiliation in this drama from director Lucas Belvaux. Stanislas Graff (Yvan Attal) is one of Belgium's richest men, a business magnate and trusted confidante of the nation's president. One morning, en route to his office, Graff's limousine is set upon by a handful of kidnappers; they capture the tycoon, throw him in a get-away car, and take him to a cave on the edge of town. The kidnappers, led by a man calling himself Marseillais (Gérard Meylan), contact Graff's wife (Anne Consigny), his lawyer (Alex Descas), and the second-in-command at his firm (André Marcon) and demand a ransom of 50 million Euros for his return -- and to show they mean business, the kidnappers include Graff's severed finger with the ransom note. As Graff's family and associates ponder what to do next, many close to him question if his life or anyone's is worth that much money; meanwhile, as the press rushes the abduction into the headlines, they reveal a number of Graff's personal peccadillos, including affairs with other women and a powerful appetite for gambling, and public opinion about the businessman takes an ugly turn. Inspired by the 1978 abduction of French multi-millionaire Édouard-Jean Empain, Rapt was an official selection at the 2010 Rotterdam International Film Festival. ~ Mark Deming, Rovi

Not to be confused with the legendary D.A. Pennebaker documentary of the same name, this mind-bending psychological drama from France stars Sophie Marceau as Jeanne, a fairly well-adjusted wife, mother of two children, and author whose world gets turned upside down when she becomes aware of a calamitous transformation overtaking her own body. She quickly morphs into an Italian woman, also named Jeanne (Monica Bellucci); the latter's husband (like the first Jeanne's spouse) is named Teo (Thierry Neuvic). Understandably confounded and disoriented, Jeanne 1 sets out to solve the mystery of this metamorphosis by journeying to Jeanne 2's birthplace of Lecce, Italy. ~ Nathan Southern, Rovi

Three sisters living in an ancient city known for its toxic lead factory strive to break free from their past and get something more out of life in director Teona Strugar Mitevska's darkly comic family drama. In a fractured landscape where communism and capitalism have both failed, virginal 27-year-old Afrodita (Labina Mitevska) lives in a modest home with her twin sister Sapho (Nikolina Kujaca) and their older sibling Slavica (Ana Kostovska). Afrodita has remained mute ever since her mother walked out on the family and her father died, and Sapho is a promiscuous handball player whose many conquests fail to provide personal fulfillment. Slavica is a 35-year-old recovering drug addict whose radiant beauty can't make up for the fact that she is perceived by many as damaged goods. If only Afrodita and Sapho could find their lonely sibling a suitable mate who could also stand as the family breadwinner, perhaps they could take the tentative first steps toward escaping their noxious hometown. ~ Jason Buchanan, Rovi

Four Jewish women juggle love, sex, new relationships, work and parenthood in this romantic comedy from France. Isa (Michele Laroque) has split with her husband, and is busy looking after their three children while running her business, a beauty salon. While Isa has precious little spare time, she's trying to make room in her life for a British businessman who has struck her fancy. Alice (Valerie Benguigui) is Isa's sister, and has come to envy her sister's single status after a few years with her husband Gilles (Alexandre Astier), who appears to hate personal grooming as much as he loves golf. Alice's misgivings about her marriage grow stronger when she becomes friends with a handsome and charming divorced dad. Lea (Aure Atika) has recently parted ways with her husband, and devotes her days to pampering herself when she isn't taking care of her child. And Nina (Geraldine Nakache) has never been married and is looking for a man to settle down with, but she lacks confidence about her appearance even though she's young and pretty. Comme T'y es Belle (aka Hey Good Looking) was the second feature from director Lisa Azuelos, and was a major box office success in France. ~ Mark Deming, Rovi

A winning game show contestant falls prey to an opportunistic actress who seeks to deceive him by seduction, and take him for all he's worth. Jalil has just won big on "Mr. Average," Germany's most popular game show. When a beautiful woman named Claire walks into his life shortly thereafter, Jalil falls hopelessly in love. But what Jalil doesn't know could break his heart: Claire is an actress playing a role, and Jalil is her ticket to the big time. But the deeper Claire sinks into her role, the more difficult it becomes to maintain her performance. The greater the lie grows, the more confused Claire becomes about her true feelings and convictions. Will Claire discover her conscience in time to realize that true love is actually within reach, or is it too late to tell Jalil the truth and finally make amends for her cruel act of deception? ~ Jason Buchanan, Rovi

A family is forced into deception for the sake of their matriarch in this poignant drama. Three generations of women share a tiny apartment in Tbilisi, a Georgia city that has been devastated by war, political instability, and a ruined economy. Eka (Esther Gorintin) is an elderly woman whose health is failing, but her will remains strong and she holds sway over the household. Eka's daughter, Marina (Nino Khomassouridze), is a middle-aged woman who is still dealing with the devastating circumstances of her childhood and the death of her husband. And Marina's daughter, Ada (Dinara Droukarova), is a college student who feels trapped by her circumstances and abraded by her lack of privacy; she has a lover, but since she must share a bed with her mother, they can only make love in his car. The light of Eka's life is her son, Otar, who has fled Tbilisi and lives in Paris. Otar writes frequently and sends money as often as he can, and while Marina resents her mother's obvious favoritism toward her brother, she and Ada realize how important his letters are to her. While Eka is visiting friends, Marina and Ada receive devastating news -- Otar has died in Paris, and since he wasn't carrying his visa when his body was found, he's been buried in an unmarked pauper's grave. Afraid this news would be a severe blow to Eka's poor health, Marina doesn't tell her mother what has happened, and Ada begins writing letters as Otar to maintain the illusion that he's alive. The ruse works well enough until Eka announces she's raised enough money by selling her possessions to visit her son in France. Depuis Qu'Otar Est Parti... (aka Since Otar Left) is the first feature film from director Julie Bertuccelli; it received an enthusiastic reception when it was screened at the 2003 Cannes Film Festival. ~ Mark Deming, Rovi

Un Couple Épatant (An Amazing Couple) is the second installment in the ambitious French-language trilogy directed by Belgian-born filmmaker Lucas Belvaux. Where the first film, Cavale (On the Run), was a film noir thriller, this sequel is a lighthearted romantic comedy in the style of a classic French farce. Schoolteacher Cecile Costes (Ornella Muti) is worried about her husband, Alain (François Morel). He's overly concerned with his physical health and well-being, so much so that he keeps his hospital appointments a secret from his wife. Thinking he's been having an affair, Cecile hires Pascal Manise (Gilbert Melki) to spy on him. Alain then starts to suspect Cecile of being unfaithful, even though he knows Pascal is married to her friend Agnes (Dominique Blanc). An Amazing Couple was following by the third installment in the trilogy, the melodrama Après la Vie (After Life). ~ Andrea LeVasseur, Rovi

After Life is the third film in Lucas Belvaux's ambitious Trilogy, following On the Run, a thriller, and An Amazing Couple, a romantic comedy. After Life features the same characters as the other two films and happens over the same time period, but it's a melodrama, and the focus is on Pascal (Gilbert Melki), a cop, and his wife, Agnes (Dominique Blanc), a teacher, who is also a morphine addict. Agnes depends on Pascal to supply her with morphine, and he in turn has an arrangement to procure the drug from a nefarious local businessman, Jaquillat (Patrick Descamps). When a violent radical leftist, Bruno (Belvaux), escapes from prison and kills an associate of Jaquillat's, Jaquillat threatens to withhold Pascal's morphine supply until Bruno is dead. As his wife's mental and physical health deteriorates, Pascal feels compelled to subvert his moral qualms about turning the criminal over. His investigation leads him to detain Jeanne (Catherine Frot), a co-worker of Agnes' with past ties to Bruno. Cécile (Ornella Muti), another of Agnes' co-workers, begins to suspect that her husband, Alain (François Morel), is having an affair, and asks Pascal to look into it. Pascal finds his interest in the case is more than professional when he begins to develop feelings for Cécile. Meanwhile, Agnes, feeling neglected and desperate, goes out into the street to try to find her fix. She ends up running into Bruno, and the two forge an unlikely alliance. Belvaux's Trilogy was shown at the 2003 Tribeca Film Festival. ~ Josh Ralske, Rovi

A high-tech shut-in finds love in an unexpected place in this satirical comedy. Thomas (voice of Benoit Verhaert) is a profoundly agoraphobic 33-year-old man whose condition prevents him from leaving his apartment or allowing others in to visit. Fortunately for him, he rarely needs to do either; Thomas has been declared officially disabled, making him eligible for government services for the handicapped; he's also well-insured and has a claims representative (Alexandre von Sivers) ready to meet his every need. Thomas also has a high-tech "vision-phone" that allows him to communicate with the outside world without having to make actual contact. While Thomas' psychologist (Frederic Topart) tries to sort out his mental state, his insurance representative offers to help with his more personal needs: it seems the government provides prostitutes for the disabled, and Thomas is now eligible. Thomas speaks by phone with Eva (Aylin Yay), a State-funded call girl, and soon finds himself smitten -- so much so that he begins to ponder actually leaving his room. Meanwhile, the psychologist has registered Thomas with a phone-dating service as a more healthy alternative, subjecting Thomas to the not entirely welcome attentions of Melodie (Magali Pinglaut). Thomas Est Amoureux was shot on video entirely in "first person," with the viewer seeing only what Thomas himself would see through his "vision-phone." ~ Mark Deming, Rovi

Patrice Lumumba was a passionate advocate for freedom in colonial Africa, and when the Belgian Congo was granted independent (and was later renamed Zaire), Lumumba was the new nation's first prime minister. However, Lumumba's dream of freedom and dignity for the people of the Congo made him a controversial and dangerous figure, and this biographical drama explores his short, tumultuous life. We first encounter Lumumba (Eriq Ebouaney) in the late 1950's, when his National Congo Movement is gaining widespread public support, despite opposition from the nation's political leaders. Hoping to avoid a violent overthrow, the Belgian government begins negotiations with the NCM to turn rule of the Congo over to the citizens, and Lumumba and his political party are swept into power during the nation's first independent election. However, Lumumba's desire to bring a peaceful and orderly transfer of power soon earns him enemies of all political stripes. Militant advocates for freedom demand that white Belgian officers of the nation's military be replaced with African soldiers at once, while Belgian colonists are met with violence, sparking a revolt by the white settlers that leads to a bloody civil war. Lumumba was directed and co-written by Raoul Peck, who previously directed the acclaimed documentary Lumumba: Death of a Prophet. ~ Mark Deming, Rovi

This is a romantic comedy with an analytical edge from noted Belgian director Chantal Akerman. Set in New York, the fun begins when freewheeling French dancer Beatrice and stodgy psychoanalyst Henry Harriston agree to exchange apartments. He will live in her bohemian Paris flat and she in his upscale, neat-as-a-pin Manhattan abode. The two have never met when they change places. Poor frazzled Henry is hoping that some quiet time in Paris will provide him with some badly needed cultural enrichment and relaxation from the demands of his wealthy clients. Unfortunately there is no rest, as he is constantly assailed by Beatrice's numerous suitors. Beatrice also deals with an onslaught of Henry's needy patients. Poor Henry can no longer stand being away and so quietly returns home. He notices a stream of patients coming from his home and they look unusually happy and well-adjusted. Even his dog looks happier. Wanting to learn her secret, Henry masquerades as a one of his own patients. It is not long before romantic sparks begin to fly. ~ Sandra Brennan, Rovi