Mark Dignam Movies

The Chain is linked by a series of moves. As one couple moves out of their current residence to live in posher quarters, another moves in, and so it goes all the way up to the lavish mansioned owned by self-made millionaire Leo McKern. The cycle starts all over again when McKern, wishing to be closer to his roots, returns to the working-class neighborhood whence he came. Each move is wryly commented upon by the team of professional movers headed by Warren Mitchell. The enormously gifted British cast includes Billie Whitelaw, Nigel Hawthorne, Maurice Denham, Denis Lawson, Phyllis Logan, and David Troughton. This multistoried seriocomedy is at its best a fond throwback to the Ealing films of the 1950s. ~ Hal Erickson, All Movie Guide

The villain was the hero of this 16-episode British drama series. Stephen Yardley starred as William "Spider" Scott, a wily cat burglar known to the coppers as the "XYY Man." Dogging Spider's trail every inch of the way was stalwart Detective Sergeant George Bulman (Don Henderson), who scored such a hit with viewers that he was spun off into his own series, Strangers and Bulman. The XYY Man originally aired in the U.K. from 1976 to 1977. ~ Hal Erickson, All Movie Guide

Perhaps William Shakespeare meant to have Lady Macbeth perform her sleepwalking scene in the nude -- it was this X-rated scene and the film's much-publicized spurts of violence, rather than the brilliant performances of Jon Finch as Macbeth and Francesca Annis as his Lady, that lured crowds to Roman Polanski's 1972 adaptation of Macbeth. Only a few critics glommed onto the most impressive aspect of Polanski's version: as Macbeth and his wife sink deeper and deeper into the morass of their murderous ambitions, they age and wither before our eyes (Shakespeare's play does cover several years, but this is usually forgotten or ignored by many actors and directors). Macbeth was financed and released by Playboy, which naturally necessitated a fold-out spread on "the witches of Cawdor." The original Shakespearean text was adapted for the screen by Polanski and Kenneth Tynan. Despite an excellent first week, Macbeth ended up in the red, compelling Hugh Hefner to think twice about future motion-picture projects. ~ Hal Erickson, All Movie Guide

Perhaps the reason there are so many filmed versions of Hamlet is that in each decade every great Shakespeareian actor, and almost any movie actor with a yen to prove his versatility wants to tilt at this particular thespian windmill. Aside from the much more difficult King Lear, it is also one of the few plays by the master that can serve as a star vehicle. This 1969 version of the Bard's great play features the ardent mumblings of the actor Nicol Williamson, who brought his non-Standard British to the role. Williamson's esoteric enunciations were all the rage at the time of this film's revision of Shakespearian tradition, and his vocal mannerisms were arguably more authentic than usual. Scholars tell us that the English of Londoners in Shakespeare's time sounded very much like that spoken by Highland Scots today. Despite his stage success in the role, the vastly capable actor's magnetism was insufficient to make a popular success of this particular version. All the same, it is worth viewing on its own merits, and for supporting performances by future stars Anthony Hopkins and Anjelica Huston. ~ Clarke Fountain, All Movie Guide

Franco Zeffirelli's adaptation of William Shakespeare's The Taming of the Shrew is a zesty version of the classic comedy, highlighted by performances by Richard Burton and Elizabeth Taylor and Nino Rota's score. Instead of simply filming a play, Zeffirelli turned Shakespeare's text into a lively, cinematic movie, with sweeping sets and cinematography. Set in Padua, Italy in the late 1500s, the story concerns the shy Bianca (Natasha Pyne) and the mean-spirited Katarina (Elizabeth Taylor), the two daughters of a rich merchant named Baptista (Michael Hordern). Though Bianca is being courted by a number of young men, Baptista announces that she may not marry until Katarina is wed. None of the men in town are willing to marry Katarina, so Bianca remains unwed, even as more suitors--such as Lucentio (Michael York), a student who begins working as a tutor in the Hordern household just so he can be near Bianca--line up to wed the maiden. No man approaches Katarina until Petruchio (Richard Burton--a wanderer who arrived in Padua just to find a rich wife--falls in love with her. After an intense, occasionally furious, courtship, Katarina eventually agrees to marry him, and they move to Petruchio's shoddy house, which is located outside of the city. Following the wedding, Lucentio reveals that he is not a student, but instead the son of one of the most respected men in town. Lucentio gets permission to marry Bianca and a mild-mannered Katarina shows up at the wedding, giving advice to her sister on how to be a good wife. The Taming of the Shrew received Academy Award nominations for Best Art Direction and Best Costume Design, and opened the British Royal Film Festival. ~ Stephen Thomas Erlewine, All Movie Guide

Escape by Night was originally released in Great Britain as Clash by Night, which was also the title of the Rupert Croft-Brooke novel on which it was based. Gangster boss Tom Bowman has been arrested and is being transported to prison in a bus containing several innocent "civilians." Bowman's old gang hijacks the bus to rescue their boss, then take refuge in an old barn. The gang holds off the authorities by threatening to torch the barn and all its occupants. The climactic conflagration is predictable, but its outcome isn't. ~ Hal Erickson, All Movie Guide

Cornel Wilde co-produces, directs, and stars with his wife Jean Wallace in this uneven version of fabled King Arthur and the Knights of the Round Table. Wilde, a skilled fencer, is Lancelot and appropriately enough, Wallace is his lady-love Guinevere. This time around, their traditionally chaste romance (Guinevere marries King Arthur) takes on a more modern veneer as she and Lancelot become intimate. Aside from their love story, several battles on horseback keep the knights busy as King Arthur struggles to hold onto his throne in the face of a challenge from King Leodogran (John Longdon). ~ Eleanor Mannikka, All Movie Guide

In this epic medieval adventure, King Arthur is in his second decade of ruling Camelot when he becomes gravely ill and must journey to the castle of a good Saxon friend to recuperate. The ailing king does not know that the treacherous Saxons there are planning to kill him and commandeer the throne. At first the traitors' plans are foiled by a dashing outlaw who saves the king. Unfortunately, the Saxon dogs eventually succeed. Their leader tries to insure that he gets the crown by marrying Arthur's daughter. But instead, she goes off with another, causing the usurper to proclaim that she has died and that he is now the rightful king. Fortunately, she is not dead but off in the country seeking Merlin. She and her lover succeed and with the mighty magician manage to return to Camelot just as the new king is to be crowned. At this point the crusty Merlin demands that the Saxon prove his fitness to reign by removing Arthur's beloved Excalibur from its scabbard. Of course he fails. And of course the good princess succeeds. Immediately, the usurper and his band flee the country, but not before they are vanquished by the newly united British army. ~ Sandra Brennan, All Movie Guide

Based on Jules Verne's novel Captain Grant's Children, In Search of the Castaways is a roller-coaster of a Disney film, making up in excitement what it lacks in credibility or coherence. Hayley Mills and Keith Hamshere play the children of long-missing ship's captain Jack Gwillim. By chance, a note stuffed in a bottle comes to the attention of the kids and professor Maurice Chevalier; the note contains the fragment of a map, which suggests that Gwillim is somewhere in South America. Only after enduring a series of life-threatening adventures do Chevalier and the kids discover that they should have been in Australia all along! Once they're finally in the correct corner of the world, our protagonists are bedeviled by gunrunner George Sanders, the fellow who'd set the captain adrift. With the help of Wilfrid Brambell, a looney ex-crew member of the captain's (and the fellow who sent the bottled message), Chevalier, Mills and Hamshere are finally reunited with Gwillim--and as a bonus, Mills has found a boy friend, in the person of Michael Anderson. It's typical of the crazy-quilt approach taken by In Search of the Castaways that Maurice Chevalier decides to sing a cheery song in a moment of dire peril. Even so, the film was ideal Saturday-matinee fodder for the kiddie trade in 1963. ~ Hal Erickson, All Movie Guide

The Bismarck was the fabled German battleship of World War II. This film traces the "life" of the Bismarck from its launching (courtesy of newsreel footage) through its many battles and narrow escapes, concluding with its far-from-inevitable sinking in the Spring of 1941. Since one couldn't expect a ship to carry a 97-minute movie, the story concentrates on the human element, specifically a British intelligence captain (Kenneth More), who has lost his family in the London blitz and thus has a personal reason for seeing the Bismarck blasted from the sea. The captain's tireless efforts are abetted by the love and support of a female naval officer Dana Wynter. The climactic sinking is deftly assembled from stock footage and newly shot scenes of expertly delineated scale models. As a bonus, Sink the Bismarck yielded a hit song, which many children of the 1960s can still recite from memory. ~ Hal Erickson, All Movie Guide

Escapade has to be one of the most overused titles in movie history. This particular Escapade is a mild British comedy with something to say. John Mills plays a renowned pacifist author, whose sons Andrew Ray and Peter Asher are completely sympatico with their dad's views. Convincing their schoolmates to sign a petition begging for universal peace, the boys decide to present the list of signatures to the four world powers occupying Germany, including those rascally Russians and unpredictable Yanks. But they have to get to Berlin first, and to do that the headstrong lads steal an airplane. It turns out that the boys' long-term goal, cooked up with their sister Yvonne Mitchell, is to reunite their bickering father and mother. Escapade opens up the original Roger MacDougall play to the extent that we actually witness the plane in flight; beyond that, the dialogue and situations remain the same--even down to the slight pauses after the laugh lines. ~ Hal Erickson, All Movie Guide

As an actor, British film star Stewart Granger was very handsome, but this is all that is required of him in Beau Brummell. Granger plays the famed 18th-century dandy and social arbiter who rises from poverty to become the adviser and severest critic of the Prince of Wales (marvelously portrayed as a self-involved neurotic by Peter Ustinov). Secure in his station in life, Brummell goes one step too far when he jokes about the Prince's obesity. The future King George IV will forget the whole thing if Brummell will apologize, but the haughty trendsetter refuses to do so. Brummell is banished from court, losing everything -- including his chance at finding happiness with the aristocratic Elizabeth Taylor -- in the process. Filmed on location in England, Beau Brummell was based on the same war-horse play by Clyde Fitch that had served as the inspiration for the 1924 Brummell starring John Barrymore. ~ Hal Erickson, All Movie Guide