Michael Ansara Movies

The Lone Ranger was the first of two Technicolor theatrical features based on the popular TV series of the same name. Clayton Moore and Jay Silverheels, stars of the video version, essay the roles of the Masked Rider of the Plains and his faithful Indian companion Tonto. This time around, our heroes take on evil rancher Reece Kilgore (Lyle Bettger), who hopes to become an all-poweful land baron by fomenting an Indian war. It is up to the Lone Ranger to keep the peace and to find out why Kilgore is up to what he's up to. To expedite this, the Ranger adopts a couple of clever disguises (though we never see his full face au naturel). Among the more novel aspects of the film is little Beverly Washburn as Lila Kilgore, the sweet, innocent daughter of the double-dyed villain. The nominal leading lady is played by Bonita Granville, who co-produced the film with her husband Jack Wrather. The Lone Ranger proved successful enough to warrant a sequel, The Lone Ranger and the Lost City of Gold (also 1956). ~ Hal Erickson, All Movie Guide

Planning to murder his wife for her insurance money, antiques dealer Laurence Appleby (Robert H. Harris) prepares for the crime by reading a book about accidental deaths. After killing his spouse and making it appear accidental, Appleby marries a wealthy widow named Martha Sturgis (Meg Mundy). When wife number two proves to be as contentious as wife number one, Appleby decides that a second murder is in order -- little realizing that Martha is also a voracious reader. ~ Hal Erickson, All Movie Guide

Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"? ~ Hal Erickson, All Movie Guide

Hot on the heels of Warner Bros.' New York Confidential came Columbia's New Orleans Uncensored. Lensed in semi-documentary fashion by future horror maven William Castle, the film stars Arthur Franz as New Orleans dockworker Dan Corbett. Attempting to remain honest, Corbett runs afoul of crime kingpin Zero Saxon (Michael Ansara), who controls the dockworkers union and runs a smuggling operation on the side. When his best friend is killed by Saxon's goons, Corbett agrees to cooperate with the authorities in bringing the racketeer to justice. As a means of "balancing" the picture, several real-life New Orleans civic leaders and union heads--all with purportedly clean records--appear as themselves. ~ Hal Erickson, All Movie Guide

Esther Williams' long association with MGM came to an abrupt end with Jupiter's Darling, which even she will admit was her silliest film. Based on Robert Sherwood's satirical play The Road to Rome, the film cast as Williams as Amytis, fiancee of vacillating Roman statesman Fabius Maximus (George Sanders). When it appears as though the forces of Hannibal (Howard Keel) will conquer Rome, Amytis takes it upon herself to halt the invasion. In the process, she and Hannibal embark upon a tempestuous romance, much to the consternation of the barbarian general's aide-de-camp Mago (William Demarest) and the bemusement of Hannibal's official chronicler Horatio (Richard Haydn). A subplot concerns the romance between Varius (Gower Champion), who tends Hannibal's fabled elephants, and spunky slave girl Meta (Marge Champion). Somewhere along the line Williams performs a water ballet with "living statues", and Varius and Meta come up with a herd of pink elephants. The Burton Lane-Harold Adamson songs are as forgettable as the film itself. Curiously, Jupiter's Darling opened to good reviews, but the film was killed by word of mouth. ~ Hal Erickson, All Movie Guide

The muscular physique of Rock Hudson is given plenty of screen exposure in the British-India actioner Bengal Brigade. Adapted from a novel by Hall Hunter, the film casts Hudson as Captain Jeffrey Claybourne of Her Majesty's Service, who is severely disciplined after defying orders. Feeling unworthy of his fiancee Vivian Morrow Arlene Dahl, the daughter of his superior officer, Claybourne breaks off the engagement until he can restore his reputation. When the duplicitous Rajah Karam Arnold Moss launches an all-out attack against the British forces in India, Claybourne finds his opportunity for redemption--as do several other "outcasts". Costarring in Bengal Brigade as an alluring native girl is Ursula Theiss, later the wife of actor Robert Taylor. ~ Hal Erickson, All Movie Guide

A hit and run driver has struck and killed a pregnant woman and her unborn child. The only clue Friday (Jack Webb) and Smith (Ben Alexander) have to go on is that the death car bore a hot rodder's license plate with the word "WHEELS." With the cooperation of several responsible hot-rod enthusiasts--who waste no time assuring everyone that the members of their club must not only drive carefully, but also pass monthly safety checks--the two detectives track down the perpetrator and his stolen vehicle. Michael Ansara delivers a powerful performance as the victim's grieving husband. Adapted from the Dragnet radio broadcast of March 16, 1954, this episode received a special commendation from the National Hot Rod Association. ~ Hal Erickson, All Movie Guide

Mitzi Gaynor was contractually awarded with top billing in 20th Century-Fox's Three Young Texans, but the film's true star is Jeffrey Hunter. To prevent his father from being blackmailed into committing a train robbery, Johnny Colt (Hunter) pulls off the theft himself. Our hero and his lady friend (Mitzi Gaynor) intend to return the money as soon as his father is out of harm's way. Unfortunately, Colt's "friend" Tony Ballew (Keefe Brasselle) has other ideas. Running off with the money, Ballew makes the mistake of crossing the path of Apache Joe (Michael Ansara), who masterminded the robbery in the first place. Three Young Texans is another of those "thinking man's westerns" conceived in the wake of such films as The Gunfighter and High Noon. ~ Hal Erickson, All Movie Guide

Joseph L. Mankiewicz directed this exquisite version of William Shakespeare's play. Louis Calhern is Julius Caesar, whose conquests have enabled him to rise to the status of Roman dictator. But his ascent to almost God-like status has given pause to influential members of the Roman Senate. Chief among them is Cassius (John Gielgud), who is troubled by Caesar's popularity and dictatorial status. Convinced that Caesar's assassination would be the best thing for Rome, he conspires with Casca (Edmond O'Brien) and the influential Brutus (James Mason) to plot Caesar's murder. Despite dark omens, Caesar walks confidently into the Roman Senate, where he is stabbed to death by the conspirators. His companion Marc Antony (Marlon Brando) is shocked and runs to the corpse of his beloved friend. He agrees to support Brutus while an unruly mob gathers in front of the Senate doors, having heard rumors of Caesar's assassination. Brutus convinces the mob that Caesar's death was for the good of Rome, preventing him from forming a monarchy. Then Antony appears, determined to destroy the conspirators; he delivers a speech that subtly damns the assassins. With the mob against them, the conspirators are forced to flee Rome and Antony organizes an army against them. ~ Paul Brenner, All Movie Guide

Historically important as the first CinemaScope feature film, 20th Century-Fox's The Robe is fine dramatic entertainment in its own right. Based on the best-selling novel by Lloyd C. Douglas, the film stars Richard Burton as the wastrelly Roman tribune who is assigned by a weary Pontius Pilate (Richard Boone, who spends the whole of his single scene washing his hands) to supervise the crucifixion of Christ. After the Seven Last Words, the jaded Burton wins Christ's robe in a dice game. Gradually, the mystical influence of the holy garment transforms Burton from a roistering cynic into a True Believer--at the cost of his own life, which he willingly gives up in the service of his Lord. Also starring in The Robe are Jean Simmons as Burton's pious childhood sweetheart, Victor Mature as his Christian-convert slave Demetrius (an excellent performance--in fact, Mature is more believable than Burton!), Michael Rennie as the disciple Peter, and Jay Robinson as the raving Emperor Caligula. Mature, Rennie and Robinson would appear in the 1954 sequel to The Robe, the hurriedly assembled Demetrius and the Gladiators. Watch and listen for the unbilled contributions of Michael Ansara as Judas and Cameron Mitchell as the voice of Jesus. The film won three Academy Awards, and a special Oscar bestowed upon Fox for the development of CinemaScope. For many years, the TV prints of the Robe were struck from the "flat," standard-ratio version shot simultaneously with the widescreen version. Only recently has the CinemaScope The Robe been made available to cable TV (shown in "letterbox" format to allow home viewers the full picture). ~ Hal Erickson, All Movie Guide

Fernando Lamas and Arlene Dahl were still husband and wife at the time The Diamond Queen was filmed (the result of that union, of course, was little Lorenzo Lamas). Lamas plays Frenchman Jean Tavernier, who in the company of Baron de Cabannes (Gilbert Roland) journeys to India, there to search for a fabulous diamond on behalf of King Louis XIV. They not only find the gem, but also Maya (Arlene Dahl), Queen of Nepal, in the bargain. Now it is up to Tavernier, the Baron and Maya to escape the clutches of the Great Mogul (Sheldon Leonard), the film's all-purpose villain. One suspects that no one took this thing too seriously while it was being made, which only adds to the film's enjoyment. Produced independently, Diamond Queen was distributed by Warner Bros. ~ Hal Erickson, All Movie Guide

Filmed on sets left over from the Columbia superfeature Salome (and also using generous chunks of stock footage from that film), Serpent of the Nile is a quickie retelling of the Cleopatra-Mark Antony story. The Queen of Egypt is played by Rhonda Fleming, while Antony is essayed by Raymond Burr. Much of the crucial plot information is conveyed by dialogue (we never see Caesar's assassination, for example). As for the Cleopatra-Antony scenes, she is clearly the aggressor, while he comes off as a namby-pamby alcoholic who succumbs all too easily to Cleopatra's synthetic charms. Listed at the bottom of the cast is one "Julie Newmeyer" as a gold-painted exotic dancer: she later gained famed as Julie Newmar. Serpent of the Nile enjoyed a great deal of TV play in 1963, when the Elizabeth Taylor version of Cleopatra was all the rage. ~ Hal Erickson, All Movie Guide