Michael Ansara Movies

Exiled from his own country during WW2, French filmmaker Leonide Moguy worked briefly in Hollywood, where he directed the patriotic thriller Action in Arabia. George Sanders stars as Gordon, an American newspaperman at large in Damascus. When a colleague is murdered, Sanders wants to find out why. He is helped along by glamourous secret agent Yvonne (Virginia Bruce), who is on the trail of a group of Nazi saboteurs. It turns out that the murder is tied in with a plan to destroy the Suez Canal in the name of Der Fuehrer. Though economically produced, Action in Arabia benefits from several rather spectacular-looking scenes of desert combat-most of these lifted from a never-finished 1933 filmed biography of Lawrence of Arabia. ~ Hal Erickson, All Movie Guide

Errol Flynn is top-billed in Kim, but the title character is played by Dean Stockwell. The son of an Irish sergeant, young Kim wanders through the streets and hills of Colonial India, disguised as a native boy. Kim's adventures include an episode with a horse trader (Errol Flynn) who is actually a British secret agent; a sojourn with a holy lama (Paul Lukas) on a mysterious quest; and involvement with a plan to rid the Khyber Pass of Czarist Russian agitators. Kim had been in the planning stages since 1938 (those considered for the title role included Freddie Bartholomew and Mickey Rooney), but the property's catch-as-catch-can storyline, coupled with the changing political climate in postwar India, delayed production until 1949. While a great deal of Kim was filmed on location in India, some of the more complicated exterior sequences were lensed in Lone Pine, California. ~ Hal Erickson, All Movie Guide

The Desert Hawk deserves to be seen on the basis of its cast alone. No more believable than any of Universal's other sword-and-sand epics, this one stars Yvonne de Carlo as Princess Shaharazade (sic) and Richard Greene as Omar, aka the Desert Hawk. By day a humble blacksmith, the Desert Hawk spends his evenings battling against the oppresive regime of Prince Murad (George Macready). One of the Hawk's tactics is to trick Shaharazade into marriage, so that he can enlist the aid of the army commanded by the Princess' father. Murad retaliates by kidnapping Shararazade, leading to an exciting climactic rescue. Never mind all that: the real fun in Desert Hawk is spotting the celebrities-to-be in the supporting cast. Playing the villainous Captain Ras is none other than Rock Hudson, while the Desert Hawk's loyal companions Aladdin and Sinbad are played, respectively, by Jackie Gleason and Joe Besser--and surprise, Joe is heavier than Jackie! ~ Hal Erickson, All Movie Guide

Filmed in color, the 60-minute Hill Number One was an episode of the TV religious anthology Family Theatre. Father Patrick Peyton hosts this star-studded Easter special, wherein the story of the Resurrection is told in flashback form at a contemporary family gathering. As always, Fr. Peyton has assembled an impressive cast, including Roddy McDowell, Michael Ansara, Leif Erickson and Ruth Hussey. What makes this special truly special is the early appearance by James Dean, who delivers an earnest, non-mumbling performance as the apostle John. Dean's brief scenes have since been excerpted in many a TV documentary devoted to the late actor's career. ~ Hal Erickson, All Movie Guide

Allegedly based on a Rudyard Kipling novel, this draws most of its inspiration from the 1939 film made of Kipling's narrative poem Gunga Din. Stewart Granger, Robert Newton and Cyril Cusack play three boisterous English soldiers stationed on the Northern India frontier. Walter Pidgeon and David Niven are the threesome's superior officers, who are aggravated by the soldiers' drunken exploits but who appreciate how valuable they are to the regiment. The soldiers three become heroes once more when they thwart a native uprising. Producer Pandro S. Berman, coincidentally, had been in charge of production at RKO when Gunga Din was filmed. ~ Hal Erickson, All Movie Guide

Veteran serial director Spencer Gordon Bennett keeps things moving at a hectic pace in Brave Warrior. The title character is legendary Shawnee chief Tecumseh, well-played by Jay Silverheels (better known as Tonto on TV's The Lone Ranger). Though he has every reason to distrust the White Man, Tecumseh comes to the aid of American emissary Steve Ruddell (Jon Hall) during the War of 1812. The villain is a renegade medicine man known as The Prophet, played by Michael Ansara, who later portrayed the peace-loving Cochise on the TV version of Broken Arrow. Considering that this is a typically low-budget Sam Katzman production, Brave Warrior is fairly elaborately mounted. ~ Hal Erickson, All Movie Guide

The Lawless Breed is based on the exploits of Texas bad man John Wesley Hardin, played here quite convincingly by Rock Hudson. The film takes the Cecil B. DeMille approach of condemning evil by showing as much evil as the censor will allow. After nearly an hour of unrepentant perfidy, Hardin settles down to marry good woman Julie Adams. In middle age, he determines to steer his son clear of outlawry, resulting in a sentimental but non-maudlin finale. Directed by Raoul Walsh, who had given Rock Hudson his first screen role in Fighter Squadron, Lawless Breed was reportedly instrumental in landing Hudson as starring role in George Stevens' Giant (1956). ~ Hal Erickson, All Movie Guide

Joseph L. Mankiewicz directed this exquisite version of William Shakespeare's play. Louis Calhern is Julius Caesar, whose conquests have enabled him to rise to the status of Roman dictator. But his ascent to almost God-like status has given pause to influential members of the Roman Senate. Chief among them is Cassius (John Gielgud), who is troubled by Caesar's popularity and dictatorial status. Convinced that Caesar's assassination would be the best thing for Rome, he conspires with Casca (Edmond O'Brien) and the influential Brutus (James Mason) to plot Caesar's murder. Despite dark omens, Caesar walks confidently into the Roman Senate, where he is stabbed to death by the conspirators. His companion Marc Antony (Marlon Brando) is shocked and runs to the corpse of his beloved friend. He agrees to support Brutus while an unruly mob gathers in front of the Senate doors, having heard rumors of Caesar's assassination. Brutus convinces the mob that Caesar's death was for the good of Rome, preventing him from forming a monarchy. Then Antony appears, determined to destroy the conspirators; he delivers a speech that subtly damns the assassins. With the mob against them, the conspirators are forced to flee Rome and Antony organizes an army against them. ~ Paul Brenner, All Movie Guide

Historically important as the first CinemaScope feature film, 20th Century-Fox's The Robe is fine dramatic entertainment in its own right. Based on the best-selling novel by Lloyd C. Douglas, the film stars Richard Burton as the wastrelly Roman tribune who is assigned by a weary Pontius Pilate (Richard Boone, who spends the whole of his single scene washing his hands) to supervise the crucifixion of Christ. After the Seven Last Words, the jaded Burton wins Christ's robe in a dice game. Gradually, the mystical influence of the holy garment transforms Burton from a roistering cynic into a True Believer--at the cost of his own life, which he willingly gives up in the service of his Lord. Also starring in The Robe are Jean Simmons as Burton's pious childhood sweetheart, Victor Mature as his Christian-convert slave Demetrius (an excellent performance--in fact, Mature is more believable than Burton!), Michael Rennie as the disciple Peter, and Jay Robinson as the raving Emperor Caligula. Mature, Rennie and Robinson would appear in the 1954 sequel to The Robe, the hurriedly assembled Demetrius and the Gladiators. Watch and listen for the unbilled contributions of Michael Ansara as Judas and Cameron Mitchell as the voice of Jesus. The film won three Academy Awards, and a special Oscar bestowed upon Fox for the development of CinemaScope. For many years, the TV prints of the Robe were struck from the "flat," standard-ratio version shot simultaneously with the widescreen version. Only recently has the CinemaScope The Robe been made available to cable TV (shown in "letterbox" format to allow home viewers the full picture). ~ Hal Erickson, All Movie Guide

Fernando Lamas and Arlene Dahl were still husband and wife at the time The Diamond Queen was filmed (the result of that union, of course, was little Lorenzo Lamas). Lamas plays Frenchman Jean Tavernier, who in the company of Baron de Cabannes (Gilbert Roland) journeys to India, there to search for a fabulous diamond on behalf of King Louis XIV. They not only find the gem, but also Maya (Arlene Dahl), Queen of Nepal, in the bargain. Now it is up to Tavernier, the Baron and Maya to escape the clutches of the Great Mogul (Sheldon Leonard), the film's all-purpose villain. One suspects that no one took this thing too seriously while it was being made, which only adds to the film's enjoyment. Produced independently, Diamond Queen was distributed by Warner Bros. ~ Hal Erickson, All Movie Guide

Filmed on sets left over from the Columbia superfeature Salome (and also using generous chunks of stock footage from that film), Serpent of the Nile is a quickie retelling of the Cleopatra-Mark Antony story. The Queen of Egypt is played by Rhonda Fleming, while Antony is essayed by Raymond Burr. Much of the crucial plot information is conveyed by dialogue (we never see Caesar's assassination, for example). As for the Cleopatra-Antony scenes, she is clearly the aggressor, while he comes off as a namby-pamby alcoholic who succumbs all too easily to Cleopatra's synthetic charms. Listed at the bottom of the cast is one "Julie Newmeyer" as a gold-painted exotic dancer: she later gained famed as Julie Newmar. Serpent of the Nile enjoyed a great deal of TV play in 1963, when the Elizabeth Taylor version of Cleopatra was all the rage. ~ Hal Erickson, All Movie Guide

Debra Paget displays as much epidermis as the 1954 censors would allow in the escapist adventure Princess of the Nile. Ms. Paget is cast as Taura, a fearless 13th century princess who does her best to defend Egypt against an invading Bedouin (Michael Rennie). When not wielding her trusty scimitar, Taura poses as a dancing girl to undermine the Bedouin's plans. She is aided by the Prince Haidi (Jeffrey Hunter), son of the Caliph of Baghdad. The plotline is negligible: the audience was more interested in watching Debra Paget and scores of underclad lovelies undulating to the quasi-Eastern musical score by Lionel Newman. ~ Hal Erickson, All Movie Guide

Jeff Chandler may be the top-billed star of Sign of the Pagan, but the film belongs to Jack Palance, cast as no less than Attila the Hun. As Attila's hordes advance upon Rome, noble centurion Marcian (Chandler) mounts a counteroffensive. Alas, the Scourge of God cannot be stopped by weaponry or sheer brute strength. No, Attila can be halted in his tracks only by the hand of God Himself. Through a deft combination of historical fact and movie magic, this is precisely what happens. Ballerina Ludmilla Tcherina, her voice dubbed by an anonymous American actress, co-stars as Marcian's lady love, while Rita Gam is sublimely cast as Attila's long-suffering daughter. Also appearing as Attila's slave bride is Allison Hayes, some three years away from her starring turn in Attack of the 50 Foot Woman. Filmed on a more spectacular scale than one usually associates with Universal-International, Sign of the Pagan loses some of its scope when shown on television. ~ Hal Erickson, All Movie Guide