John Dierkes Movies

Taciturn Faye Dunaway insists upon drilling for oil in her small, unpromising patch of Oklahoma land. Drifter George C. Scott signs on to work the derrick, but only after Dunaway, who for unspecified reasons hates all men, warns him to stay at arm's length. Jack Palance, the strong-arm representative for a huge oil firm, dearly covets Dunaway's land, and when she refuses to sell he sends his hooligans to beat both her and Scott to bloody pulps. Driven from her land, Dunaway can't expect help from the "bought" courtrooms, so she fights fire with fire: together with Scott and her ne'er do well father John Mills, she takes back the land by force of arms. As they sit guarding the derrick, Dunaway and Scott draw closer, and when Mills is killed by a fall, Dunaway turns to Scott as her one last pillar of strength. Just as Palance and his goons are about to rush the land, the long-awaited gusher comes in. The oil surge lasts just long enough for every oil company within two hundred miles to bid for pumping rights. Once the well runs dry, however, Dunaway and Scott are left standing alone in their grimy field. ~ Hal Erickson, All Movie Guide

This second film adaptation of Richard Matheson's science-fiction novel I Am Legend (the first version being The Last Man on Earth with Vincent Price) unfolds in a post-apocalyptic 1976. Charlton Heston is Robert Neville, the sole recipient of a serum that enabled him to survive an onslaught of germ warfare between Russia and China - which seemingly rendered him the last (normal) human alive. Neville lives in a garish, antique-strewn L.A. penthouse. During the day, he roams through the vacant city. At night, he fends off a bloodthirsty horde of mutant scavengers garbed in Spanish inquisition robes and sunglasses, led by Matthias (Anthony Zerbe), a former television newscaster in his good ol' pre-mutant days. Matthias and his half-human vampires want to kill Neville. Neville's last man on earth status is shattered when he comes across a group of young people, presided over by the sexy and cynical Lisa (Rosalind Cash). Neville begins to form an interest in her, as the two try to keep Matthias and his minions at bay. The Omega Man was filmed in downtown Los Angeles on Saturday afternoons, an area that consists almost exclusively of office buildings, and therefore was suitably vacant at the the time of production. In 2007, Matheson's novel received yet another incarnation - this one with Will Smith in the Heston role. ~ Paul Brenner, All Movie Guide

In this offbeat crime drama, Mafia boss Johnny Colini (Marc Lawrence) has run afoul of the law and is being deported back to his native Sicily. Colini is not at all happy about this, and after he saves the life of a young thug, Johnny Giordano (Henry Silva), he knows the perfect way for Giordano to pay him back. Colini teaches Giordano the fine art of being a hit man, then sends him to America as Johnny Cool, with a long list of people who he believes informed on him to the police. Johnny Cool begins knocking off Colini's old enemies with a brutal violence that betrays the cool detachment of his personality; along the way, he meets Dare Guinness (Elizabeth Montgomery), a beautiful but promiscuous woman with whom Johnny falls in love. Several gangsters wanting to stop Johnny Cool's reign of terror rough up Dare as a warning to the hit man, but this only serves to make him all the more bloodthirsty. Produced in part by Peter Lawford, Johnny Cool features an interesting variety of notables as Johnny's associates and victims, including Telly Savalas, Mort Sahl, Joey Bishop, Jim Backus, and Sammy Davis, Jr., who also sings the theme song. ~ Mark Deming, All Movie Guide

Roger Corman's success with low-budget adaptations of Edgar Allan Poe tales continued with this third installment, the first to lack the commanding presence of Vincent Price. Instead, we have Ray Milland as tormented protagonist Guy Carrell, who is so traumatized by the death of his father -- whom he believes was entombed alive after suffering a cataleptic attack -- that he becomes convinced that he will meet a similar demise. Guy's mounting dementia rapidly undermines his recent marriage to the lovely Emily (Hazel Court), particularly after he begins the construction of a specially designed crypt rigged with numerous escape devices. Encouraged by Emily to face his fears, Guy decides to view his father's remains, to prove once and for all whether he died peacefully. When the crypt is opened, however, what he finds there is so horrifying that he succumbs to a cataleptic episode himself, which doctors misdiagnose as a fatal heart attack... and Guy's worst fear soon becomes a reality. Milland's performance conveys the requisite amount of hand-wringing torment (in the mode of The Lost Weekend), even if he fails to capture the manic intensity that Price brought to the other Poe films. Corman's deft direction, employing a rich palette of colors and superb widescreen compositions, is on a par with the series' finest installments. ~ Cavett Binion, All Movie Guide

Michael Curtiz's The Comancheros was a deceptively complex movie -- so enjoyable, that it masked some of the best character development seen in a John Wayne vehicle that was not directed by John Ford or Howard Hawks, and so well made that it got by with some of the most violent action seen in a major studio release of the era. It also bridged the gap between Ford's The Searchers and the upbeat buddy movies of the late '60s and '70s (The Sting, Butch Cassidy and the Sundance Kid, etc.). It's 1843 in the Republic of Texas, and Jake Cutter (John Wayne) is a two-fisted Texas Ranger who runs across a gang of white renegades, called the Comancheros, who are trading guns and other contraband with marauding Comanches from a secret hideout in Mexico. Substituting for a repentant gun-runner, he goes undercover as a partner with Crow (Lee Marvin), a vicious half-breed who is a contact man with the Comancheros and knows the whereabouts of their hideout in Mexico. But Crow manages to get himself killed, and Cutter is forced to throw in with Paul Regret (Stuart Whitman), a bystander who also happens to be an itinerant gambler wanted for killing a man in a duel in New Orleans, to complete his mission. It turns out that Regret is a more decent man than most, and he and Cutter, despite some different outlooks on right and wrong, take a liking to each other. Their quest eventually takes them south of the border, where they find the Comancheros and their leader, Graile (Nehemiah Persoff), a bitter, brilliant cripple -- think of The Sea Wolf's Wolf Larsen in a wheelchair -- who has established a landlocked pirate society, and his daughter Pilar (Ina Balin). The only thing that keeps Cutter and Regret alive when they enter the camp is that Pilar and Regret have a history, and she still has feelings for him, enough so that she won't tell what she knows about Cutter and who he is. The two men must play on Graile's greed and Pilar's love in the explosive surroundings of the Comancheros' camp, while figuring out a way to stay alive long enough to get word to the rangers about where they are -- and to survive the attack that must inevitably follow.

Director Michael Curtiz was ill for part of the shoot, and Wayne took up the slack, but The Comancheros displays some of the same freewheeling charm and deep passions that informed classic films of his such as Captain Blood, The Adventures of Robin Hood, and The Sea Hawk. Wayne and Whitman between them manage to evoke some of the rambunctiousness of Errol Flynn, and when Balin (one of the sexiest leading ladies ever to grace a John Wayne movie) arrives onscreen, the testosterone level shoots up even higher and the sexual sparks fly. The film's 105 minutes go by very fast, and this is a movie whose ending comes almost too soon. Curtiz's final film is one that leaves audiences with a smile, but also wanting more, which was a pretty good way to go out. John Wayne's daughter, Aissa Wayne (who subsequently went into a law career) appears in a small role. ~ Bruce Eder, All Movie Guide

As the Oregon Territory prepares to welcome settlers in 1846, wagons traveling the Oregon trail face increasing hostility from the Native Americans who have vowed to protect their land. Dispatched to investigate rumors that President Polk is sending troops to the Oregon Territory disguised as pioneers, New York Herold reporter Neal Harris (Fred MacMurray) is captured by angry natives as he makes his way back to the city. Enlisting the help of a comely Native American maiden to make a daring escape, Harris makes it out just in time to warn the trrops of a potentially devistating attack. Subsequently resigning from his position as a reporter, Harris decides to make a home for himself and his faithful maiden in the new territory. ~ Jason Buchanan, All Movie Guide

Phyllis Coates, TV's erstwhile Lois Lane, essays one of her largest film roles in Blood Arrow. Coates is cast as a devout Mormon girl whose mission is to transport smallpox vaccine to her friends and neighbors. Unfortunately, this requires her to journey through hostile Indian territory. Appointing themselves as the girl's unofficial protectors are Indian scout Scott Brady, trapper Don Haggerty and (reluctantly) gambler Paul Richards. Any resemblance to Stagecoach and The Outcasts of Poker Flat were probably intentional. Incidentally, Don Haggerty was the father of Dan Haggerty, star of TV's The Life and Times of Grizzly Adams. ~ Hal Erickson, All Movie Guide

Cesare Danova and Jack Elam guest star in this episode of the popular The Rifleman television series. The town of North Fork is startled by the arrival of a genuine Italian count (Danova) and no one more so than brutish cattle buyer Sim Groder (Jack Elam), who does his best to rile the newcomer. After yet another unpleasant encounter in the saloon, Count Di Montova challenges Groder to a duel at dawn. With Lucas McCain (Chuck Connors) as his second, the count leaves the hotel to face Groder and four of his rabblerousing cohorts. The episode was directed by cult figure Joseph H. Lewis. ~ Hans J. Wollstein, All Movie Guide

In this western two wagon masters are wrongfully accused of driving their wagon train in to a Comanche raid and are sentenced to hang. Now they must work hard and fast to prove their innocence. ~ Sandra Brennan, All Movie Guide

Anita Ekberg amply fills the title role in the offbeat western Valerie. Clearly inspired by Rashomon, the film offers contradictory flashbacks during a lengthy trial. The defendant, Civil War hero John Garth, Sterling Hayden, is accused of seriously wounding his wife Valerie and murdering her parents. At first, the jury's sympathy is with Garth, who claims that his faithless wife was running off with preacher Blake (played by Ekberg's then-husband Anthony Steel) and that the death of his in-laws was accidental. But as testimony proceeds, it is revealed that the highly respectable, much-beloved Garth is a beast in human form. The complicated outcome of the trial has so many twists and turns that it would be criminal to reveal any one of them. ~ Hal Erickson, All Movie Guide

Patricia Medina plays the title character in The Buckskin Lady. Medina is cast as female gambler Angela Medley, who is forced by circumstances to align herself with outlaw Slinger (Gerald Mohr). But Angela has never gotten over her love for honest frontier doctor Bruce Merritt (Richard Denning), and at the first opportunity she redeems herself by catching a bullet intended for the doc. Henry Hull delivers the film's most memorable performance as Angela's drunken wretch of a father. Per the title, Buckskin Lady affords the viewer ample opportunity to see Patricia Medina in form-fitting western garb. ~ Hal Erickson, All Movie Guide

It's "Freud on the Frontier" time in the tension-filled western The Halliday Brand. Ward Bond plays Big Dan, the despotic head of the Halliday clan, while Joseph Cotten and Betsy Blair costar as Halliday's offspring Daniel and Martha. Intensely anti-Indian, Big Dan encourages a mob to lynch Jivaro (Christopher Dark), Martha's half-breed sweetheart. Despising his father's complicity in Jivaro's death, Daniel breaks off his relationship with the elder Halliday, casting his lot with Jivaro's father (Jay C. Flippen) and sister (Viveca Lindfors). The climactic showdown between father and son is superbly and innovatively handled by director Joseph H. Lewis. ~ Hal Erickson, All Movie Guide