John Diehl Movies

Superb black-and-white photography highlights this independent drama. John Lee (Peter Alexander) is the son of a Chinese-American father and a French mother, living in California shortly after World War II. John's grandfather was a Chinese laborer brought to America to help lay tracks for the Continental railroad, and John has inherited an obsessive love of trains. When John discovers that the short-line railroad that runs from Merced, California, to the Yosemite Valley is soon to be shut down, he persuades his father to back him as he takes over the line and attempts to restore it. John hires two experienced railroad men to help him run his new railway: conductor Robinson (Henry Gibson and traffic manager Skeeter (Michael Stipe). As he tries to put the Yosemite Valley Railroad back on its feet, he becomes romantically involved with a beautiful park ranger (Jeri Arredondo) and exchanges subtle flirtations with both Skeeter and his sister Wendy (Diana Larkin). However, his all-consuming interest in the railroad prevents these relationships from going anywhere, and his family begins to lose patience with him as he digs himself deeper into a business that seems doomed. ~ Mark Deming, All Movie Guide

A has-been fighter finds himself extorted into becoming a hitman to save himself in this crime drama. The mess began while the opportunistic Marty was trying to convince a mobster to participate in his latest quick money scam. The would-be investor is suddenly shot and killed. Marty sees it all and promises to stay quiet. That's not good enough for Daryl, the mob boss behind the hit and to make sure he forces Daryl to kill another in exchange for his own life. ~ Sandra Brennan, All Movie Guide

In this offbeat comedy set in the 1950s, Patrick Swayze plays Jack McCloud, a drifter and beatnik who enters the conservative suburban life of the Holman family after Jeanne Holman (Mary Elizabeth Mastrantonio) accidentally hits him with her car. Jeanne takes Jack into her home while he recovers from his injuries. McCloud offends the neighbors and friends of the Holmans with his unorthodox behavior, including nude sunbathing and Buddhism. He tells the children, Tom (Joseph Mazzello) and Gunny (Seth Mumy), stories of a genie who has taken the form of a dog. Jeanne and her kids come under his sway as Jack's mystical powers help the kids' Little League team win a big game. Martha Coolidge directed the film from a script by Elizabeth Anderson, based on a short story by Ellen Green. ~ Michael Betzold, All Movie Guide

Oliver Stone, the most outspokenly political American filmmaker of the 1980s and '90s, directs this epic-length biography of Richard Nixon, the 37th President of the U.S., who was re-elected by a landslide in 1972, only to resign in disgrace two years later. Taking a non-linear approach, Nixon jumps back and forth between many different periods and events, from Nixon's strict upbringing at the hands of his Quaker mother, through the many peaks and valleys of his political career, to his downfall in the wake of the Watergate scandal. The facts of his life are blended with supposition and speculation to create a portrait that is often critical of the man's policies but displays an unexpected compassion toward his failings as a human being. Anthony Hopkins stars as Nixon, Joan Allen plays his long-suffering wife Pat, Mary Steenburgen portrays his mother Hannah, Bob Hoskins is cast as J. Edgar Hoover, Powers Boothe plays Alexander Haig, Paul Sorvino portrays Henry Kisinger, and Ed Harris plays E. Howard Hunt. ~ Mark Deming, All Movie Guide

A wealthy Beverly Hills husband and wife are forced to reevaluate their lives after losing their jobs in writer-director Michael Tolkin's aloof satire. Peter Witner (Peter Weller) and Katherine Witner (Judy Davis) have become so accustomed to their high-class, shallow lifestyle that they feel helpless when circumstances leave them facing imminent bankruptcy. Lost and confused, their marriage on the verge of collapse, they seek help from a number of spiritual gurus, who offer ineffectual New Age philosophies as the solution to their problems. These remedies provide little comfort, however, and the Witners' attempt to make their own way by opening a hip clothing store also disappoints, leaving them ostracized and desperate for a direction in life. Best known for the cutting screenplay of Robert Altman's The Player (1992) and for his own earlier film The Rapture (1991), Tolkin provides sharp dialogue and a well-observed critique of the Los Angeles high life. This film continues the social criticism of those earlier efforts, as Tolkin consistently portrays American life as mindlessly materialistic, spiritually hollow, and bereft of meaningful purpose or moral direction. While some viewers may feel distanced from the unsympathetic characters and detached tone, Tolkin continues to be one of the most trenchant social satirists in contemporary American movies. ~ Judd Blaise, All Movie Guide

This lucrative, elephantine-budgeted sci-fi opus paved the way for director Roland Emmerich's mega-hit Independence Day (1996). The story commences in Giza, Egypt, circa 1928, where an archaeological expedition unearths an ancient ring with cryptic hieroglyphs. The film then moves to the present day, where Egyptologist Daniel Jackson (James Spader) is busily trying to convince a group of skeptics that the pyramids were not built by man, but by an extraterrestrial force. After the lecture, a military man approaches him and offers him a job translating the said ring; its inscriptions actually constitute a map to a massive stargate (or interstellar portal). The army sends over resident crackpot colonel Jack O'Neill (Kurt Russell) to travel through the stargate and see what's on the other side; Jackson accompanies him, and the two men turn up in a desert planet on the other side of the universe, with three moons in its sky. The world in question is ruled by Ra (Jaye Davidson), a hermaphroditic Egyptian sun god, who oppresses hordes of slave workers. Jackson and O'Neill then join forces to help the said workers revolt against their oppressor. ~ Paul Brenner, All Movie Guide

The Pulitzer Prize-winning novel The Killer Angels by Michael Shaara becomes this sprawling historical epic. As in Shaara's novel, director Ronald Maxwell focuses on a handful of major players to dramatize the events of July 1863, when the armies of the Union and Confederacy clash at the small Pennsylvania town of the title. Among them are Martin Sheen as General Robert E. Lee, who disagrees with his top advisor, General James Longstreet (Tom Berenger) over battle strategy, and Jeff Daniels as Colonel Joshua Lawrence Chamberlain, a college professor whose unorthodox techniques save the day (and possibly the war) for his beleaguered army. Other cast standouts include Richard Jordan in his final film appearance as the ill-fated General Lewis Armistead, and cameo roles for Civil War buff Ken Burns and media mogul producer Ted Turner. Filmed on-location at Gettysburg National Military Park, Gettysburg was shot as a television miniseries for Turner's TNT cable channel, but earned a limited theatrical release. ~ Karl Williams, All Movie Guide

It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of the mother of all traffic jams. Desirous of attending his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster abandons his car and begins walking, encountering one urban humiliation after another (the Korean shopkeeper who obstinately refuses to give change is the worst of the batch). He also slowly unravels mentally, finally snapping at a fast-food restaurant that refuses to serve him breakfast because it's "too late." Running amok with an arsenal of weapons at the ready, Foster -- also known as "D-FENS" because of his vanity license plate -- rapidly becomes a source of terror to some, a folk hero to others. It's up to reluctant cop Prendergast (Robert Duvall), on the eve of his retirement, to bring D-FENS down. ~ Hal Erickson, All Movie Guide

Small-time crook Johnny Stewart (Damon Wayans) decides to go straight to win a beautiful girl (Stacey Dash), and to prove it, he joins the mailroom of the credit-card firm for which she works. Needing money to impress her, Johnny steals a credit card, goes on a shopping spree and wins the girl. The story isn't over though, because a security guard who caught his theft on videotape is blackmailing Stewart to join his own credit-card ring. ~ John Bush, All Movie Guide

When a woman murdered over fifteen years ago is again found dead, a small-town Arizona policeman (John Beck) must solve the case without stepping on the tender toes of procedure, courtesy of a federal agent from Phoenix (Steven Bauer). ~ John Bush, All Movie Guide

Reviewers found this art film extraordinarily grating even for a film of the "high art" genre but admitted that some of its imagery was striking and original. The ostensible subject of this basically storyless film, shot with black-and-white and color segments, is the depressing, aimless, and futureless life of a sodden former trumpet player in the slummiest sections of Los Angeles. However, the main theme seems to be the imagery the film captures of the bleakest and most decayed portions of that famous city. Another plus is the film's jazz-oriented soundtrack. ~ Clarke Fountain, All Movie Guide

This interesting genre-jumping sci-fi/horror film plays much like a low-budget derivative of Alien and The Thing with a clever occult twist. The story takes place in lunar orbit, where a maintenance spaceship becomes marooned after a mysterious accident. Cut off from Earth contact and rapidly losing power, they encounter another derelict craft and its dead, mutilated occupant. They board the other ship to draw on its power plant, taking the corpse aboard for study, and soon discover that the ship was part of the U.S. Discovery program, reported lost after splashdown in the Bermuda Triangle -- at a point in direct line with the moon's dark side. Unfortunately for the crew, the significance of this correlation is discovered too late, as the evil force residing within the dead spaceman's body emerges to take possession of the crew's souls. This leads to a confusing game of "musical souls" as the paranoid survivors turn on each other, never sure which of them is acting under demonic influence. Although not particularly an original concept, this is still a very tense, nightmarish film, with high production values, claustrophobic atmosphere and some nail-biting moments. The filmmakers' attempts to communicate the crew's increasing confusion and paranoia are quite effective, though things go a bit overboard at the climax. ~ Cavett Binion, All Movie Guide

John Larroquette starred with Kirstie Alley in this comedy involving a couple's troubles with their starter home. An array of obstinate houseguests refuse to leave and provoke the anger of all involved. ~ John Bush, All Movie Guide