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Wilhelm Diegelmann Movies

1930  
 
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Marlene Dietrich became an immediate international star on the strength of her performance as the temptress Lola Frohlich in Josef von Sternberg's classic tale of love and obsession. Professor Immanuel Rath (Emil Jannings) is a strict and humorless schoolmaster who is shocked when he discovers the boys in his class have been spending their time at a sleazy cabaret called The Blue Angel, where an entertainer named Lola (Dietrich) keeps the men in thrall and sells suggestive postcards of herself. Rath goes to the club in hopes of catching his students and giving them a severe dressing-down, but he instead finds himself entranced by the carefree atmosphere of the club, and is struck by Lola's earthy, sensual beauty. Rath finds himself strongly attracted to Lola, and she later entertains him in her dressing room. When word of Rath's infatuation with Lola spreads to his students, he is taunted mercilessly, and eventually Rath is dismissed from the school. While Lola agrees to marry Rath, she shows little affection for him and delights in humiliating him, making him her servant and forcing him to play a clown in her stage show. The Blue Angel was shot in both German and English language versions; the German is preferable, as most of the cast were obviously more expert in that tongue. Dietrich introduced her theme song, "Falling In Love Again", in this picture. ~ Mark Deming, Rovi

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Starring:
Emil JanningsMarlene Dietrich, (more)
 
1930  
 
Filmed silent, Hungarian Nights was released in the U.S. in mid-1930, giving at least a few days' work to the leftover movie-theater musicians. The story focuses on the menage a trois involving Captain Bartok (Hans Stuewe), Col. Reckoczi (Alexander Murski) and the colonel's wife Coraly (Lil Dagover). The plotline is occasionally broken up by drunken bacchanals and angry-peasant mob scenes. When distributed in America, the subtitles were printed in both English and German, giving them a "textbook" appearance which had the effect of taking the audience "out" of the picture. Cast in a small role is Viet Harlan, later one of the most prominent directors of the Nazi era. ~ Hal Erickson, Rovi

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Starring:
Wilhelm DiegelmannDaisy D'Ora, (more)
 
1927  
 
After the Great War, much of Europe was in chaos, and this German-made film uses that historical backdrop as a starting point. It takes place in a fictional country by the name of Rupolosia, which has been taken over by a band of guerrillas. At the head of this group is the dashing, charismatic Zeremski (Hans Adalbert von Schlettow). Olga Tschechowa plays his mistress Nadja, the only person who has any power over Zeremski whatsoever. Zeremski and his bandits terrorize the countryside until a new Governor arrives. While a well-intentioned effort, this was not a great example of German filmmaking, and the mixed reviews it got in the U.S. reflect that. ~ Janiss Garza, Rovi

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Starring:
Olga TschechowaJenny Hasselquist, (more)
 
1921  
 
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Fritz Lang was a stickler for realism in his American films; not so his German silents, which were fanciful to the point of being fairy tales. Der Müde Tod, Lang's first big critical success, is an allegorical tale of love, fidelity and death. The heroine (Lil Dagover), who in her dreams is confronted by Mr. Death, argues for the life of her beloved, but is unable to make the personal sacrifices that Death insists upon. Originally presented in three parts, Der Müde Tod was often boiled down to a single film for its non-German showings. Its English-language titles range from The Weary Death to Between Two Worlds to Beyond the Wall to Destiny. ~ Hal Erickson, Rovi

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Starring:
Lil DagoverWalter Janssen, (more)