Dewey Weber Movies

Garret Williams made his directorial debut with this tale of an urban black couple trapped in a desert town of rednecks. Byron (Terrence Howard) and Nina (Nicole Ari Parker) are driving a BMW from Chicago to L.A. when they experience a back-road breakdown. Teen Mooney (Brendan Sexton III) tows them to a white-trailer-trash town where they're charged $500 for repairs. When the BMW dies again, they stay overnight in a motel, and the situation soon gets grim. The characters in this low-budgeter were first introduced in a 1996 short. Spark was shown at 1998 film festivals (Sundance, Berlin). ~ Bhob Stewart, Rovi

Back on active duty, Bobby Simone (Jimmy Smits) reteams with Andy Sipowicz (Dennis Franz) to investigate a bar shooting. The suspect, an off-duty corrections officer, turns out to be terminally ill, and may not have been responsible for his actions. In another development, the squad converges upon the hideout of a serial rapist. And although she hasn't formally announced her pregnancy, Gina (Lourdes Benedicto) accepts Martinez' (Nicholas Turturro) marriage proposal. ~ Hal Erickson, Rovi

"I'm gonna dance," Nomi Malone (Elizabeth Berkley) insists in the opening scene of Showgirls, and dance she does. In this quasi-update of All About Eve, Nomi is a drifter whose sole ambition is to headline the "Goddess" topless dance show at the Stardust in Las Vegas. Of course, even Nomi must pay her dues, and she does so at the Cheetah, grinding poles and lap dancing her way to a future. Fortunately, her roommate, Molly, works at the Stardust and invites Nomi to see the show, where she meets Crystal Conners (Gina Gershon, in the Bette Davis role), with whom she immediately forms a love/hate relationship. Nomi soon learns what she must do to get ahead, and the rest of the film documents her cat-like crawl up the showgirl ladder of success. Directed by Paul Verhoeven, (Robocop, Basic Instinct, The Fourth Man), Showgirls was conceived as the first big-budget "adult" film since 1977's Caligula, and the first such production to wear the NC-17 rating; its failure at the box-office discouraged further attempts at large-scale adult productions. ~ Dylan Wilcox, Rovi

Temistocles Lopez's Chain of Desire, based on Arthur Schnitzler's La Ronde, plays like an AIDS-era version of The Yellow Rolls Royce, in which a series of unrelated amorous lovers are connected by a "chain of desire." The film begins as Alma D'Angeli (Linda Fiorentino) flees from a lover and runs into a church, where she finds solace and a young Latino worker, Jesus (Elias Koteas). They make love. Then Jesus comes home to his wife Isa (Angel Aviles) and gets intimate with her. The next morning, Isa goes off to see Dr. Jerald Buckley (Patrick Bauchau), with whom she is having an affair. After seeing Isa, Jerald heads off to visit Linda (Grace Zabriskie), a sexy dominatrix. Linda returns home to her husband, Hubert (Malcolm MacDowell), a harried television commentator. After an unsatisfactory interview with women who claim to have had affairs with John F. Kennedy, he relieves his tensions by seeking the arms of Keith (Jamie Harrold), a teenage hustler. And the trail continues on as gay social worker Ken (Tim Guinee) offers Ken a place for the night, followed by Ken's lover David Bango (Dewey Martin) and hot dancer Diana (Holly Marie Combs), who wants David to deflower her. Coming on the scene after that is famed artist Mel (Seymour Cassel), who has a tryst with Diana, but he finds that he has to answer to his vindictive wife, Cleo (Assumpta Serna). At the end, all the characters arrive at a hip nightclub, where Alma, the singer at the club, has learned that the lover she had spurned at the beginning of the film has been diagnosed with AIDS. ~ Paul Brenner, Rovi