Angie Dickinson Movies
Born in Kulm, North Dakota and educated at Glendale College and Immaculate Heart College, Angeline Brown acquired her professional name Angie Dickinson when she married college football star Gene Dickinson. A beauty contest winner, Dickinson entered films with an unbilled bit in the 1954 Warner Bros. musical Lucky Me. Her earliest films consisted mostly of "B" Westerns (at one point, she dubbed in actress Sarita Montiel's voice in 1957's Run of the Arrow) and television (Dickinson was rather nastily murdered in very first episode of Mike Hammer). She moved to the A-list when selected by Howard Hawks to play the female lead in Rio Bravo (1958). The film gave Dickinson ample opportunity to display her celebrated legs, which, for publicity purposes, were reportedly insured by Lloyd's of London.
She went on to star in films both famous and forgettable: one of the roles for which she is best remembered is as the mistress of gangster Ronald Reagan (!) in The Killers (1964). In 1974, Dickinson jump-started her flagging career as the star of the TV cop drama Police Woman, which lasted four seasons and represented a tremendous step up in popularity for Dickinson. On that program, the actress played Suzanne "Pepper" Anderson, an undercover agent with the LAPD's criminal conspiracy division, whose assignments nearly always included donning a crafty and sexy guise in order to nab an underworld criminal.
At about the same time, Dickinson also moved into motion pictures and (after years of consciously avoiding nude scenes), went au naturel for exploitation king Roger Corman in that producer's depression-era romp Big Bad Mama, which unsurprisingly became a cult favorite. (Years later, in 1987, she teamed up with Z-grade shlockmeister Jim Wynorski for New World's Big Bad Mama II). Brian DePalma's Psycho-influenced thriller Dressed to Kill (1980) brought the actress greater visibility, and like the Corman assignments, required Angie to do erotic nudity (though in this case, the below-the-waist shower shots were reportedly performed by a body double).
In later years, Dickinson leaned more heavily on starring and supporting turns in made-for-television productions, including a telemovie follow-up to Police Woman, Police Woman: The Freeway Killings (1987); the Oliver Stone miniseries Wild Palms (1993); the direct-to-video thriller The Maddening (1995) (opposite longtime friend and colleague Burt Reynolds); and the prime-time soaper Danielle Steele's Rememberance (1996). The next decade found the septuagenarian actress unexpectedly returning to A-list Hollywood features, albeit in small supporting roles; these included Duets (2000), Pay it Forward (2000) and Ocean's Eleven (2001) (in a cameo as herself, nodding to her involvement in the original).
Angie Dickinson was married to composer Burt Bacharach from 1965 to 1980. ~ Hal Erickson, All Movie Guide
Angie Dickinson essays the title role in Big Bad Mama. This Depression-era crime caper casts the future star of Police Woman as sexy Ma Barker type Wilma McClatchie, who forces her nubile daughters (Susan Sennett, Robbie Lee) into participating in a robbery/kidnapping/murder spree. Wilma seems to be as motivated by the erotic thrill of lawbreaking as she is by the financial gains. She evens hops in the sack with her daughters, as does her common-law husband, played by William Shatner. A sequel appeared in 1987. ~ Hal Erickson, All Movie Guide
- Starring:
- Angie Dickinson, William Shatner, (more)
Author William F. Nolan and producer/director Dan (Dark Shadows) Curtis combined forces for the made-for-TV The Norliss Tapes. Roy Thinnes stars as Dan Norliss, an investigative reporter specializing the supernatural. Norliss' tapes consist of his observations when tracking down a report about a "walking dead man." As it happens, the tapes seem to be all that is left of Norliss, who has completely disappeared. The Norliss Tapes was the pilot for a series which failed to secure a network slot (perhaps no one wanted a program with a nonexistent hero!). An earlier failed attempt by Curtis to build a series around a paranormal investigator resulted in the 1969 pilot In the Dead of Night. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Thinnes, Angie Dickinson, (more)
- 1973
Clues come from a beautiful woman on the supposedly accidental death of an oil wildcatter which Hec Ramsey is attempting to solve. ~ All Movie Guide
- 1973
This French-produced thriller was shot entirely in English. Jean-Louis Tritignant stars as Lucien, a hit man who goes to Los Angeles to end the life of an important local mobster. The mobster's heirs, who hired Lucien, had already hired yet another hit man (Roy Scheider) to kill him. He speaks very little English, and the lifestyles and customs of Los Angelenos puzzle him completely. One of the films highlights is its use of many unusual decayed and shabby sites in the Los Angeles area, such as Venice Beach. ~ Clarke Fountain, All Movie Guide
- Starring:
- Jean-Louis Trintignant, Ann-Margret, (more)
- 1971
Television newsman Harry Walsh (Leslie Nielsen) holds fast to the maxim "seeing is believing" in this political/medical thriller, with science-fiction overtones. Harry saw a well-known U.S. Senator (Bradford Dillman) have a car accident, and took video coverage on the scene. When he arrives at the hospital to follow up on the story, he is told that no such person is, or ever was there. Since the senator is a presidential hopeful, this is a very important story, and Harry keeps at it. His TV station, which ran a report on the accident, retracts the story with an apology when the senator's office calls with the story that the senator is on a fishing trip. Harry doesn't believe it. In a parallel story, the senator wakes up in a hospital with all sorts of transplanted organs, etc., when he should simply be dead. He discovers that his survival is part of a worldwide medical blackmail scheme involving world political leaders. ~ Clarke Fountain, All Movie Guide
- 1971
- R
Ocean View High is an upscale suburban school in an otherwise unidentified community. It's 1971, the point when the sexual revolution started moving into full swing and even a lot of Middle America, at least on the two coasts, admitted the existence of same revolution. It seems like the guys and girls at Ocean View are all loving pretty freely, and that extends to the school's resident faculty hero, football coach/guidance counselor "Tiger" McDrew (Rock Hudson), who -- despite his being married, with a child -- has been bedding many of the prettiest girls at the school. The only kid seemingly not "getting any" is Ponce de Leon Harper (John David Carson), who is starting to get neurotic and suffer academically, so much so that he seeks advice from McDrew, especially where his new substitute teacher, Miss Smith (Angie Dickinson), is concerned. But then various girls start turning up at the school dead, in various states of undress, with cryptic notes pinned to intimate parts of their anatomy. The lunkhead county sheriff (Keenan Wynn) is forced to defer to a state police investigator (Telly Savalas), who starts nosing around the school and uncovers more than he bargained for in terms of libidinous students, among other problems. Meanwhile, Ponce finds his problem taken care of by Miss Smith, at McDrew's request. But there's still a killer stalking the school.
If the plot and ambience of this movie seems shocking today, that's because it would be. Made at the outset of the sexual revolution, this was MGM's desperate attempt to run with the times, in terms of depicting a high school where sexual relations between students are considered routine and even those between faculty and students are accepted as long as they're kept quiet. Anyone trying to make such a movie in 2006 would face threats of prosecution, investigation, etc., and probably find it impossible to get the movie booked into theaters; MGM didn't have that easy a time in 1971, though (amazingly) the movie has been shown on television. Precisely what director Roger Vadim brought to Gene Roddenberry's screenplay (based on a novel by Francis Pollini) is difficult to tell, though he at least makes the sleazy and tawdry, smirky sex scenes and leering camera shots flow smoothly -- screenplay, director, and cameraman alike are fixated on the female anatomy throughout, though not in as distinctive a manner as Russ Meyer and his attachment to breasts. The presence of a couple of Star Trek co-stars and supporting villains, James Doohan and William Campbell, also makes this especially weird to watch. ~ Bruce Eder, All Movie Guide
If the plot and ambience of this movie seems shocking today, that's because it would be. Made at the outset of the sexual revolution, this was MGM's desperate attempt to run with the times, in terms of depicting a high school where sexual relations between students are considered routine and even those between faculty and students are accepted as long as they're kept quiet. Anyone trying to make such a movie in 2006 would face threats of prosecution, investigation, etc., and probably find it impossible to get the movie booked into theaters; MGM didn't have that easy a time in 1971, though (amazingly) the movie has been shown on television. Precisely what director Roger Vadim brought to Gene Roddenberry's screenplay (based on a novel by Francis Pollini) is difficult to tell, though he at least makes the sleazy and tawdry, smirky sex scenes and leering camera shots flow smoothly -- screenplay, director, and cameraman alike are fixated on the female anatomy throughout, though not in as distinctive a manner as Russ Meyer and his attachment to breasts. The presence of a couple of Star Trek co-stars and supporting villains, James Doohan and William Campbell, also makes this especially weird to watch. ~ Bruce Eder, All Movie Guide
- Starring:
- Rock Hudson, Angie Dickinson, (more)
- 1971
Thief is a made-for-TV drama starring Richard Crenna as a paroled burglar. Crenna wants to turn over a new leaf and lead an honest life. To do this, however, he has to pull one last major heist which will square all his accrued debts. The focal point of this film is a near-silent cat burglar sequence, which is good enough to make up for the patchy character development and by-rote dialogue. The Thief also includes an early TV appearance by veteran character actor Michael Lerner. ~ Hal Erickson, All Movie Guide
- 1971
Most of the "action" in See the Man Run takes place during tense telephone conversations. Robert Culp stars in this TV movie as a failed actor who accidentally intercepts a phoned-in ransom demand for a kidnapped teenage girl. Deciding to cash in on this happenstance, Culp and his wife (Angie Dickinson) work out an extortion scheme based on the actor's skill with vocal impersonation. He calls the kidnap victim's father, pretending to be the kidnapper and making monetary demands; then he redials the kidnappers and pretends to be the distraught father, awaiting further instructions. In this way he hopes to intercept the ransom money and leave everyone else hanging. Culp's conscience gets the better of him--with fatal results--as See the Man Run winds down. ~ Hal Erickson, All Movie Guide
- 1971
A large city mayor slowly begins to recognize the depth of the syndicate's involvement in highway and housing construction projects in this crime drama. ~ All Movie Guide
- 1970
The ongoing war between the planets Argon and Zinan is slated to be resolved in a winner-take-all battle, to be held on the "neutral" planet Earth. Among the six representatives of the two planets is Argon warrior Kyle (Lloyd Bridges), who upon assuming human form arrives in a sleepy California town. Kyle's militaristic resolve is challenged by the curious emotions stirred up via his relationship with local resident Sandy (Angie Dickinson). The Love War was originally telecast on March 10, 1970 as an "ABC Movie of the Week" presentation. ~ Hal Erickson, All Movie Guide
- 1969
- PG
In this satirical comedy, Fred Amidon (Dick Van Dyke) is a Fifth Avenue bank teller waiting for his divorce to be finalized to end his marriage to Rachel (Angie Dickinson). He and fellow employee Pamela (Rosemary Forsyth) plan to marry once the ink dries on the decree. A Central Park picnic with Pamela finds Fred suffering a bee string on his chin, which he covers with a bandage, but Fred's bandaged chin causes concern for the bank vice president, who expresses his dissatisfaction. Fred then goes on a three-week vacation, and during that time he grows a beard because the bee sting makes it difficult to shave. He returns to work, and when he refuses to shave, he is branded a rebel and a symbolic hero in the worker struggle against management. The unhappy Pamela recruits her two brothers to capture Fred and shave his beard, leading to a slapstick chase with Fred clad only in his underwear. He is arrested and locked up in the local psychiatric unit. When Rachel hears of his plight, she is moved to resolve their marital differences, and the two reconcile with only minutes to spare before their divorce becomes final. ~ Dan Pavlides, All Movie Guide
- Starring:
- Dick Van Dyke, Angie Dickinson, (more)
This light western comedy finds the lovely widow Laura Breckenridge (Angie Dickenson) offering a $20,000 reward for the return of some gold her late husband had stolen from the Denver mint. She seduces the virginal Sam (Burt Reynolds) into leading a team to retrieve the gold, now lying at the bottom of the Platte River. With the help of local blacksmith Jedidiah Hooker (Ossie Davis) and the inventor O.W. Bandy (Clint Walker), the trio agrees to go for the gold in order to receive the reward and restore the good name to the Breckenridge family. Meanwhile, the villains (Rick Davis and Del Reeves) trail the heroes in hopes of grabbing the gold for themselves. The good guys must break into the mint to put back the money, but they need to fool the wary watchman and superintendent (William Shallert). ~ Dan Pavlides, All Movie Guide
- Starring:
- Burt Reynolds, Clint Walker, (more)
- 1969
Veteran western director Burt Kennedy wrote the screenplay for this tale, based on the novel Who Rides with Wyatt? and also released under the title Who Rides with Kane? Robert Mitchum, who sings the title song, stars as Ben Kane, an ex-sheriff hunting for Frank Boone (John Anderson), the man who killed his son. He enlists the aid of Billy Young (Robert Walker), a hired gun who was abandoned by his fleeing partner Jesse Boone (David Carradine) after they killed a Mexican general. Kane becomes marshal of Lordsburg and falls in love with Lily Beloit (Angie Dickinson), a dance hall girl. John Behan (Jack Kelly) and Jesse Boone try to kill Kane, but Lily warns him of the plot in time. Kane arrests Jesse Boone, and when Kane learns that his captive is the son of his son's killer, he uses him as bait in a plan to catch Frank Boone. ~ Michael Betzold, All Movie Guide
- Starring:
- Robert Mitchum, Angie Dickinson, (more)
- 1967
In this western, a town sheriff contends with his reputation as the "fastest gun in the West." When a young gunslinger calls him out for a showdown, the sheriff is struck by the fellows resemblance to himself when he was young. He therefore, attempts to talk him out of his foolish career choice, but the young man refuses to listen. The saloon hostess attempts to talk the sheriff out of the duel, but the old fellow does not listen. ~ Sandra Brennan, All Movie Guide
- Starring:
- Glenn Ford, Angie Dickinson, (more)
Based on Donald E. Westlake's novel The Hunter, John Boorman's gangster film hauntingly merges a generic revenge story with a European art cinema sensibility. In Alcatraz to divvy up the spoils from a robbery, thief Walker (Lee Marvin) is instead shot point blank by his double-crossing friend Mal Reese (John Vernon) and left to die while Reese takes off with Walker's wife Lynne (Sharon Acker) and his $93,000. Resurrected, the stone-faced Walker returns to Los Angeles a couple of years later to seek revenge on Mal with the help of the enigmatic Yost (Keenan Wynn) and Lynne's sister Chris (Angie Dickinson). Wanting little but his cash, Walker implacably penetrates Mal's lair and the hierarchy of the shady "Organization," registering no emotion about the string of murders left in his wake, as his thoughts repeatedly return to the past that brought him there. In his first American feature, Boorman transforms a stripped-down revenge plot into a surreal meditation on the gangster's spiritual demise, using flashbacks and startling shifts in setting to interweave Walker's fractured memories with his extraordinarily photographed odyssey through L.A. Marvin's chillingly stoic presence further hints at the ambiguities in Chris's observation that Walker "died at Alcatraz, all right." Brutal in the violence that it shows and suggests, Point Blank opened in the U.S. in the same period as Bonnie and Clyde, becoming one more testament to the genre-bending and ground-breaking possibilities of the nascent Hollywood New Wave. Although Point Blank was mostly overlooked in 1967, Boorman's visual adventurousness, and Marvin's amoral and apathetic antihero, have since made Point Blank seem one of the key films of the mid-late '60s, a precursor to revisionist experimentations from Martin Scorsese to Quentin Tarantino. It was remade as the 1999 Mel Gibson vehicle Payback. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Lee Marvin, Angie Dickinson, (more)
Cast a Giant Shadow is a big-budget, glossy action/adventure story set at the time that Israel became a nation. American Army officer Colonel David Marcus is recruited by the yet-to-exist Israel to help form an army. Marcus is conflicted because of his sudden appreciation for his Jewish heritage. Realizing that each of Israel's Arab nations has vowed to invade the poorly prepared country once the partition has been made, Marcus is made commander of the Israeli forces just before the war begins. The all-star cast includes Kirk Douglas, Senta Berger and Angie Dickinson. Aldo Tonti provides the beautiful photography by Aldo Tonti, and Melville Shavelson directs. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Kirk Douglas, Senta Berger, (more)
- 1966
This exciting adventure provides an interesting look into the manufacture and trafficking of opium and heroin. The original story was written by Ian Fleming who died shortly before he was to pen the screenplay. The story is set in Iran and opens as an American undercover agent is murdered in the desert while attempting to buy opium. Two more agents are sent to Teheran to investigate the death and stop the powerful drug ring behind the smuggling. Once there, they run into the dead agent's girlfriend, who soon after suddenly disappears. Unfortunately, they cannot find her and so focus on their other job. To figure out where the drugs are going (and hopefully get a lead on the missing girl) they steal a bunch of opium and lace it with radioactive tracers so they can track it with Geiger counters. They then follow the drugs as they are slowly dispersed throughout Europe. After many twists, turns and blind alleys, the agents eventually succeed. This film was originally made for TV and contains cameos from many stars who worked for little pay because they strongly supported its anti-drug message. Those stars include Grace Kelly (who introduces the film) Omar Sharif, E.G. Marshall, Eli Wallach, Marcello Mastrioanni, and many more. ~ Sandra Brennan, All Movie Guide
- Starring:
- Senta Berger, Stephen Boyd, (more)
All hell breaks loose in a Texas town when an escaped convict heads home in Arthur Penn's Southern gothic melodrama. Appointed by local kingpin Val Rogers (E. G. Marshall), benevolent Sheriff Calder (Marlon Brando) manages to keep the peace in Tarl, but the situation starts to fester one Saturday when news filters in that wild child Bubber Reeves (Robert Redford) has jumped prison. Bubber's impending arrival arouses hostility among Tarl's citizens, such as Edwin Stewart (Robert Duvall), who believes that Bubber will come after him to settle an old score, and Damon Puller (Richard Bradford), who, between grope sessions with Edwin's wife Emily (Janice Rule), uses Bubber as an excuse to terrorize black residents. As the atmosphere heats up, Calder wants to keep Bubber alive, and he convinces Bubber's wife Anna (Jane Fonda) and her lover, Val's son Jake (James Fox), to find Bubber and coax him into surrender. Val's fear that Bubber will kill his son, however, sparks a long confrontation that leaves rational law and order pummeled into the ground by the town's ignorant cruelty. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Marlon Brando, Jane Fonda, (more)
- 1965
This one-hour TV comedy stars Cliff Robertson as a New York author fed up with the pressures of urban living. He quits his job and moves with his pregnant wife Angie Dickinson to a small California town. Here he accepts an editor's position at a tiny weekly newspaper, inspiring both praise and wrath by using the publication as a pulpit for his crusading. Hal Kanter wrote, produced and directed this pilot for a potential series. And Baby Makes Five originally aired as a 1966 installment of The Bob Hope Chrysler Theatre. ~ Hal Erickson, All Movie Guide
- 1965
Weighed down by a life of failure and disillusionment, Robert Manners (Steven Hill) finds that he cannot even commit suicide successfully. Thus it is that Robert checks into the ultra-exclusive Thantos Palace Hotel, where the clientele consists entirely of would-be suicides who have contractually agreed to kill one another -- and as a "bonus," the victim never knows when his or her number is up. Although at first Robert honors the rules and conditions of the Thantos, he changes his mind upon falling in love with another guest, the hauntingly beautiful Ariane Shaw (Angie Dickinson). ~ Hal Erickson, All Movie Guide
- Starring:
- Angie Dickinson, Steven Hill, (more)
- 1965
Two bohemians come up with a get-rich-quick scheme that goes awray in this comedy scripted by Carl Reiner. Paul (Dick Van Dyke and Casey (James Garner) are two American expatriates living in Paris; Paul is an artist and Casey a writer. Both have been trying to make a career, but with little success; Paul's girlfriend Nikki (Angie Dickinson), who is still in America, believes in his work and pays his rent. But Paul has reached the end of his tether and wants to go back home; Casey is horrified at the prospect of losing a rent-free home, so he comes up with an idea to help Paul's career and make some money. Since works by dead artists tend to fetch higher price tags and command more interest than work by living painters, Paul will fake his death with Casey's help and they'll both clean up. The plan works at first, until Casey finds he's been accused of murdering Paul. Ethel Merman has a supporting role as a madam with a habit of bursting into song. ~ Mark Deming, All Movie Guide
- Starring:
- James Garner, Dick Van Dyke, (more)
- 1964
Don Siegel directed this intensely pessimistic re-make of Robert Siodmak's 1946 film noir masterpiece The Killers, based upon a story by Ernest Hemingway. As the story opens two professional looking men in business suits -- Charlie (Lee Marvin) and Lee (Clu Gulager) -- push their way into a school for the blind and terrorize a secretary until she reveals the whereabouts of Johnny North (John Cassavetes). When Charlie and Lee trace Johnny to an automobile repair class, Johnny just stands there as the two men gun him down. Afterwards, Charlie wonders why Johnny just stood there, accepting his death. He also starts to wonder about his hefty paycheck for the murder and rumors that Johnny was involved in a million-dollar heist. He decides to pay Johnny's old friend Earl Sylvester (Claude Akins) a visit at his auto shop in Florida. Earl recalls the summer day long ago when former race car driver Johnny caught the eye of the rich and beautiful Sheila Farr (Angie Dickinson). Johnny has been preparing for a race, but Sheila's attentions sidetrack him. The day of the big race, Earl notices that Sheila is visited by a group of rich gangsters, headed by Browning (Ronald Reagan, in a very surprising performance). During the race, Johnny is involved in a terrible crash, effectively ending his racing career. However, it seems Browning is arranging a mail heist and hires Johnny to drive the getaway car. ~ Paul Brenner, All Movie Guide
- Starring:
- Lee Marvin, Angie Dickinson, (more)
- 1964
While posing as "Ben Horton", Kimble (David Janssen) is hired by Norma Sessions (Angie Dickinson) to look after her brother Leslie (Robert Duvall), a reclusive, embittered invalid. Someone getting through to the truculent Leslie, Kimble wins the man's trust and friendship. Meanwhile, Norma and her boyfriend Lars (John Ericson) hatch a scheme to murder Leslie for his insurance money--and pin the blame on Kimble. (Trivia alert: David Janssen and Angie Dickinson later costarred in the highly regarded 1977 TV movie A Sensitive Passionate Man, while Dickinson and Robert Duvall had both previously appeared in the 1963 Gregory Peck vehicle Captain Newman, M.D.). ~ Hal Erickson, All Movie Guide
- 1963
Gregory Peck plays a benevolent God-like figure in a white smock as Captain Josiah Newman, the head of a psych-unit at a Southwestern army base during the waning days of World War II. Newman is a patriarchal protector to his patients, preferring to keep him in his ward, rather than return them to certain death on the battlefield. The matriarchal figure of the ward is Lieutenant Grace Blodgett (Jane Withers), but Newman is more interested in his assistant Lieutenant Francie Corum (Angie Dickinson), with whom he is having an affair. Further help is provided by human nature expert, Corp. Jackson Laibowitz (Tony Curtis), the orderly. And Newman needs all the help he can get. Particularly with three patients: Colonel Bliss (Eddie Albert) is suffering from a guilt complex from all the men he has sent to death; Corporal Tompkins (Bobby Darin, in an Academy Award-nominated performance), although decorated for bravery in combat, calls himself a coward for failing to save his pal from a burning plane; and Captain Winston (Robert Duvall) is guilt-ridden and has lapsed into catatonia because he had hidden for over a year in the basement of a building in Germany. Although Newman wants to cure these men of their psychological problems, he doesn't want to see them returned to the war to be killed. ~ Paul Brenner, All Movie Guide
- Starring:
- Gregory Peck, Tony Curtis, (more)
- 1962
Publisher Victor Hartman (Arnold Moss) receives a series of tape recordings, ostensibly of the latest mystery novel written by Warren Barrow (James Mason). As Hartman listens to the tapes, the action of the novel is acted out for the benefit of the audience. The plot concerns a mystery writer in love with a married woman (played by Angie Dickinson) -- and as that plot thickens, Hartman begins to wonder if the story is merely fiction or a real-life murder scheme hatched by the diabolically clever Mr. Barrow. Whodunit specialists Richard Levinson and William Link adapted this episode from Henry Bingham's novel Murder Plan Six. ~ Hal Erickson, All Movie Guide
