Joanna Dickens Movies

The naked body of a murdered little girl is found in a forest surrounding a small Eastern European town. It's the third case in a row, and local police detective Victor Marek (Richard E. Grant) is on the killer's trail, but his superior, Novak (James Laurenson), needs to solve the crime quickly in order to boost his political career. So he arrests some suspicious hippie who later hangs himself in a prison cell. Though Marek is ordered to close the case, he continues to work on it on his own. He rents an old gas station and a house in the area where the murders took place. Working from a drawing done by one of the murdered girls he tries to find the clues for the identity of the killer. Marek becomes so obsessed with his quest that when he meets Milena (Lynsey Baxter), a single young woman with a little daughter (Perdita Weeks), he does not hesitate to use the child as the bait for the criminal. Though the film plot bears a strong resemblance to Sean Penn's movie The Pledge, it is actually a remake of the 1958 German film It Happened in Broad Daylight, scripted by Swiss writer Friedrich Dürrenmatt, who later reworked his original screenplay into the novel The Pledge. ~ Yuri German, All Movie Guide

Peter Greenaway wrote and directed this typically surreal and iconoclastic black comedy. Three generations of women who share the same name -- 63-year-old Cissie Colpitts (Joan Plowright), her daughter Cissie Colpitts II (Juliet Stevenson), and granddaughter Cissie Colpitts III (Joely Richardson) -- have all discovered the same way of dealing with their marital problems. The senior Cissie has drowned her husband Jake (Bryan Pringle) in the bathtub, her daughter sent her spouse Hardy (Trevor Cooper) to a watery grave in the ocean, and the youngest Cissie sent her husband Bellamy (David Morrissey) down in a swimming pool. Needless to say, local coroner Henry Madgett (Barnard Hill) has some questions about this sudden rash of drownings among the Colpitts husbands, and again all three women respond in the same way: they promise to sleep with Henry in exchange for recording the deaths as accidental (though none of the Cissies make good on this promise). When the local gossip mill begins working overtime about this sudden rash of water-related deaths, Henry's teenage son Smut (Jason Edwards) comes to the aid of the Cissies and organizes a tug-of-war, with he and the Colpitts women on one side and the doubting townspeople on the other (and, of course, a river in the middle). Along the way, Greenaway often stops to contemplate his obsessions with literature, astronomy, and numbers. Drowning by Numbers was released in Europe in 1988, but didn't find its way to American screens until 1991, following the success of Greenaway's The Cook, the Thief, His Wife and Her Lover. ~ Mark Deming, All Movie Guide

This comedy was inspired by the true story of Cynthia Payne, a former waitress who gained fame as England's best-known (and best-liked) madame. Christine Painter (Julie Walters) is a working-class single mother who sub-leases a few inexpensive flats as a way of bringing in extra money. Christine has no particular interest in selling her body, but when she finds herself in a tight spot financially -- and notices that the prostitutes who rent her apartments are the only ones who consistently pay on time -- she decides to open a brothel. With the help of Shirley (Shirley Stelfox), an experienced prostie, and Morton (Alec McCowen), a former RAF commander with a fondness for women's undergarments, Christine opens a little place where elderly businessmen can indulge their fondness for kinky lingerie and being spanked by younger women. Soon Christine's business is booming and everyone is happy -- until the police pay her a visit. Personal Services was directed by Terry Jones, best known as a member of the Monty Python troupe; the real-life Cynthia Payne served as a technical advisor. ~ Mark Deming, All Movie Guide

Peter Ustinov stars once more as Hercule Poirot, Agatha Christie's insufferably brilliant Belgian detective. Unlike many of Ustinov's earlier Poirot vehicles, which were set in the 1930s, the made-for-TV Dead Man's Folly takes place in contemporary England. Jean Stapleton costars as an American mystery novelist who organizes a "murder hunt" at a sprawling English manor. It isn't long before several of the guests are also sprawling--on the ground, stone cold dead. American-born British stage star Constance Cummings makes a rare TV appearance as a mysterious noblewoman. Dead Man's Folly was lensed on location at West Wycombe Park in Buckinhamshire. ~ Hal Erickson, All Movie Guide

The title of the 1983 James Bond adventure Never Say Never Again is a self-mocking reference to star Sean Connery's insistence back in 1971 that he would never play Bond again. Reportedly, the huge salary offered Connery was but one consideration that brought him back to the 007 fold; the other was the producers' assurance that Connery would have full control over all aspects of production, a promise that was not kept often enough to the star's liking. Essentially, this film is a remake of the 1965 Bond flick Thunderball (the producers were able to get away with this due to a legal tangle involving the original 1961 Ian Fleming novel). Bond emerges from cozy retirement to cross swords with Largo (Klaus Maria Brandauer), a megalomaniacal business exec who steals several nuclear missiles, intending to bring the World Powers to their knees. Kim Basinger plays Domino, Largo's mistress, whose loyalty Bond secures when she learns that Largo was responsible for the death of her brother. In addition to Basinger, the film boasts a toothsome villainess by the name of Fatima Blush (played by Barbara Carrera). After wrapping Never Say Never Again, Sean Connery swore that this was his absolutely final performance as James Bond; thus far, he's kept his word. ~ Hal Erickson, All Movie Guide

Inspired by Pink Floyd's album of the same name, Pink Floyd: The Wall is a dark, expressionistic musical, told from the point of view of Pink, a depressed rock musician. The film is structured around Pink's reflections on his life, all of which center on the building of "the wall." This wall is a metaphor for psychological isolation, a barrier Pink creates to distance himself from his pain. The foundations for this wall are lain in childhood, with the death of Pink's father leaving him to be raised by an overprotective mother and a repressive school system. He seeks freedom from this world through writing and music. However, even after he achieves success as a rock star, the wall continues to grow, with Pink feeling trapped by fame and wounded by his failed personal relationships. Lost in despair and self-loathing, he attempts to isolate himself from the world entirely. Director Alan Parker approaches this material in a highly stylized manner, mingling animation and dream-like sequences to suggest Pink's perception of the world. These techniques complement the almost constant music, which the film often uses in place of dialogue. Songs include "Another Brick in the Wall" and "Comfortably Numb". ~ Judd Blaise, All Movie Guide

Most Inspector Clouseau fans regard The Pink Panther Strikes Again as the best of the clumsy Parisian detective's "comeback" films of the 1970s. Driven insane by the stupidities of Clouseau (Peter Sellers), ex-inspector Dreyfuss (Herbert Lom) transforms into a master criminal. Kidnapping the inventor of a death ray, Dreyfuss threatens to use the demon device indiscriminately unless Clouseau is offered as a "sacrifice." A hunted man, Clouseau is forced to adopt one transparent (but hilarious) disguise after another. He is rescued from being incinerated by Dreyfuss when Soviet spy Olga (Leslie Ann Down) falls in love with him and strives to protect him. ~ Hal Erickson, All Movie Guide