Jason Mewes Movies

Clerks stoners Jay (voice of Jason Mewes) and Silent Bob (voice of Kevin Smith) hit the lottery jackpot, and use their cash windfall to become crime-fighting superheroes in this irreverent animated adventure from director Steve Stark. ~ Jason Buchanan, Rovi

An influential music producer awakens in a Los Angeles jail and realizes that he will have to fight if he hopes to regain his freedom in this prison drama about gender identity behind bars. Raymond Saxx Jr. (Goran Visnjic) was working with some of the biggest names in show business when he went on a reckless drug binge that would change his life forever. Coming to in K-11, the prominent producer realizes that he's been incarcerated with some of the city's most dangerous criminals after crossing paths with Mousey (Kate del Castillo), a volatile transsexual who rules the cell block with an iron fist. Meanwhile, the sadistic Lt. Johnson (D.B. Sweeney) imposes his malevolent will on a diverse collection of inmates that includes a formidable child molester (Tommy "Tiny" Lister Jr.) and a transgender youth named Butterfly (Portia Doubleday) who's in a particularly vulnerable position. In order to make it out of this hellhole alive and pick up the pieces of his broken life, Raymond attempts to assess the power structure of this strange new social hierarchy and somehow get an SOS to the outside world. ~ Jason Buchanan, Rovi

Retiring 1950s-era New York crime boss Don Carini (Harvey Keitel) names his bumbling Korean love child, Young-gu (Shim Hyung-rae), as his underworld successor, much to the dismay of a powerful rival kingpin. ~ Jason Buchanan, Rovi

Lonely graveyard shift paramedic Jack (Jason Mewes) rescues a pretty vampire from certain death, and finds himself falling for her despite the fact that she can't control her murderous impulse to feed. The more intense their relationship grows, the more obvious it becomes to Jack that his first true love could also very well be his last. ~ Jason Buchanan, Rovi

Their debts mounting as their bank accounts dry up, longtime friends Zack (Seth Rogen) and Miri (Elizabeth Banks) plot to solve all their financial problems by making an adult film with movie geek appeal. Zack is a barista who doesn't make big tips, and Miri isn't exactly making top dollar either. Friends since grade school, they share a cramped apartment together, but the bills are piling up faster than their paychecks. Then, at their class reunion, the two friends meet up with a former classmate who's shot to success in the adult film industry. Inspired after a YouTube video of Miri in her granny panties goes viral, Zack and his roommate round up a crew and begin production on their masterpiece. When the time comes for Zack and Miri to shoot their first scene together, however, unexpected emotions start to bubble to the surface, prompting them both to wonder if they've somehow mistaken true love for mere friendship all these years. ~ Jason Buchanan, Rovi

A Midwestern bar tender hungering for life in the fast lane enters a Hollywood King of the Bar contest in this fast-paced showbiz satire starring Jason Mewes and Paris Hilton. Owen Peadman (Mewes) is Minnesota's "Golden Boy" of bartending, but the Midwest has grown a little bland, and now Owen is looking make a name for himself in the thriving L.A. nightclub scene. When Owen gets word of a high profile bartender contest with a hearty cash prize, he sets his sights on Hollywood and prepares to knock the judges dead. Unfortunately for Owen things don't quite work out as planned, and after losing out to a well-known L.A. barman he is forced to seek the help of his flamboyant Uncle Earl. A fast-talking producer of a popular tabloid new program, Uncle Earl offers Owen a job and the pair soon set out to get the scoop on Hayden Field - the hottest young star around. Getting to Hayden isn't going to be easy though, and after hatching a plan to befriend Hayden's glamorous girlfriend Lisa Mancini (Hilton), the one-time drink slinger find out just how wild the west coast nightlife can truly get. ~ Jason Buchanan, Rovi

The hard-drinking patrons of a small-town dive bar are forced to fight for their lives when a vicious family of flesh-eating creatures arrive looking for their latest meal in a fast and fun horror romp filmed as part of HBO's Project Greenlight series and starring Balthazar Getty, Judah Friedlander, Henry Rollins, and screen veteran Clu Gulager. ~ Jason Buchanan, Rovi

A veteran mobster discovers the grass is greener on the other side in this broad independent comedy. Frank (Frank Adonis) is a 60-year-old Mafia lieutenant who has been entrusted with a suitcase full of high-quality marijuana that has arrived in Manhattan from the Deep South and is ready for sale. Frank, however, happens to make the acquaintance of Jade (Theo Kogan), an attractive young woman who sings with a punk-rock band. Jade turns Frank's head, and she, in turn, samples the wares from Frank's suitcase. Jade persuades Frank to try some of the weed, and before long he has a decidedly more forgiving attitude about life and those around him. Frank's new laid-back personality, however, doesn't go over well with his bosses, especially after the stash he was given goes missing and ends up being stolen and re-stolen by a dizzying variety of underground personalities. High Times' Potluck -- which, as the title infers, was produced and financed in part by the well-known marijuana advocacy magazine -- also stars Jason Mews, Frank Gorshin, Sylvia Miles, and Jason Isaacs; noted cannabis enthusiasts Tommy Chong and David Peel also make cameo appearances. ~ Mark Deming, Rovi

Director Kevin Smith records a series of question and answer sessions he held at various universities and releases them in this package. Smith, always a good storyteller, fields questions about his films, his career, and his forays into acting with a series of crowds that welcome him and are appreciative for his knowledge, his time, and his humor. ~ Perry Seibert, Rovi

In 1994, Kevin Smith came out of nowhere with his zippy indie feature Clerks, launching a career that would give us such cinematic gems as Mallrats and Dogma. In 2000, Smith returns to his roots with this animated series about those irreverent slackers in service industry hell. Recalling the ADD-inducing pop-culture references of Family Guy or The Simpsons, this series is chock-full of lightning-fast spoofs of such hallowed institutions as People's Court, ER, and George Lucas. ~ Jonathan Crow, Rovi

Would you believe that the last living descendent of Jesus Christ is a woman working at an abortion clinic in Illinois? And that she's been sent on a holy mission with two minor characters from Clerks and Mallrats as her guides? Prepare to suspend any and all disbelief as you watch the religious satire Dogma, the fourth film from writer/director Kevin Smith. Bethany (Linda Fiorentino) has been disappointed in life and has found her faith severely tested after her husband leaves her when she discovers she cannot have children. So Bethany is all the more puzzled when she's approached by Metatron (Alan Rickman), a grumpy angel. Metatron wants her to help him stop Bartleby (Ben Affleck) and Loki (Matt Damon), two fallen angels who were ejected from paradise, have escaped from exile and are heading to New Jersey. If they are able to pass through the arc of a certain church, it will prove God is fallible and the world will come to a swift end. Bethany has no idea what to do or why she's been given this project, but she heads out anyway, with her assigned assistants Jay (Jason Mewes), an appallingly rude former dope dealer and self-styled ladies man, and Silent Bob (Kevin Smith). Along the way, Bethany picks up more helpers, including a celestial muse named Serendipity (Salma Hayek) and Rufus (Chris Rock), who claims to have been the 13th apostle and that Jesus owes him 12 dollars. Boasting a huge supporting cast -- including George Carlin, Jason Lee, Janeane Garofalo, Bud Cort, and Alanis Morissette (as God) -- Dogma proved to be highly controversial even before its release. Miramax Pictures, owned by Disney, financed the film, but several weeks before Dogma's world premier at the Cannes Film Festival, they announced they would not release the picture and intended to sell it to another distributor (which would turn out to be Lions Gate Films). Director Smith, however, has always contended that Dogma is a film about the importance of faith, if not organized religion. ~ Mark Deming, Rovi

Shot entirely in black and white and produced by the team of Kevin Smith and Scott Mosier, the duo behind Clerks (1994) and Mallrats (1995), this low-budget, independent Canadian production failed to stir up much excitement on the festival circuit. Co-writers, editors, and directors Matt Gissing and Malcolm Ingraham created the tale of a group of Generation X "slacker" types from the Great White North. Bored by their existence and running out of funds provided on the public dole, Ethan (Ethan Suplee), Meg (Renee Humphrey), Cassidy (Carmen Lee), Az (Jason Mewes), and Donner (Jason Lee) decide to repair to the forest in search of the legendary cryptozoological specimen known alternately as Bigfoot or Sasquatch. They're equally sure that they'll attain the peace of mind afforded by escaping society, but of course, their sabbatical is not quite what they expected. Joey Lauren Adams and Canadian comedian Bruce McDonald appear, as does Smith, in a cameo appearance as his recurring Silent Bob character. ~ Karl Williams, Rovi

When Dante Hicks (Brian O'Halloran) is reluctantly put in charge of the Quick Stop market on his day off, he tries, though half-heartedly, to perform his minimum-wage duties as efficiently as possible. This gets tough amidst the on-going fight with his girlfriend, Veronica (Marilyn Ghigliotti), and his attempt to get back together with his ex-girlfriend, Caitlyn Bree (Lisa Spoonhauer). Meanwhile, his friend and alter ego Randall (Jeff Anderson) is working behind the counter of the adjacent video store -- at least when he feels like it. Randall's unabashed disdain of his place of employment, a long with his self-admitted hatred towards its customers is a sharp contrast to Dante's feeble attempts at the niceties of customer service. Much of the film consists of Randall and Dante's criticism of their customers, their lives, and the world in general. Clerks, filmed in black-and-white on a budget of only $27,000, began the career of writer director Kevin Smith, who would go on to make Mallrats (1995), Chasing Amy (1997), Dogma (1999), and Jay and Silent Bob Strike Back (2001). ~ Hal Erickson, Rovi