Kelly MacDonald Movies

Omnibus films attained renewed popularity during the 1990s and 2000s; this particular seven-episode film-a-sketch arrived during that period, and involved several top-tiered international filmmakers including John Woo, Spike Lee, Ridley Scott, Emir Kusturica and three others. Each helmer was asked to shoot a segment of between 16-18 minutes in length, for UNICEF, on the subject of exploited and/or underprivileged children around the world. The package opens with "Tanza," helmed by Algerian novelist-cum-filmmaker Mehdi Charef and shot in Burkina Faso. It concerns the 12-year-old female title character - an adolescent freedom fighter - who trollops through the countryside accompanied by young male guerilla fighters who spout off deliberately nonsensical English-language dialogue. Kusturica takes the reins for the second segment, "Blue Gypsy," an overtly comical episode in the vein of Time of the Gypsies about a precocious young boy who makes the split from his alcoholic father and thieving family and goes to live in a juvenile detention center, finding it preferable to home. The third episode, helmed by co-producer Stefano Veneruso and entitled "Ciro," recalls neorealismo with its Naples-set tale of a young boy unloved and systematically neglected by his mother, who resorts to spending time with other neglected children and stealing watches, and then gets caught in the direst of ways. The fourth segment, Spike Lee's delicately-handled "Jesus Children of America," stars Hannah Hodson as Blanca, a young Brooklynite ostracized by her peers because her parents are junkies; when she learns of her HIV-positive status, her world crumbles. For the 5th episode, "Bilu and Joao," Brazilian director Katia Lund casts child actors Francisco Anawake de Freitas and Vera Fernandes as two impoverished tykes whose days involve walking around the outskirts of Sao Paulo and pulling a wooden cart, into which they pile aluminum and paper - but do so joyously, with the courage and grace of two individuals delighting in subhuman work despite the direst of circumstances. For the sixth segment, "Jonathan," Ridley Scott teams up to co-direct with daughter Jordan Scott; the episode stars David Thewlis (Naked) as an emotionally-traumatized war photographer who encounters a band of Eastern European orphans. And the closer, John Woo's "Song Song and Little Cat," studies the contrast between the lives of two young Asian girls from polar opposite ends of the socioeconomic spectrum: Oi Ruyi is Little Cat, an abjectly impoverished child discovered in the garbage, during infancy, by a homeless man; she grows up helping her discoverer forage for victuals until he dies, leaving her aimless and bereft. Woo cuts between her story and that of Song Song, a wealthy and pampered little girl whose story is equally tragic in its own way, as her parents are undergoing a bitter divorce. Though this film, as indicated, enlisted the support of at least two major Hollywood directors (Scott and Lee) it did encounter extreme difficulty securing U.S. theatrical and ancillary distribution, which effectively kept it out of North America in the years that immediately followed its global release. ~ Nathan Southern, All Movie Guide

Susan Vreeland's novel The Girl in Hyacinthn Blue was the source for this made-for-TV drama. Utilizing a complex flashback-within-flashback structure, the film chronicles the 300-year history of a lost painting said to have been created by Dutch artist Johannes Vermeer. The story is framed by the present day narrative of an eccentric history teacher (Glenn Close) who has the inside track on the number of lives profoundly altered, for both good and ill, by the elusive painting. The teacher's tale interconnects individual stories of tragedy, romance, success, failure and even the Holocaust. Even the narrator herself has a personal and emotional stake in the supposed Vermeer. Advertised as the most expensive and ambitious project ever undertaken during the 52-year history of television's Hallmark Hall of Fame anthology series, Brush With Fate debuted February 2, 2003, on CBS. ~ Hal Erickson, All Movie Guide

This omnibus film is both a tribute to 1990s Cool Britannia and an opportunity for many of Britain's best actors to step behind the camera. Set in the London's underground (AKA the Tube), the film's nine shorts depict England's most hallowed form of public transportation in wildly divergent manners, from gritty to surreal. Jude Law's "A Bird in the Hand" is a quietly affecting tale about an ailing old man, while "Horny", by Stephen Hopkins is an extended sexual fantasy imagined by a sweaty commuter enduring both the dog days of summer and his obvious arousal. Ewan MacGregor's "Bone" is a fanciful tale about a trombonist and his imagined lover on their way home from a concert, while Bob Hoskins' "My Father the Liar" is an emotionally powerful tale about a child who witnesses a suicide. But perhaps the standout segment from this film is Armando Iannucci's uproarious "Mouth", featuring a beautiful, poised woman vomiting on her fellow commuters set to Bruckner's 9th Symphony. Frank Harper appears in a number of these short works as an overly officious subway staffer. This film premiered at the London Film Festival and was later showed on the UK's BSkyB cable channel. ~ Jonathan Crow, All Movie Guide

Michael Keaton makes his directorial debut in this low-key story of two unlikely kindred spirits. Kate Frazier (Kelly Macdonald) is a sweet woman who has left behind an abusive husband to start her life over in Chicago. Kate lands a job as a receptionist, but one afternoon after leaving work for the day she sees a man with a rifle on the ledge of a nearby building. The man is about to jump, and Kate screams; the noise startles the man, and he falls backward to safety. As it happens, the man with the gun was Frank Logan (Michael Keaton), a hired killer who has a lingering illness and has fallen into a suicidal depression. Kate is questioned by the police about Frank, and police detective Dave Murcheson (Tom Bastounes) quickly becomes infatuated with her after their brief conversation. But Frank seeks out Kate, and they discover they have more in common than they might imagine as two lonely people dealing with a troublesome past. The Merry Gentleman received its world premiere at the 2008 Sundance Film Festival. ~ Mark Deming, All Movie Guide

When a Vietnam veteran discovers two million dollars while wandering through the aftermath of a Texas drug deal gone horribly awry, his decision to abscond with the cash sets off a violent chain reaction in a stripped-down crime drama from Joel and Ethan Coen. Llewelyn Moss (Josh Brolin) has just stumbled into the find of a lifetime. Upon discovering a bullet-strewn pickup truck surrounded by the corpses of dead bodyguards, Moss uncovers two million dollars in cash and a substantial load of heroin stashed in the back of the vehicle. Later, as an enigmatic killer who determines the fate of his victims with the flip of a coin sets out in pursuit of Moss, the disillusioned Sheriff Bell (Tommy Lee Jones) struggles to contain the rapidly escalating violence that seems to be consuming his once-peaceful Lone Star State town. Woody Harrelson, Javier Bardem, and Kelly MacDonald co-star in a distinctly American crime story that explores timeless biblical themes in a contemporary Southwestern setting. ~ Jason Buchanan, All Movie Guide

In the suburbs of Dublin, more than a dozen strangers find their paths colliding in sometimes violent, sometimes absurd ways in Intermission, the first feature from director John Crowley. Setting the chain of events in motion is Lehiff (Colin Farrell), a small-time crook whose most recent petty theft has him on the run from Jerry (Colm Meaney), a self-aggrandizing police detective who's even more full of himself now that he's being constantly trailed by a TV news documentary crew. Meanwhile, Lehiff's friend John (Cillian Murphy) is going though a trial breakup -- or "intermission," as he calls it -- with his girlfriend, Deirdre (Kelly Macdonald), who has promptly taken up with the older, more conventionally responsible bank manager Sam (Michael McElhatton). When Lehiff suggests that the answer to all of his and John's troubles is to set up Sam and rob his vaults, John's too eager to comply -- and their plan spells dire consequences for everyone in their immediate circle of relations. Also starring David Wilmot, Brian F. O'Byrne, and Shirley Henderson, Intermission had its premiere at the Galway Film Festival, where it won the Audience Award, and secured berths at the Edinburgh, Telluride, and Toronto festivals. ~ Michael Hastings, All Movie Guide

A nobody walks a dangerous path in a bid to become a big-shot in this gritty drama from the United Kingdom. Tony Cocozza (Ian Hart) is a small-time Scottish vocalist with a gimmick -- he loves the music of Frank Sinatra, and his repertoire consists almost entirely of songs associated with Ol' Blue Eyes. While Tony has a good voice and can bring off Sinatra's material quite well, he's a clueless nebbish offstage and hasn't been able to advance his career beyond the bottom rungs of the Scottish nightclub circuit. One night, while Tony waits out an intermission in his dressing room, an imposing-looking man named Chisolm (Brian Cox) arrives with a request -- his boss (Iain Cuthbertson) would prefer to hear some songs by Elvis Presley. Chisolm's boss turns out to be a powerful and dangerous crime kingpin, so Tony swallows his pride and sings like The King for a few minutes; the mobster is pleased, and Tony soon finds himself playing a better grade of nightclubs and spending his spare time with some of Glasgow's most notorious crime figures. Bill (Alun Armstrong), Tony's pianist and closest companion, warns Tony that he's getting in over his head with his new and dangerous friends, but imagining success is finally around the corner -- and emboldened by his new relationship with Irene (Kelly MacDonald), a pretty but cynical cigarette girl he met at a gig -- Tony refuses to listen to him. Strictly Sinatra also stars Tommy Flanagan and Richard E. Grant. ~ Mark Deming, All Movie Guide

A filmmaker tries to sort out the scattered emotional baggage of his love life in Entropy. Jake Walsh (Stephen Dorff) is a film director who attends a fashion show with some friends and meets a French model named Stella (Judith Godreche). The attraction between the two is immediate, and after a brief courtship they're living together. However, between his career in film and her career as a model, they don't spend as much time together as they'd like, and they begin to drift apart; when Stella one day announces she's pregnant, Jake displays no particular enthusiasm for the idea of raising a child, and Stella ends up having an abortion. Eventually, the two break up and Jake finds himself married to a woman he barely knows, not quite sure what happened. As he muddles through his romantic problems, Jake also has to deal with the often puzzling hierarchy and the bizarre office politics of Hollywood. A rare independent effort from Phil Joanou, who previously directed State of Grace, Final Analysis and a wealth of popular music videos, Entropy was the opening night attraction at the 1999 Los Angeles Independent Film Festival. ~ Mark Deming, All Movie Guide

A struggling actress forges an unusual family unit with two separate boyfriends in this romantic comedy from indie auteur Gregg Araki. Veronica (Kathleen Robertson) hasn't had a decent date for a year, but one Halloween she meets not one but two perfect guys: Zed (Matt Keeslar), a rock drummer who does her on the floor of a club bathroom after his show, and Abel (Johnathon Schaech), an affable rock critic and would-be novelist, who seems more interested in connecting with her soul than her private parts. Unable to lie to either guy about her attraction to both of them, Veronica soon convinces them to share her. Eventually, the unemployed Zed and the underemployed Abel even move in with her, resulting in kinky sex and domestic bliss. Trouble comes calling, however, in the form of an unplanned pregnancy -- and in the person of Ernest (Eric Mabius), an aptly named TV director, who gives Veronica her big break and the chance to play house and raise her child in a monied, more normal environment. Its soundtrack filled with the director's trademarked mixture of shoegazer drone and electronic bliss, Splendor premiered at Sundance in 1999. Araki's first outing after the completion of his "Teen Apocalypse Trilogy," the film reunited him with two actors who had appeared in that series: Schaech (The Doom Generation) and Robertson (Nowhere). Both of those earlier characters participated in unorthodox romantic tableaux similar to the one documented in Splendor. Robertson, in fact, would return to the world of the ménage à trois with 2002's XX/XY. Offscreen, the actress raised eyebrows after beginning a romance with her openly gay director. ~ Brian J. Dillard, All Movie Guide

Mark Renton (Ewan McGregor), a young man with few prospects and fewer ambitions, lives in economically depressed Edinburgh. Like most of his friends, Renton is a heroin addict who loves the drug's blissful nothingness; financing his habit also provides excitement and challenges that his life otherwise lacks. Renton's two best friends are also junkies: Sick Boy (Jonny Lee Miller), a snappy dresser obsessed with James Bond, and Spud (Ewan Bremner), a guileless nerd who suggests Pee Wee Herman's debauched cousin. Renton and his pals also hang out with Begbie (Robert Carlyle), a borderline psychotic who loathes junkies even though he drinks like a fish. After one too many brushes with the law, Renton kicks heroin and moves to London, where he finds a job, a flat, and something close to peace of mind. However, Sick Boy, Begbie, and Spud all arrive at his doorstep on the trail of a big score, leading Renton back into drugs and crime. ~ Mark Deming, All Movie Guide

Everyone's favorite collie returns to the screen -- and to her native home back in Britain -- in director Charles Sturridge's faithful adaptation of author Eric Knight's sentimental kid and canine novel Lassie Come Home. When Lassie saves a fox from the hunting hounds of the duke of Rudling (Peter O'Toole), the captivated nobleman becomes obsessed with the idea of purchasing the collie for his adoring granddaughter Cilla (Hester Odgers). Unfortunately for Rudling, the pooch already has a loving family in the form of kindly miner Sam Carraclough (John Lynch), his wife, Sarah (Samantha Morton), and their young son, Joe (Jonathan Mason). When Sam is laid off from his job, however, he is forced to sell the loyal dog to the duke in order to put food on the family table. Incensed at the dog's repeated attempts to escape and seek out her original loving family, the villainous duke charges kennel-keeper Eddie Hynes (Steve Pemberton) with the task of teaching Lassie how to stay as World War II looms ever more heavy on the horizon. When the dogs of war finally stop barking and start biting, Rudling beats a hasty retreat to the safety of northern Scotland with both the child and the canine. Realizing that her newfound companion is far from the people she cares about most, Cilla later helps her ever-loyal four-legged friend escape from the family's heavily fortified compound so that she may begin the 500-mile journey back home to Yorkshire. ~ Jason Buchanan, All Movie Guide