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Kei Mizutani Movies

2004  
 
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The nostalgic wave of pinky violence classics gives way to a new breed of violent and sexy thrillers in this stylish tale of three derelict girls who will go to any lengths in order to get their hands on one man's vast fortune. They're dirt poor, and he's filthy rich. But these three money hungry girls aren't about to live the rest of their lives in poverty, not when there's a fortune sitting just out of reach on the other side of town. Now, the three girls have hatched a plot to kill the rich man's servant - an innocent beauty he has defiled and taken as his personal slave - and abscond with his dirty money. It doesn't take long for things to get out of hand though, and before long everyone will pay the price for their greed and transgressions. ~ Jason Buchanan, Rovi

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Starring:
Kei MizutaniNao Iguchi, (more)
 
2001  
 
Kei Mizutani is often called one of Japan's sexiest women and anyone who wants to know why will find out all they need to know in this video, which presents her in several sequences in which she poses in a number of revealing outfits (when she bothers to wear clothes at all) and turns up the heat without incidental items like a story of character development getting in the way. Undressed for Success features extensive nudity and some sexual content, and is recommended for adults only. ~ Mark Deming, Rovi

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2001  
 
Following up on his cult hit Exorsister, Takao Nakano spins this unlikely softcore sports drama about women donning loincloths and going to the mat. The film opens with a yakuza named Arakuma getting out of stir and looking to live life on the straight and narrow. Through a bizarre series of events, the mobster meets Ruriko (Eba), a young lass eager to learn the lost art of female sumo wrestling. Arakuma's mother was a maven of the dying sport and is soon teaching the girl some wrestling moves. As interest in the sport grows, he begins to recruit other women, including a clueless housewife (Kei Mizutani), and soon a full-on, no-holds-barred wrestling tournament is in the making. ~ Jonathan Crow, Rovi

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2000  
 
Exploitation diva Kei Mizutani stars in this erotic omnibus flick featuring three tales of madness and sensuality. The first segment, entitled "Two Women Named Mariko," paints a kinky picture of a young comely lass named Mariko, who, due to a bizarre series of events during her childhood, finds herself the sex slave of another woman coincidentally also named Mariko. In the second yarn, called "Lesbian Dream," five shapely women venture to a remote cottage. Yet not long after they don sexy underwear and engage in spirited pillow fights, the quintet happen upon a corpse. And in the final segment, entitled "The Man in the Pillory," a young voluptuous dancer searches for the dastardly villain who drove her sister to suicide. ~ Jonathan Crow, Rovi

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2000  
 
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Kei Mizutani stars in this comic take on a growth niche market in Japan's notorious sex industry -- phone clubs where young women make dates with sweaty middle-aged men. The film centers on Lulu (Minako Ogawa) -- the most popular girl in the biz who is about to get her 1,000th customer. Lulu is, however, thrown for a loop when this well-numbered patron happens to be not only a woman, but married to the guy who runs the club. Meanwhile, the owner is desperately trying to keep his business afloat ever since his brother, a part owner of the club, began posing as a superhero named Mouseman. Wacky japing and gratuitous coupling ensue. ~ Jonathan Crow, Rovi

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Starring:
Kei MizutaniMinako Ogawa, (more)
 
1995  
 
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Based on the popular manga, this wickedly funny, over-the-top farce is about greed, power, and Japan's national obsession with weather reports. Keiko (Kei Mizutani) is an unusual woman by any yardstick. She speaks in the same harsh guttural tones as a yakuza, she perpetually masturbates, and she has the ability to fly. She also possesses an almost Nietzschean will to power; her greatest desire is to do the nightly weather report. Her big break comes when regular weatherwoman Michiko (Saori Taira) calls in sick. During Keiko's few moments in the spotlight, she exposes her panties to the national television audience. Overnight, she is the toast of Tokyo. Soon Michiko is out for good, while Keiko commands an executive suite at network headquarters and a chorus line of half-naked men who applaud as she vaults end-over-end on her way to the studio to deliver the weather. Michiko's ill-fated attempts at vengeance backfire miserably and she is relegated to interviewing enema-enthusiasts for the late-night show Hello Mr. Pervert. Though Keiko's weather report-cum-peep show garners phenomenal ratings and the unqualified support of the network head (Hideyo Amamoto), she soon develops some serious enemies, most notably the snobbish, European-educated daughter of the CEO, Kaori (Yasuyo Shiratori). Claiming that she wants to bring Parisian sophistication to Keiko's crass meteorological display, Kaori forces Keiko out with dirty tricks and quiet yakuza manipulation, and she takes the mantle of weatherwoman for herself. Meanwhile, Keiko plots to retake her job, using the sacred Sky/Heaven whip. High school admirer Yamagishi (Takashi Sumida) dutifully lashes and beats Keiko's shapely body as part of her rigorous training. When she confronts her archenemy, the result is a wild weather-themed battle to the death. Weatherwoman was released with little fanfare in 1993. It slowly gained a cult following, until its studio, Bandai, re-released it in 1996, when it was hailed both at home and abroad. It was placed on the top ten lists of many Japanese critics and won prizes at both the Stockholm and Oslo film festivals. Eventually a sequel and a popular television show followed. ~ Jonathan Crow, Rovi

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Starring:
Kei MizutaniTakashi Sumida, (more)
 
 
 
Reigning Japanese exploitation queen Kei Mizutani -- who made a turn in the surprise cult flick Weather Woman -- stars in this cheapie exploitation knock-off of James Cameron's 1984 classic. In this film, the future is ruled by a cabal of love hungry sex bots. Comely young women have only two options: to submit to sexual servitude or to become outlaws. When a band of exploited female outlaws threaten to take out the sex-mad cyborgs, the robots send a killer droid in the past to kill the parents of the uprising's charismatic leader. Gratuitous nudity, athletic couplings, and explosions ensue. This film was reportedly made for less than 6,000 dollars. ~ Jonathan Crow, Rovi

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