Shirley Henderson Movies

When the forces of the English Revolution unseated -- and beheaded -- his father, Charles II fled to the Netherlands, only to reclaim the throne and usher in an era of prosperity years later. This BBC miniseries -- aired stateside on A&E -- focuses on those later years, as the hedonistic Charles (Rufus Sewell) takes control of the United Kingdom, leads its people through plague and civil unrest, and -- amidst Protestant outcries -- ousts his Catholic brother James as heir to the throne. Meanwhile, his duplicitous mistress Barbara (Helen McCrory) works her machinations behind the scenes, scheming for her cousin George (Rupert Graves) to ascend the throne. The Last King: The Power and Passion of Charles II also stars Shirley Henderson as Charles' long-suffering wife, Catherine. ~ Michael Hastings, All Movie Guide

When journalist Kenny Brogan (Kevin McKidd) tries to jump start his career by interviewing a doctor who may be involved in an assisted suicide clinic, he doesn't realize that his rise to the top could be halted by dying family members of his own. His mother, May (Lindsay Duncan), reveals she has ovarian cancer, and Brogan could potentially be burdened with the care and feeding of his mentally impaired sibling. Directed by Alison Peebles, Afterlife also features Shirley Henderson, Paula Sage, James Laurenson, Fiona Bell, Julie Austin, and Antony Strachan. ~ Tracie Cooper, All Movie Guide

The six-part British miniseries The Way We Live Now was adapted from the satirical 1875 novel by Anthony Trollope. The central character was Augustus Melmotte (David Suchet), a mysterious international financier of questionable parentage. Invading the uppermost circles of Victorian society, Melmotte inveigled a considerable number of prominent Londoners in a spectacular get-rich-quick scheme. Among those involved were the Carburys, an aristocratic but cash-poor family anxious to recoup their fortunes by whatever means necessary. Details essential to the plot include the somewhat one-sided romance between Melmotte's rebellious daughter Marie (Shirley Henderson) and caddish Sir Felix Cadbury (Matthew MacFadyen), the exploits of an American adventuress (Miranda Otto) with a predilection for shooting her lovers, and a high-born author of trashy romance novels. Though written in the late 19th century, the story line had a queasily contemporary significance to those burned by such financial peccadillos as the Enron scandal in the early 21st century. Originally telecast by the BBC beginning November 11, 2001, The Way We Live Now was shown in America (as a four-parter) on PBS' Masterpiece Theatre starting April 1, 2002. ~ Hal Erickson, All Movie Guide

In this gentle, meandering film, a seventeen-year old Scottish lad wanders the streets of Kilmarnock daydreaming about this and that and wondering if he and his girlfriend will make out that evening. One highlight of the film is a daydream sequence in which the boy and his girlfriend are watching a French romantic movie with Scottish (not English) subtitles. ~ Clarke Fountain, All Movie Guide

A group of actors and filmmakers set out to adapt an "unfilmable" classic novel -- but find that their own petty concerns get in the way -- in this satirical comedy. Laurence Sterne's 18th century novel The Life and Opinions of Tristram Shandy, Gentleman told the story of its priggish title character from the moment of conception onward, with a bevy of digressions, distractions, and unfinished anecdotes. In adapting the work for the screen, director Michael Winterbottom chose to stay true to its anarchic spirit: the film begins as a mostly straightforward adaptation of events in Sterne's writings, and then veers into a tale about the making of the film itself. Steve Coogan plays Tristram Shandy, who narrates his own life story, beginning with his slightly botched birth, overseen by an addled doctor (Dylan Moran) and his reticent father, Walter (also played by Coogan). Constantly quarreling with his battle-scarred brother, Toby (Rob Brydon), Walter Shandy has an epiphany when he holds his newborn son; however, before that moment can occur, the film switches into the present day, where Coogan and Brydon, playing themselves, bicker over costuming and the size of their roles in the film. The rest of the film's crew has their own concerns. Director Mark (Jeremy Northam) is trying to figure out how to secure a big Hollywood star for a supporting role and shoot a battle scene on a budget. The film's brainy production assistant Jennie (Naomie Harris) worries that their adaptation is leaving out the best parts of the book, as she nurses a crush on one of the cast members. All the while, Coogan tries to deflect a tabloid reporter's inquiry into his strip-club escapades, and attempts to pacify the concerns of his wife, Jenny (Kelly MacDonald). Tristram Shandy: A Cock and Bull Story had its North American premiere at the 2005 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

Based on author Helen Fielding's sequel to Bridget Jones's Diary, Bridget Jones: The Edge of Reason picks up four weeks after the original film left off, with Bridget (Renée Zellweger) emotionally satisfied at long last with Mark Darcy (Colin Firth), her barrister boyfriend. Stability in Bridget's life, however, quickly becomes a contradiction in terms. Though Mark is openly supportive of Bridget's eccentricities -- and there are many -- she is nonetheless threatened by Mark's young, nubile intern, not to mention irked at finding out that he is, among other less desirable qualities in her eyes, a conservative voter. Complicating issues further is the reentrance of her ex-lover, Daniel Cleaver (Hugh Grant), whom Jones, perhaps mistakenly, thought she had finally gotten over. Before long, the situation escalates into another series of embarrassing circumstances for Bridget, who is faced once again with a crippling feeling of self-doubt and has only her diary and friends to combat it. ~ Tracie Cooper, All Movie Guide

Danish filmmaker Lone Scherfig, the writer and director of the 12th Dogme 95 film, 2000's critically acclaimed Italian for Beginners, presents this comedy drama starring Jamie Sives and Adrian Rawlins as brothers Wilbur and Harbour. When their mother died early in their lives, it became up to Harbour to keep tabs on Wilbur, the younger and chronically depressed of the two siblings. Now in their thirties, their father has passed away, leaving them to take over the family's used book store. It is there that they encounter Alice (Shirley Henderson), a hospital janitor who sells the books that patients leave behind, and her young, optimistic daughter, Mary (Lisa McKinlay). Together, the four form a bond that changes each of their lives, with Harbour falling in love with Alice and Mary's sunny demeanor giving the suicidal Wilbur a reason to live. The first English-language effort from Scherfig, Wilbur Wants to Kill Himself was nominated for best film at Denmark's 2003 Bodil Awards. ~ Matthew Tobey, All Movie Guide

Shane Meadows directed this film, which is the third and final chapter in his Nottingham Trilogy which also includes 1999's A Room for Romeo Brass and 1997's Twentyfourseven. Starring The Full Monty's Robert Carlyle, Once Upon a Time in the Midlands is a twist on the traditional Western film, transplanting the action to modern-day Nottingham, England. Jimmy (Carlyle) is a small-time criminal who comes back into town after seeing his old girlfriend turn down a marriage proposal on television. Rhys Ifan (Notting Hill) co-stars as Dek, the jilted proposer who looks to stop Jimmy from rekindling the relationship. Once Upon a Time in the Midlands screened as part of the Director's Fortnight at the 2002 Cannes Film Festival. ~ Matthew Tobey, All Movie Guide

Based on Helen Fielding's hugely popular novel, this romantic comedy follows Bridget (Renee Zellweger), a post-feminist, thirty-something British woman who has a penchant for alcoholic binges, smoking, and an inability to control her weight. While trying to keep these things in check and also deal with her job in publishing, she visits her parents for a Christmas party. They try to set her up with Mark (Colin Firth), the visiting son of one of their neighbors. Snubbed by Mark, she instead falls for her boss Daniel (Hugh Grant), a dashing lothario who begins to send her suggestive e-mails that soon lead to a dinner date proposition. Daniel reveals that he and Mark attended college together, during which time Mark had an affair with his fiancée. When Bridget finds Daniel cavorting with an American colleague, she decides to change her life with a new job as a TV presenter. At a dinner party, she bumps into Mark again, who expresses his affection for her; when Daniel claims he wants Bridget back, the two fight over who deserves her affections the most. Popular British performers Gemma Jones, Jim Broadbent, and Shirley Henderson appear in the supporting cast. ~ Jason Clark, All Movie Guide

Noted for intimate character studies created in collaboration with his actors, director Mike Leigh makes a dramatic change of pace with this biography of comic opera composers W.S. Gilbert and Arthur Sullivan. Gilbert (Jim Broadbent) is an easily angered but otherwise emotionally remote lyricist who works in collaboration with composer Sullivan (Alan Corduner), a genial and fun-loving sort who feels unsatisfied writing light operettas and longs to work with more serious material. While Sullivan is having a creative crisis, Gilbert is facing a failing marriage to Lucy (Lesley Manville), who loves her husband even if he can't return her affections, and must deal with his ailing father (Charles Simon). When they suffer their first failure, both men are depressed, and Sullivan announces that he's giving up operetta for good. However, a visit to an exhibit of Japanese art sparks an idea in Gilbert, and soon he and Sullivan are hard at work on what will become one of their greatest successes, The Mikado. Much of the film is devoted to the staging of this classic, with Shirley Henderson, Dorothy Atkinson, Martin Savage, Timothy Spall, and Kevin McKidd as members of the operetta's cast. Jim Broadbent won Best Actor at the 1999 Venice Film Festival. ~ Mark Deming, All Movie Guide