Mathieu Amalric Movies

Luc Moullet's Les naufrages de la D 17 (Shipwrecked On Route D 17) is a quirky comedy. Racecar driver Paul (Patrick Bouchitey) becomes stranded in a village in the French Alps. He partner goes to find help. While they hunt for assistance, a film crew is making a western. At the same time, a military man believes he is hunting down an Iraqi pilot. ~ Perry Seibert, Rovi

Writer and director Sofia Coppola puts a new spin on the life and times of one of Europe's most infamous monarchs in this lavish historical drama which fuses a contemporary sensibility with painstaking recreations of the look of the 18th century. Born to Austrian nobility, Marie Antoinette (Kirsten Dunst) is only 14 years old when she's pledged to marry Louis XVI (Jason Schwartzman), the 15-year-old king of France, in an alliance that has everything to do with politics and nothing to do with love. Sent to France and literally stripped of her former life, Marie weds Louis, but to the consternation of the royal court, he seems either unwilling or unable to consummate the marriage while their advisors clamor for an heir to the throne. Young and more than a bit out of step with the new life that's been thrust upon her, Marie gives herself over to the pleasures of life in Versailles, knowing and caring little of the political intrigue that surrounds her. In time, Marie's trusted older brother, Joseph (Danny Huston), is brought in to coach Louis on the finer points of marital relations, and before long the couple is finally blessed with a child. However, as Marie tends to her children in the gilded cage of her palace and enjoys an affair with a Swedish nobleman, political power plays are throwing France into chaos, and the growing ranks of the poor rebel against the royals and their life of privilege. Also starring Rip Torn, Judy Davis, Steve Coogan, and Asia Argento, Marie Antoinette was given a controversial reception when it premiered at the 2006 Cannes Film Festival. ~ Mark Deming, Rovi

Much as Steven Spielberg followed 1993's special-effects blockbuster Jurassic Park with a far more downbeat and personal project later the same year, Schindler's List, in 2005 after tearing up the box office with War of the Worlds the director closed out the year with a powerful and thoughtful drama about the human costs of international terrorism. The 1972 Olympics in Munich, Germany, were supposed to be a peaceful gathering of outstanding athletes from around the world, but on September 5, the games took a sinister turn when eight masked Palestinian terrorists invaded the Olympic village, killing two Israeli athletes and abducting nine others. The kidnappers demanded safe passage out of Germany in addition to the release of Arab prisoners in Israeli and German prisons, but when they arrived at the Munich airport they were met by German police and military forces, and in the melee that followed, all nine hostages were killed. In the wake of the killings, the Israeli government gave Mossad, the nation's intelligence agency, a special assignment -- to track down and eliminate the Palestinians responsible for the death of the Israeli athletes. A young and idealistic Mossad agent (Eric Bana) is assigned to the four-man unit created to wipe out the Olympic terrorists, but while he believes in serving his country, as their bloody work goes on he begins to buckle under the weight of his work and wonders if he can morally justify his nation's acts of revenge. Munich also stars Geoffrey Rush, Daniel Craig, Mathieu Kassovitz, and Ciarán Hinds. ~ Mark Deming, Rovi

A filmmaker going though a midlife crisis stumbles into a new way of examining life in this comedy drama from France. Bertrand (Mathieu Amalric) is a movie director who has lost touch with his muse and is desperate to come up with an idea for his next picture. While visiting a funeral home as he tries to brainstorm, Bertrand becomes stuck in a coffin and ends up spending the night trapped in a box. Shaken but strangely invigorated by the adventure, Bertrand realizes he needs new experiences and finds a good source for them when a chance meeting leads him to an urban commune known as the Kingdom. Led by Uma (Asia Argento), the young people who make up the Kingdom often dress in animal costumes and engage in unusual consciousness-expanding rituals. Fascinated by what he's found, Bertrand becomes a frequent visitor at the Kingdom, and while his girlfriend, Louise (Clotilde Hesme), tries to encourage him in his self-exploration, she's frequently bemused by his methods. De la Guerre (aka On War) was screened as part of the Directors' Fortnight series at the 2008 Cannes Film Festival. ~ Mark Deming, Rovi

A devastating betrayal sends James Bond from Australia to Italy and South America on a mission of vengeance that pits the suave super-spy against a powerful businessman with diabolical intentions. Betrayed by Vesper, 007 (Daniel Craig) suppresses the urge to make his latest mission personal as he teams with M (Judi Dench) to interrogate Mr. White (Jesper Christensen). It soon becomes apparent that the organization behind the blackmailing of Vesper is more powerful than Bond and M had previously anticipated, and after discovering forensic evidence that links an MI6 traitor to a bank in Haiti, Bond immediately sets out to gather more intelligence.

Once in Haiti, a case of mistaken identity leads Bond into the company of the ravishing Camille (Olga Kurylenko), a dangerous beauty with her own vendetta. It's Camille who leads Bond to a ruthless businessman named Dominic Greene (Mathieu Amalric), who is soon revealed to be the mastermind of a powerful but clandestine organization. Greene is conspiring to corner the market on one of the world's most precious natural resources, and in order to make that happen he has forged a deal with an exiled general named Medrano (Joaquin Cosio). By enlisting the aid of his many associates and using his vast resources to force contacts within the CIA and the British government into bending to his will, Greene plans to overthrow the current regime of a Latin American country and hand control over to General Medrano in exchange for a parcel of land that appears barren on the surface, but actually houses a natural resource that will make Greene the most powerful man on the planet. But Bond's mission to uncover the culprit who blackmailed Vesper and prevent Dominic Greene from exerting his will on the entire world won't be easy, because now everyone from the CIA to the terrorists and even M are out to get him. ~ Jason Buchanan, Rovi

"What would you think if I shaved my moustache?" asks Marc (Vincent Lindon) of his wife, Agnès (Emmanuelle Devos), one fateful night as they prepare to visit friends for dinner. She's never seen him without it, but while she goes to do some last-minute shopping, he impulsively shaves the moustache off. Thus begins a tragic odyssey that leads Marc to question every relationship in his life, and even his own identity. Marc's journey into darkness begins when Agnès returns home. At first, he playfully tries to conceal what he's done. When he finally reveals his bare face to her, with a flourish, her reaction is...nonexistent. She baffles him by appearing not to notice the change. Confused, he says nothing, and they proceed with their plans for the evening. When the couple's friends Serge (Mathieu Amalric) and Nadia (Macha Polikarpova) also fail to make note of the change in Marc's appearance, he begins to get angry, believing that Agnès is playing an elaborate prank on him. In the car on the way home, he loses his temper, and it's her turn to be baffled. What moustache? How can she have noticed that he shaved his moustache when he's never had one? While Agnès begins to question her husband's sanity, Marc frantically searches for evidence of his former facial hair. Things only get worse for Marc, as no one at his job remembers him having a moustache either, and before long, he discovers that there are other details of his life that only he remembers. The Moustache marks the directorial debut of Emmanuel Carrère, who adapted his own novel with Jérôme Beaujour (She's One of Us). The film was shown as part of The Film Society of Lincoln Center's 2006 Rendez-Vous with French Cinema. ~ Josh Ralske, Rovi

A caustic apartment owner finds her attempts to evict the ragtag occupants of a 3,000 square foot rent-controlled apartment challenged in a most unexpected way in director Pascal Thomas' communal comedy. Thanks to a legal loophole known as "the Law of 1948," a cap was placed on some rental units around Paris preventing real-estate speculation. As long as the original resident still resides on the premises, the statue still applies. Though Marie-Antionette (Gisele Casadesus)'s name does indeed remain on the lease, the free-spirited grandmother rarely stays at the apartment for any extended length, leaving Francisca (Laetitia Casta), her husband Martin (Mathieu Amalric), and the couple's daughter the primary beneficiaries of the unique law. Of course with all of that room there's plenty of space for others to enjoy, and in addition to three of Francisca's best friends additional occupants include a senile grandmother (Carmen Durand) and egocentric independent filmmaker Adrien (Pierre Arditi). When acrimonious landlord Charlotte Falingard (Noemie Lvovsky) makes it her mission to clear out the apartment in order to turn a tidy profit, former law student Francesca stands firm in challenging the conviction by putting her education to good use. ~ Jason Buchanan, Rovi

Arthur (Mathieu Amalric) is a history teacher who lives alone in Paris after having broken up with Claire (Jeanne Balibar). He is a sensitive man, full of existential doubts and questions. He has to go to Lisbon to meet an eminent historian whose work is the subject of his thesis. Having just made up with Claire, he decides to take her along. She's an ideal travel companion and it seems their relationship has not yet exhausted its potential. But moving from Lisbon to Oporto, their fantasy of a second honeymoon clashes with the reality of a world on the verge of a nightmare. Director Jean-Claude Biette uses the three cities -- Paris, Lisbon and Porto -- for stylistic purposes. There are also three bridges in the film -- Seine, Tejo and Douro. The choice of Porto, which has a bridge constructed by Gustave Eiffel, reminds the viewer of the veteran Portuguese director Manuel Oliveira, although the bridge filmed in Porto is a different one. The figure of the old professor is a variation of a dramatic element seen in all previous films of the director. Trois Ponts sur la Riviére was screened as part of the International Forum of New Cinema section of the 49th Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi

Alain Resnais, one of the towering figures of the French New Wave, demonstrates he still has plenty to say in this drama based on a novel by Christian Gailly. Marguerite (Sabine Azéma) is a successful dentist with a busy practice and an offbeat hobby, flying small airplanes. One day, while running errands, Marguerite loses her wallet, and it's found by Georges (André Dussollier), a seemingly happy man with a wife, Suzanne (Anne Consigny), and two children (Vladimir Consigny and Sara Forestier). As Georges looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession. Georges' attempts to integrate himself into Marguerite's life begin to alarm her, and she hires a private security team (Mathieu Amalric and Michel Vuillermoz) to keep him away, but Georges is determined that his new love for her will not be denied. Les Herbes Folles (aka Wild Grass) received its world premiere at the 2009 Cannes Film Festival. ~ Mark Deming, Rovi