Mathieu Amalric Movies

A devastating betrayal sends James Bond from Australia to Italy and South America on a mission of vengeance that pits the suave super-spy against a powerful businessman with diabolical intentions. Betrayed by Vesper, 007 (Daniel Craig) suppresses the urge to make his latest mission personal as he teams with M (Judi Dench) to interrogate Mr. White (Jesper Christensen). It soon becomes apparent that the organization behind the blackmailing of Vesper is more powerful than Bond and M had previously anticipated, and after discovering forensic evidence that links an MI6 traitor to a bank in Haiti, Bond immediately sets out to gather more intelligence.

Once in Haiti, a case of mistaken identity leads Bond into the company of the ravishing Camille (Olga Kurylenko), a dangerous beauty with her own vendetta. It's Camille who leads Bond to a ruthless businessman named Dominic Greene (Mathieu Amalric), who is soon revealed to be the mastermind of a powerful but clandestine organization. Greene is conspiring to corner the market on one of the world's most precious natural resources, and in order to make that happen he has forged a deal with an exiled general named Medrano (Joaquin Cosio). By enlisting the aid of his many associates and using his vast resources to force contacts within the CIA and the British government into bending to his will, Greene plans to overthrow the current regime of a Latin American country and hand control over to General Medrano in exchange for a parcel of land that appears barren on the surface, but actually houses a natural resource that will make Greene the most powerful man on the planet. But Bond's mission to uncover the culprit who blackmailed Vesper and prevent Dominic Greene from exerting his will on the entire world won't be easy, because now everyone from the CIA to the terrorists and even M are out to get him. ~ Jason Buchanan, All Movie Guide

Alain Resnais, one of the towering figures of the French New Wave, demonstrates he still has plenty to say in this drama based on a novel by Christian Gailly. Marguerite (Sabine Azéma) is a successful dentist with a busy practice and an offbeat hobby, flying small airplanes. One day, while running errands, Marguerite loses her wallet, and it's found by Georges (André Dussollier), a seemingly happy man with a wife, Suzanne (Anne Consigny), and two children (Vladimir Consigny and Sara Forestier). As Georges looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession. Georges' attempts to integrate himself into Marguerite's life begin to alarm her, and she hires a private security team (Mathieu Amalric and Michel Vuillermoz) to keep him away, but Georges is determined that his new love for her will not be denied. Les Herbes Folles (aka Wild Grass) received its world premiere at the 2009 Cannes Film Festival. ~ Mark Deming, All Movie Guide

The true story of one of Europe's most infamous and charismatic criminals comes to a close in this drama based on the life and crimes of Jacques Mesrine. Picking up where L'Instinct de Mort left off, L'Ennemi Public No. 1 begins as Mesrine (Vincent Cassel) returns to France after an exile in Canada. Teaming up with gunman Michel Ardouin (Samuel Le Bihan), Mesrine masterminds a series of armed robberies, and while he's able to stay one step ahead of the law most of the time, eventually he finds himself back in prison, where he makes friends with the clever François (Mathieu Amalric). With François' help, Mesrine breaks out of prison and becomes something of a celebrity, penning an autobiography, hob-nobbing with the wealthy and trying to paint himself as a political radical with the help of leftist spokesman Charlie (Gérard Lanvin). Mesrine also renews his relationship with his girlfriend, Sylvia (Ludivine Sagnier), but he also turns his back on some of his old friends and underestimates the determination of the French police to stop him once and for all. L'Ennemi Public No. 1 (aka Public Enemy No. 1, Part 2) went into release in late 2008, while the wildly successful L'Instinct de Mort was still playing in French theaters. ~ Mark Deming, All Movie Guide

A teenage girl reaches out to strangers while keeping her immediate family at arm's length in this allegorical drama focusing on the impact technology has on contemporary relationships. Nat (Marie Burgun) is a fourteen-year-old girl who lives in a family that has become obsessed with the possibilities of airing their lives on the World Wide Web. Nat's mother Margot (Florence Thomassin) has joined forces with her eccentric new husband Michel (Pascal Bongard) to document every aspect of their lives with their webcams and post the results on the internet, despite Nat's lack of enthusiasm for the idea. Nat would rather stay with her father, though Margot is wary since he's had sexual reassignment surgery and is now living as a woman, Nicole (Stephanie Michelini), and has married a man, Khaled (Mohamed Rouabhi). While Nat is fond of surfing the web, she only communicates with two friends she's met on line -- Simon (Mathieu Amalric), a middle-aged man with a diaper fetish, and teenaged Adrien (Hadrien Bouvier), who won't let Nat see him, fearing she'll discover he's in the hospital and had lost his air due to medical treatments. 57000 km Entre Nous (aka 57000 km Between Us) was directed and co-written by noted photographer and video artist Delphine Kreuter. ~ Mark Deming, All Movie Guide

Actress-cum-director Valeria Bruni-Tedeschi's sophomore feature, the comedy-drama Les Actrices (Le reve de la nuit d'avant), follows the trials and travails of Marcelline (Tedeschi), a tense and jittery stage thesp whose personal and professional life threaten to fall into pieces simultaneously. On a personal level, Marcelline hits the midpoint of her life, hears her biological clock ticking, and longs desperately for a child. At work, Marcelline's inability to find the core of her character, Natalia Petrovna, in a production of Turgenev's A Month in the Country only causes her emotional tension to double. In time, she regresses into such a basket case that she can barely respond to the stage director's query about whether she is right or left-handed. Marcelline's natty and overanxious mother (Marisa Borini, Tedeschi's mother in real life) weighs heavily on her as well, pressuring her constantly about the need to find an appropriate suitor before time runs out; instead, Marcelline finds herself drawn helplessly to Eric (Louis Garrel) a sexy young actor in the production - who, without her knowledge, nurtures reciprocal affections. This parallels the events that befall Petrovna in Turgenev's play, and indeed, at one point the spirit of Petrovna (Valeria Golino) appears to Marcelline for much-needed counsel. Meanwhile, as Marcelline weathers her own personal crises, one of her friends, Nathalie (Noemie Lvovsky) - the assistant to the play's director - struggles with her offstage lack of fulfillment as a wife and mother. ~ Nathan Southern, All Movie Guide

As a Parisian petrochemical company forges on into the 21st century, the in-house human resources psychologist leads a probe that proves the ghosts of the previous century still hold sway over current events in director Nicolas Klotz's labyrinthine drama. Simon (Mathieu Amalric) is a human resources worker who has spent the last seven years working at the Paris branch of a powerful German-based company called SC Farb. In addition to assessing the hiring and firing practices of the company, Simon was also charged with the task of conducting motivational workshops. When Assistant Director Karl Rose (Jean-Pierre Kalfon) implores Simon to conduct a clandestine assessment of firm director Mathias Jüst's (Michael Lonsdale) mental health after rumors of erratic behavior begin to circulate in the German head office, the shrewd human resources worker forms a factory orchestra as a means of stealthily gauging the stability of his violin-playing subject. Later, a comprehensive investigation of company archives and anonymous letters begin to snake ominously back in time to the darkest days of World War II. ~ Jason Buchanan, All Movie Guide

Jews have long played a major role in French culture, but they've also found themselves welcomed or rejected by Gallic society and government at different points in history, and filmmaker Yves Jeuland offers a provocative look at the history of French Jews in this documentary. Being Jewish in France begins with a study of the Dreyfus Affair and how it reflected anti-Semitism at the dawn of the 20th century, moving on to the role of French Jews in World War I. While the patriotism of Jews was more openly acknowledged after the war, their status as outsiders in the eyes of many French citizens was affirmed during World War II, when the nation fell to Nazi occupation and turned a blind eye to religious persecution and genocide. After the war, French Jews struggled to mend fences and reestablish their place in the national dialogue, but in the 1960s, as Arab immigrants began streaming into France and many leftists began openly supporting Palestine, it became clear that France's Jewish population still had reason to question how welcome they were in the land of their birth. Originally produced for French television, Being Jewish in France received its American premiere at the 2008 San Francisco Jewish Film Festival. ~ Mark Deming, All Movie Guide

Writer and director Sofia Coppola puts a new spin on the life and times of one of Europe's most infamous monarchs in this lavish historical drama which fuses a contemporary sensibility with painstaking recreations of the look of the 18th century. Born to Austrian nobility, Marie Antoinette (Kirsten Dunst) is only 14 years old when she's pledged to marry Louis XVI (Jason Schwartzman), the 15-year-old king of France, in an alliance that has everything to do with politics and nothing to do with love. Sent to France and literally stripped of her former life, Marie weds Louis, but to the consternation of the royal court, he seems either unwilling or unable to consummate the marriage while their advisors clamor for an heir to the throne. Young and more than a bit out of step with the new life that's been thrust upon her, Marie gives herself over to the pleasures of life in Versailles, knowing and caring little of the political intrigue that surrounds her. In time, Marie's trusted older brother, Joseph (Danny Huston), is brought in to coach Louis on the finer points of marital relations, and before long the couple is finally blessed with a child. However, as Marie tends to her children in the gilded cage of her palace and enjoys an affair with a Swedish nobleman, political power plays are throwing France into chaos, and the growing ranks of the poor rebel against the royals and their life of privilege. Also starring Rip Torn, Judy Davis, Steve Coogan, and Asia Argento, Marie Antoinette was given a controversial reception when it premiered at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

A small-time crooner of sentimental ballads enters into a May-December romance with a fragile young real-estate agent in this low-key romantic drama starring Gérard Depardieu and Cécile de France. Fifty-something Alain (Depardieu) is something of a local celebrity in Clermont-Ferrand, and few nights pass when the popular singer-of-standards doesn't exit the stage until well into the morning hours. But karaoke is making singers such as Alain a rare breed these days, and it seems as if his days under the spotlight may be numbered. One night, while serenading the audience from the stage, Alain spots beautiful and unfamiliar blonde Marian (de France) in the crowd. Though he eventually her to meet him the following day, the cautiously guarded Marian remains curiously immune to his charm. Nevertheless, Alain's quiet persistence and self-depreciating humor eventually pays off, and the two soon find themselves strangely drawn to one and other. As fate would have it, Marian is currently employed at a real estate company owned by Alain's friend Bruno (Mathieu Amalric) - who also has eyes for the emotionally troubled young woman. Though Alain's ex-wife and current manager Michele (Christine Citti) doesn't discourage the ageing singer's relationship with the younger woman, her concern with his apparently-waning career soon prompts her to consider how she will spend her own future. ~ Jason Buchanan, All Movie Guide

The kidnapping and assassination of Moroccan political activist Mehdi Ben Barka, fictionalized in Yves Boisset's L'Attentat in 1972, gets a more historically accurate treatment in Serge Le Péron's noirish docudrama, the tabloid-headline-titled I Saw Ben Barka Get Killed. The film is narrated by cynical ex-con Georges Figon (Charles Berling), whose dead body is shown at the film's opening. Figon talks about the heady times, as newsreel footage of the civil rights movement and the anti-colonial uprisings of the 1960s is shown. In flashbacks, Figon wants to be a film producer, and has connections to screenwriter Marguerite Duras (Josiane Balasko) who puts him in touch with director Georges Franju (Jean-Pierre Léaud). Figon keeps promising to make his actress girlfriend, Anne-Marie Coffinet (Fabienne Babe), a star. But he still has ties to the underworld, and through them he meets the shady Chtouki (Azize Kabouche), a Moroccan operative who offers him a lot of money to scrap his current filmmaking plans to make a documentary about the worldwide anti-colonial movement. Chtouki's main interest is that the exiled Barka (Simon Abkarian) be hired as a consultant on the doc, so that he'll come to Paris to meet with Figon, Franju, and Philippe Bernier (Mathieu Amalric). On the day of the meeting, Figon watches from the café window as the French police intercept Barka and take him away. After witnessing what becomes of Barka, Figon grows increasingly concerned for his own safety, and goes to the press with a sensationalized version of the events. I Saw Ben Barka Get Killed was shown by the Film Society of Lincoln Center in 2006 as part of their annual Rendez-Vous with French Cinema. ~ Josh Ralske, All Movie Guide

Much as Steven Spielberg followed 1993's special-effects blockbuster Jurassic Park with a far more downbeat and personal project later the same year, Schindler's List, in 2005 after tearing up the box office with War of the Worlds the director closed out the year with a powerful and thoughtful drama about the human costs of international terrorism. The 1972 Olympics in Munich, Germany, were supposed to be a peaceful gathering of outstanding athletes from around the world, but on September 5, the games took a sinister turn when eight masked Palestinian terrorists invaded the Olympic village, killing two Israeli athletes and abducting nine others. The kidnappers demanded safe passage out of Germany in addition to the release of Arab prisoners in Israeli and German prisons, but when they arrived at the Munich airport they were met by German police and military forces, and in the melee that followed, all nine hostages were killed. In the wake of the killings, the Israeli government gave Mossad, the nation's intelligence agency, a special assignment -- to track down and eliminate the Palestinians responsible for the death of the Israeli athletes. A young and idealistic Mossad agent (Eric Bana) is assigned to the four-man unit created to wipe out the Olympic terrorists, but while he believes in serving his country, as their bloody work goes on he begins to buckle under the weight of his work and wonders if he can morally justify his nation's acts of revenge. Munich also stars Geoffrey Rush, Daniel Craig, Mathieu Kassovitz, and Ciarán Hinds. ~ Mark Deming, All Movie Guide

The stories of two desperate characters turn out to share an important link in this drama from French filmmaker Arnaud Desplechin. Nora (Emmanuelle Devos) is a woman in her mid-thirties who wants people to believe that her life is going just the way she wants. But a look below the surface shows this isn't quite the case; she's been divorced twice, her latest relationship is on the rocks, her ten-year-old son, Elias (Valentin Lelong), is becoming increasingly withdrawn, and her father (Maurice Garrel) is in poor health. When Nora learns that her father's digestive problems are actually cancer and he may only have a few days left to live, she desperately wants to turn to Ismael (Mathieu Amalric), her second husband. But Ismael is having a crisis of his own after a pattern of increasingly strange behavior has led him to an involuntary stay in a mental hospital. ~ Mark Deming, All Movie Guide

French filmmaker and professor of music Denis Dercourt directs the family drama Mes Enfants Ne Sont Pas Comme Les Autres (My Children Are Different). Widowed cellist Jean Debart (Richard Berry) is strict with his two children in regards to their musical education. Teenager Adele (Elodie Peudepiece) studies the cello but yearns for some rebellious independence while 11-year-old Alexandre (Frederic Roullier) is firmly committed to playing the piano and observing his father's wishes. Their stern grandfather Maître Erhardt (Maurice Garrel) is an orchestra conductor and their uncle Gerald (Mathieu Amalric) is a less-ambitious musician who finds work making background sounds. Soon Adele finds herself growing away from her father's harsh rules when she meets fellow musician Thomas (Malik Zidi). ~ Andrea LeVasseur, All Movie Guide