John Davidson

Actually, there was no "That's Incredible: The Reunion I," though this ABC special was preceded by the That's Incredible Special on May 21, 2002. Be that as it may, Part II again features the hosts of the original reality series That's Incredible, John Davidson, Fran Tarkenton, and Cathy Lee Crosby. And again, the hour-long extravaganza is chock-full of highlights from the earlier series, including a spectacular motorcycle jump, a 2,000-person "chain reaction," smart animal tricks, and heart-tugging pieces on people overcoming handicaps (one of these segments featuring boxer Muhammad Ali). ~ Hal Erickson, All Movie Guide

The Grotesque (aka Grave Indiscretion, aka Gentleman Don't Eat Poets) is a very black, very British comedy that puts an unusual and perversely entertaining spin on the classic tea-cup-and-intrigue mystery. Sir Hugo Coal (Alan Bates) is a grumpy, eccentric English gentleman (and self-styled paleontologist) obsessed with reconstructing a dinosaur skeleton with bones dredged up from a nearby moor. He is also penniless, and so must live vicariously off the inheritance of his smoldering American wife Harriet (Theresa Russell). Enter: the crafty and secretive Fledge (Sting) and his wife and co-conspirator Doris (Trudie Styler) the new Coal family servants. Fledge immediately sets his sights on Harriet and the Coal fortune, Doris on the household wine cellar. When Hugo and Harriet's daughter Cleo (Lena Headey) announces her engagement to demure poet Sidney Giblet (Steven Mackintosh), Hugo is less than pleased, but not for long, since Sidney is murdered soon after and, we learn, his body gruesomely disposed of. As the rivalry between Fledge and Hugo escalates, Cleo, the police, and the poet's shrewd mother Mrs. Giblet (Anna Massey) follow a trail of clues from the swampy, bone-littered moor to the Coal pig sties and finally (rather horribly) back to the Coal dinner table. Though criticized for its irreverent humor and somewhat ambiguous ending, The Grotesque is worth a watch. Sting and his real-life partner Trudie Styler (who co-produced the film) are both wonderful as the loathsome, manipulative servants, as is Anna Massey as the poet's investigative mother. The real stars of the film, however, are not the actors, but the dense, ornamental interiors provided by Jan Roelfs and Michael Seirton. Every corner of the Coal mansion is littered with artifacts and art objects, every frame crawling with worms, frogs, and reptiles. Like a Dutch still life, The Grotesque is simultaneously repellent and attractive, a painterly assemblage of morbidity and dramatic artifice. ~ Anthony Reed, All Movie Guide

Hockey bloops and blunders are captured on this hysterical video. ~ All Movie Guide

The second of Zucker-Abraham-Zucker's theatrical-feature spoofs (Airplane was the first, discounting the patchwork Kentucky Fried Movie), Top Secret! lampoons practically every film genre. Specifically, however, this is a hybrid of an "Elvis" movie and a World War II "underground resistance" thriller. In his film debut, Val Kilmer plays Nick Rivers, a Presley-like American rock idol sent behind the Iron Curtain on a goodwill tour. Before long, he is involved in a complex espionage scheme thanks to beautiful Lucy Gutteridge, the daughter of a scientist (Michael Gough) held captive by the Communists. Also essential to the action is flamboyant resistance leader Christopher Villiers, who behaves like Victor Mature in Betrayed (1954) and talks like James Mason. Adhering to Z-A-Z's cheerful disregard for people, places and events, the East Germans are depicted as Nazis, while the Underground is comprised of Frenchmen. The plot is mainly an excuse for the Z-A-Z team's fondness for joke-a-minute lampoonery, skewering cinematic targets ranging from The Blue Lagoon (1980) to The Wizard of Oz (1939). As in Z-A-Z's other efforts, Top Secret! scores its biggest yocks when invoking cliches that we never realized were cliches-and falls on its face whenever attempting a too-obvious gag (the biggest clinker: that pigeon statue in the park). Everyone has his or her favorite bits in this film: our faves include the resistance fighter named Deja Vu ("Haven't we met somewhere before?"), Kilmer's horrible nightmare while being tortured (he arrives too late to take final exams), the army-booted cow, the sensitive Pinto, and the East German National Anthem, sung to the tune of the Shorewood (Wisconsin) High School marching song. But let's say no more: comedy of this nature is designed to be seen, not written or read about. ~ Hal Erickson, All Movie Guide

In this detective drama, two gumshoes are engaged by a millionaire father who wants to find his daughter who has been kidnapped. The film is also known as Love For Ransom. ~ Sandra Brennan, All Movie Guide

In an acting tour de force that earned him critical acclaim back in 1974, John Davidson guest stars as professional female impersonator Ken Scott. The highlight of Scott's nightclub act is his dead-on imitation of legendary 1930s movie star Carol Marlowe. Unfortunately, the entertainer's schizophrenia overwhelms him, and soon he is carrying over his "Carol Marlowe" persona into real life--and murdering any man who is unlucky enough to be attracted to "Carol." ~ Hal Erickson, All Movie Guide

Time for Love, aka New Kind of Love, was the pilot for an unsold anthology series. The throughline of the anthology was to have been "Opposites Attract," to which many viewers added, "Yeah? And then what?" The two stories comprising the pilot both trod the tired old "Shy and Nonshy" route. In one story, conservative junior executive John Davidson falls for swinging convention hostess Lauren Hutton. In the other, timid teacher Bonnie Bedelia is enchanted by rock star Chris Mitchum, who is trying to escape his screaming fans. Time for Love was the brainchild of Stirling Silliphant, one of the most prolific and successful writers of TV's so-called Golden Age. ~ Hal Erickson, All Movie Guide

Young singer John Davidson is cast, appropriately enough, as young singer Tory Hughes. When his contract is taken over by a Mob loan shark, Tory discovers to his chagrin that his whole life is being taken over as well. Indeed, Tory is expected to lure other unwitting victims into the shark's jaws--unless the FBI can put an end to the whole sordid mess. ~ Hal Erickson, All Movie Guide

Adapted from the book and play of the same name, The Happiest Millionaire is the (mostly) true story of eccentric Philadelphia millionaire Anthony J. Drexel Biddle (Fred MacMurray). The Biddle mansion is the gathering place for a pugilistic boxing class, pet alligators and would-be opera singers. Cordelia Biddle (Lesley Ann Warren), the daughter of Anthony and his wife (Greer Garson), wants to marry wealthy and handsome Angie Duke (John Davidson), but Angie's parents are shocked by the Biddles' freewheeling lifestyle. Thanks in part to the ebullient intervention of John Lawless (Tommy Steele), the Biddles' butler, all misunderstandings are eventually swept away. Like Disney's previous Mary Poppins, The Happiest Millionaire is decked out with a vibrant musical score by Richard and Robert Sherman, but the magic is somehow lacking this time around. This was the last live-action film to personally supervised by Walt Disney; released several months after Disney's death, the film was made available in 141-minute and 164-minute versions. ~ Hal Erickson, All Movie Guide