Bo Hopkins Movies

This bleak World War II action drama, directed by John Guillermin, concerns the Ludendorff Bridge at Remagen -- the last remaining span across the Rhine into Germany during the final days of the war in 1945. German General von Brock (Peter Van Eyck) is ordered to blow up the bridge rather than let it fall into American hands. Von Brock is reluctant to carry out the orders, however, because that would mean abandoning 50,000 soldiers to the on-coming Americans. Putting Major Paul Kreuger (Robert Vaughn) in charge, he tells him to try to hold the bridge as long as possible. Meanwhile, U.S. Brigadier General Skinner (E.G. Marshall) is trying to trap the retreating Germans by making a push to the Rhine. Leading the offensive is Major Barnes (Bradford Dillman), an officer held in contempt by most of the men. Platoon leader Lieutenant Phil Hartman (George Segal) takes a particular dislike to him. Hartman is also at odds with Sergeant Angela (Ben Gazzara), a scavenger who likes to steal from the corpses of dead German soldiers. As the Americans push onward to Remagen, the Germans step up their resistance. When the Americans reach Remagen, Krueger unsuccessfully attempts to blow up the bridge and throws all his soldiers into a full-assault on the Americans. Skinner orders that the American soldiers must push forward and take the bridge intact. In the face of heavy German opposition, Hartman and Angelo find that they must put aside their differences and fight for a common cause -- to take the bridge at all costs. ~ Paul Brenner, All Movie Guide

Melissa Murphy is cast as Jenny Winters, who claims she can identify the outlaw Logan gang as the men who robbed a stagecoach and murdered the driver. Hoping to protect Jenny from the Logans, Joe Cartwright and Candy offer the girl shelter at the Ponderosa. What neither the good guys nor the bad guys know is that Jenny is a chronic liar, whose "eyewitness" yarn is a total fabrication. Others in the cast include Stefan Gierasch as Orvil Winters, Connie Hines as Hilda, Alan Baxter as Jim, and Bo Hopkins as Stretch. First shown on September 21, 1969, "The Witness" was written by Joel Murcott. ~ Hal Erickson, All Movie Guide

In this comedy drama set during the late Prohibition era, a federal agent attempts to make some real money before the alcohol ban is lifted. He sets his sights on the whiskey cache of an old army buddy, but just before they strike a deal, two ex-convicts frighten the buddy away. The creeps then murder the town sheriff and his deputy and begin looking to get a hold of the moonshine. The agent decides to help his friend defeat the thugs. One of the crooks ends up killing the agent and taking four locals hostage. In exchange for their lives, he wants all the whiskey. The moonshiner acquiesces and tells him that the booze is stashed in a graveyard. The greedy crook races off and begins digging. Unfortunately instead of hooch, he finds dynamite and blows himself up. To celebrate his death and the end of Prohibition, the town decides to have a blow-out of their own. Naturally the buddy provides the booze. ~ Sandra Brennan, All Movie Guide

This violent western tale finds Macho (David Janssen) as a Union Army regular in a Confederate prison. He escapes by planting dynamite in the coffin of an executed officer, making his move when the coffin is being carried outside the gate. He returns to a small town where he waits for Duffy (Lee J. Cobb), who put Macho in jail years before. Newlyweds Alexandra (Jean Seberg) and David (Carradine) arrive in town, and David heads to the saloon. The drunken one armed Confederate Army veteran is killed by Macho when he becomes drunk and belligerent. Alexandra puts a price on Macho's head, hiring two killers to finish him off. Macho kills them both and rapes a beaten up Alexandra, who falls in love with her attacker. He also gets revenge of Duffy by stringing him up by the neck on the windmill in the town square. ~ Dan Pavlides, All Movie Guide

Gary Grimes stars in this revisionist western as Ben Mockridge, a 16-year-old boy who has long dreamed of living the life of a cowboy. Wanting adventure, he persuades Frank Culpepper (Billy Green Bush) to take him along on a cattle drive, and Ben learns the hard way just how lonesome, exhausting, and violent the life of a cowhand can be. As one of the men on the drive puts it, "Being a cowboy is what you do when you can't do anything else." Hal Needham, who would later direct a string of successful films starring Burt Reynolds, can be spotted in a small role as Burgess, one of the cowboys. ~ Mark Deming, All Movie Guide

Someone in San Francisco has been attacking Vietnam veterans with military-issue hand grenades. Two ex-soldiers have already fallen victim to the mystery assailant, and one of them has been killed. Ironside's aide Mark (Don Mitchell), a friend of the dead man, wants some answers--and thus he sets himself up as bait to lure the killer out in the open. This is one of several early-1970s TV programs centering around the tragic residue of the still-raging Vietnam conflict. ~ Hal Erickson, All Movie Guide

This romantic western drama, based on the best-selling novel by Marilyn Durham, stars Burt Reynolds as Jay Grobart, an outlaw married to an Indian woman named Cat Dancing. When Cat is raped and murdered, a distraught Grobart kills the man responsible for the crime; he soon pulls a robbery with the help of his friends Dawes (Jack Warden) and Billy (Bo Hopkins), and is now on the run from the law. While in transit, Grobart and his partners run across Catherine (Sarah Miles), a woman running away from her abusive husband Crocker (George Hamilton). Catherine is abducted by Dawes and Billy, but Grobart protects her from their violence and threats of rape. As Grobart and Catherine get to know each other, they find themselves falling in love, and despite his lawless past, she admires him for avenging the death of the woman he loved. Grobart, Catherine, and the men travel to the Indian village where Grobart lived with Cat Dancing and their son; however, Lapchance (Lee J. Cobb), a bounty hunter hired by Crocker, is on their trail to bring Catherine back to her husband. The Man Who Loved Cat Dancing was one of Burt Reynolds' first major starring roles after Deliverance elevated him to full-fledged film stardom following years in television and low-budget pictures. ~ Mark Deming, All Movie Guide

It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding. ~ Lucia Bozzola, All Movie Guide

This second-string Sam Peckinpah action film features James Caan as ex-CIA agent Mike Locken, who has retired due to injuries received at the hands of his ex-partner George Hansen (Robert Duvall). But Mike is lured out of retirement to protect Yuen Chung (Mako), an Asian political leader. There's a contract out on Yuen Chung's life -- and the killer assigned to rub out Yuen Chung is none other than Mike's former partner, George Hansen. The confrontation between the two leads to a showdown on a decaying naval vessel between Mike's forces and a group of ninja warriors. ~ Paul Brenner, All Movie Guide

The Day of the Locust is anything but a cheerful, light look at Hollywood in the '30s. It recreates both the town as well as the filmmaking world around which much of the town revolved with devastating accuracy. The movie tells the twin tales of talentless wannabe actress Faye Greener (Karen Black) and Homer Simpson (Donald Sutherland), a lovelorn accountant who couldn't care less about movies. Around this framework, a huge and intricate social network is tellingly revealed, until the film's gruesome and tragic ending. Not for those who prefer to hang onto their illusions about the glory days of Hollywood, The Day of the Locust, based on the novel by Nathanael West, is a must-see for serious film buffs. ~ Clarke Fountain, All Movie Guide

This 72-minute pilot film of the Charlie's Angels series stars the three original "Angels": Sabrina (Kate Jackson), Jill (Farrah Fawcett-Majors), and Kelly (Jaclyn Smith). Police rookies stuck in go-nowhere jobs, Sabrina, Jill, and Kelly are hired by the never-seen Charlie (voiced by John Forsythe), who engages their services as private detectives. Their first assignment: finagle the owner of a vineyard (David Ogden Stiers) into confessing to the murder of his partner. David Doyle co-stars as Bosley, the affable liaison between Charlie and his Angels. A ratings powerhouse when it premiered on March 21, 1976, Charlie's Angels resulted in the long-running (and frequently recast) weekly series, which aired from September 22, 1976, through August 19, 1981. ~ Hal Erickson, All Movie Guide

In Randal Kleiser's telemovie Dawn: Portrait of a Teenage Runaway, Eve Plumb stars as Dawn, who leaves home at 15 for the glamour of L.A. Friendless, she is taken in by the smooth line of Swan (Bo Hopkins), who offers to be her protector. Before long, Dawn has become a streetwalker, with Swan taking a sizeable chunk of her earnings. She finds true friendship in the form of another runaway, male hustler Alex (Leigh McCloskey) -- whose own story would be delineated in a 1977 sequel, Alexander: The Other Side of Dawn. Having learned a lesson with its controversial airing of Born Innocent, NBC preceded the September 27, 1976, premiere of Dawn: Portrait of a Teenage Runaway with a "parental discretion" disclaimer. ~ Hal Erickson, All Movie Guide