Richard M. Heller Movies

Director Darren Lynn Bousman explores the so-called "11:11" phenomenon with this enigmatic thriller concerning a best-selling author who stumbles upon a life-changing secret. His wife and young son taken from him in a tragic accident, Joseph begins attending therapy sessions as his estranged father, Richard, a small-town priest, wrestles with a terminal illness. Upon returning home to bid his father farewell, Joseph also reconnects with his wheelchair-bound brother, Samuel, also a man of the cloth. Now, the longer Joseph remains in town, the more frequently the numbers "11:11" begin appearing to him in a vivid series of hallucinations and nightmares. Meanwhile, the congregation of a nearby church begins to experience an onslaught of inexplicable supernatural events. As November of 2011 draws near, it becomes obvious to Joseph that something truly profound is set to occur. But what incredible cosmic secrets will that mysterious date reveal? ~ Jason Buchanan, Rovi

Rescue Me co-creator Peter Tolan makes his feature directorial debut with this comedy starring Matthew Broderick as a moderately successful television writer whose addiction to alcohol, gambling, and drugs make dealing with the latest family crisis especially difficult. Taylor Peters (Broderick) is the writer and producer of a low-rated television sitcom that gets repeatedly bashed by critics and fares only slightly better with the viewing public. His career thrown off the tracks years ago due to his penchant for compulsive gambling, heavy drinking, and frequent recreational drug use, Taylor struggles to keep his additions under control. Sure, he still plays the horses every now and then, but the less that his wife Lorraine (Maura Tierney) knows about that, the better. When Lorraine's sister discovers that her 20-year old daughter Amanda (Brittany Snow) has been working as a Las Vegas prostitute, she calls the family together for an emergency meeting. Later, during the ride home, Lorraine discovers Taylor's racing stubs stashed in the glove compartment and announces that she is filing for divorce. Desperate not to lose his wife, Taylor hatches an ingenious plan to win back her affections and prove he's a changed man: he'll travel to Las Vegas, locate Amanda, and take her to rehab in Malibu. It's a noble plan indeed, but can a man given to such vices truly exercise the Herculean restrain needed to avoid the blackjack tables and accomplish his noble mission while traveling through the sordid streets of a city built on the very foundation of temptation? ~ Jason Buchanan, Rovi

The sixth TV-movie spinoff of the popular family series The Waltons, A Walton Easter manages to reunite all of the surviving cast members--and in so doing, unintentionally reveals why several of those performers hadn't been doing much acting recently. Throwing the orginal series' chronology to the four winds, executvie producer Earl Hamner Jr. would have us believe that the 40th wedding anniversary of John and Olivia Walton (Ralph Waite, Michael Learned) is taking place in the year 1969, which doesn't quite explain how the couple managed to have all those teenaged offspring back in the late 1930s. Once we're past this inconsistency, the story boils down to the Easter reunion of the family at Walton Mountain in West Virginia--and more specifically, the return to the fold of John-Boy Walton (Richard Thomas), now a successful TV news anchorman in New York. John-Boy has not only brought along his pregnant wife Janet (Kate McNeil), but also Aurora Jameson (Sydney Walsh), a Time magazine photojournalist who is covering the reunion. Gradually, the various intrigues of the other Waltons are shunted to the background as the film's Big Question raises its head: Will John-Boy return to New York with his city-bred wife Janet, or will he sentimentally choose to remain at Walton Mountain...with someone else by his side? A Walton Easter debuted March 30, 1997 on CBS. ~ Hal Erickson, Rovi