Bernard Dheran Movies

This is a French costume drama from director Patrice Leconte that recalls both Dangerous Liaisons (1988) and Restoration (1995). Gregoire Ponceludon de Malavoy (Charles Berling) is a baron of the 18th century French countryside, wealthy in property and high in social position but poor in cash. Local peasants -- dependent upon his largesse for their income -- are in poor health, the result of a festering marsh that, if drained, could solve the villagers' illnesses and create valuable farmland. Ponceludon travels to Versailles to plead his case before King Louis XVI. There, he is informed that he has no chance of success unless he can impress the court with his verbal prowess, for the king and his minions value banter, preferably of the ironic, cruel, and insulting variety, above all else. Under the tutelage of the Marquis de Bellegarde (Jean Rochefort), Ponceludon discovers that his sober, blunt honesty can be mistaken for a skewering wit. Though the baron falls for his mentor's science-minded daughter Mathilde (Judith Godreche), he's forced to woo the politically powerful Madame de Blayac (Fanny Ardant). Ridicule (1996) opened the 1996 Cannes Film Festival and was nominated for an Academy Award for Best Foreign Language Film. ~ Karl Williams, All Movie Guide

This French spy thriller makes a number of surprising variations on familiar themes. Tibere (Lino Ventura) is a Soviet nuclear scientist who comes to London with a platoon of his colleagues for a conference. When he is injured in an auto accident, he gets separated from them. The accident was a set-up by British MI5 (secret service). It turns out that he is a Frenchman who was kidnapped by the Soviets many years before. The British insist on his returning to the West to helping the British and French spy agencies. They don't look after him any too well, however, and he ends up being chased by everybody under the sun, including the KGB. ~ Clarke Fountain, All Movie Guide

This sequel to Diary Of A Woman In White finds a concerned nurse accompanying an alcoholic who seeks treatment for his disease. She befriends a pregnant woman who seeks an abortion and finds herself falling in love with her alcoholic patient. The nurse wrestles with her conscience before agreeing to help in the operation. The potentially controversial subject matter is not the main focus of this uninspired melodrama. ~ Dan Pavlides, All Movie Guide

Claude Autant-Lara's 1961 Count of Monte Cristo is one of the most faithful screen versions of the evergreen Alexandre Dumas story -- and one of the most compelling, thanks to the director's ability to squeeze the last drop of romanticism out of the original. While Louis Jourdan seems ill at ease as the younger Edmond Dantes, he is ideally suited for the film's later scenes, when the older, sadder, and wiser Dantes begins exacting revenge upon those who had him condemned to prison. Honoring the spirit of the original, Autant-Lara avoids inserting the leftist proselytizing which weighed down many of his later films. To perk up the pace and ensure double-bill bookings, the American distributor of Count of Monte Cristo removed 90 minutes from the film's 3-hour length. This was the seventh movie adaptation of the Dumas classic, which was first filmed by Hobart Bosworth in 1912. ~ Hal Erickson, All Movie Guide

Feeling hamstrung and confined by Hollywood, writer/director Robert Siodmak returned to Europe to make most of his latter-day films. Produced in France, Magnificent Sinner stars Curt Jurgens as Czar Alexander II, with Romy Schneider as schoolgirl Katja. The Czar takes Katja as his mistress, elevating her to princess status. The romance leads to court intrigue, and is instrumental in Alexander's ultimate assassination. Magnificent Sinner was originally released as Katia; it was a remake of a 1938 French film of the same name, which starred Danielle Darieaux. ~ Hal Erickson, All Movie Guide

Sacha Guitry's Si Versailles M'Etait Conte (If Versailles Were Told to Me) is best known by its American title Royal Affairs in Versailles. In addtion to writing and directed the film, Guitry reserves for himself the plum role of Louis XIV. Concentrating on the palace of Versailles over a period of 300 years, the storyline concentrates on the various amorous and political intrigues of three French kings. The plot manages to wend its way through the French revolution, coming to a halt in "the present". The star-studded supporting cast includes Jean Marais as Louis XV, Claudette Colbert as Mme. Montespan, Micheline Presle as Mme. Pompadour, and, best of all, Orson Welles as a gouty Ben Franklin. Most currently available prints of Si Versailles M'Etait Conte are severely edited, and fail to do justice to the rich Eastmancolor hues of the original version. ~ Hal Erickson, All Movie Guide