Adam Brightman Movies

Michael Cera and Kat Dennings star as two lonesome teens who make a love connection as they prowl the streets of New York looking for their favorite band's secret show, as well as for their drunk friend Caroline. Norah is sick of being the doormat for her catty friend Tris, so rather than look like she's arrived at yet another concert without her unreliable ex-boyfriend-with-benefits Tal, she grabs a stranger and pretends he's her date. Unfortunately, that stranger is Nick -- whom Tris just dumped. Oddly enough, though, Nick and Norah seem to have a real connection. But is Nick still too hung up on the princess? The only way to find out is to spend all night combing Manhattan in a yellow Yugo. ~ Jeremy Wheeler, All Movie Guide

Notoriously nihilistic filmmaker Michael Haneke revisits one of his most controversial works in this remake of 1997's Funny Games starring Naomi Watts and Tim Roth. When a family of three arrives at their remote summer cabin for a quiet getaway, the sudden arrival of two psychotic men sets the stage for a harrowing life-or-death struggle that offers savage commentary on the use of violence in entertainment. ~ Jason Buchanan, All Movie Guide

Andre (Andre Keuck) and Cal (Calvin Robertson) seem like fairly ordinary high school students. Andre is a quiet loner, and he's a bit obsessed with munitions. Cal, Andre's only friend, is slightly more adept socially. He even has a friend, Rachel (Rachel Benichak), who's a girl. But Andre and Cal have big plans. They're going to be famous one day. And they're going to teach what they see as a valuable lesson to everyone at their hated high school. Zero Day, the feature debut of Benjamin Coccio, is presented as a collection of videotaped moments leading up to Cal and Andre's planned murderous assault on their school. Cal and Andre are creating a video diary of sorts, which they keep in a safe deposit box, to be opened after their horrific deed is done. The film follows Andre and Cal as they explain their plan -- both the logistics of it and, to some extent, the motivations behind it -- and prepare for their violent act. In the interest of verisimilitude, the lead actors' families play themselves, and cast members, for the most part, were not told the larger context of their roles. Zero Day was a controversial hit on the festival circuit before being picked up for distribution. It won Best Feature at the 2003 Slamdunk Film Festival and the Audience Award at the 2003 Rhode Island International Film Festival. ~ Josh Ralske, All Movie Guide

Raymond De Felitta directs this warm, colorful tale about a blue collar dreamer who gets more than he bargained for after buying a two-family house. Set during the 1950s in Staten Island, the film charts the financial failures of Buddy (Michael Rispoli), a nice-guy entrepreneur who has perpetual bad luck. While he was in the army, he sang songs on stage to bolster troop morale. During one performance, he received a warm reception from none other than Arthur Godfrey, who invited him to audition when he got back to the U.S. After the war, Buddy's crushingly pragmatic wife Estelle (Katherine Narducci,) along with her very traditional parents, dissuade him from a life in showbiz. After a decade of living with Estelle's parents and failing repeatedly at one get-rich-quick scheme after another, Buddy buys a rundown house with the idea of refurbishing the second floor for living quarters and the first for a pizzeria where he can sing. Estelle grudgingly goes along with it, secretly hoping that this plan will fail so disastrously that he will stop dreaming and lead a "normal" life. Not until he finalizes the purchase does Buddy realize that the house has a pair of squatters: Jim (Kevin Conway), a drunken Irish immigrant, and his much younger, very pregnant girlfriend Mary (Kelly Macdonald). Buddy tries to evict the recalcitrant drunkard, but he refuses to leave. Just as matters are about to come to fisticuffs, Mary goes into labor. To the surprise of everyone, the child is of mixed raced -- the product of a brief tryst that Mary had with an African-American man a while back. Disgusted and disappointed, Jim shuffles off never to be seen. Buddy hasn't quite the heart to evict a young single mother, nor the strength to resist his wife's perpetual nagging, so he quietly pays for a room in a neighborhood boarding house. Though Mary is initially very mistrustful of Buddy's intentions, the two slowly realize that they are in fact soul mates. This film was highly praised at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

Abel Ferrara directed this erotic thriller adapted by Ferrara and Christ Zois from a short story by science fiction author William Gibson (in his Burning Chrome collection). Global corporations rule the world, and corporate raider Fox (Christopher Walken) and his deputy X (Willem Dafoe) could pocket $100 million if they can get top scientist Hiroshi (Yoshitaka Amano) to defect from one corporation to another. Fox offers singer Sandii (Asia Argento) $1 million to seduce Hiroshi away from his wife, family, and employer. An affair develops between Sandii and X, while she studies facts about Hiroshi's life. She departs on her assignment, but betrayals ensue, with Fox and X soon becoming targets themselves. With opening credits in three languages (English, German, Japanese), the soundtrack features the score-composition debut of hip-hopper Schoolly D, music which plays over a blank screen at the wrap-up (since the film has no closing credits). This Gibson short story was a property once in development by director Kathryn Bigelow. The title story of Gibson's Burning Chrome collection was planned as the second Heavy Metal movie, intended for live-action and scripted but never filmed. Shown in competition at the 1998 Venice Film Festival. ~ Bhob Stewart, All Movie Guide

Andy Warhol was a phenomenon who warrants a lot of explaining: a completely colorless mega-star celebrity, and a kind of LaBrea Tarpit for a vivid and talented collection of oddballs in the New York scene. He fostered their continued degeneration into weird lifestyles and heavy drug use; and at the same time acted as their mentor, agent, and sponsor. One artist who came to be part of Warhol's "scene" was Jean Michel Basquiat, an antisocial street-bum who went from writing graffiti on alley walls to being the toast of New York City's art world. This film biography chronicles the progression of Basquiat (Jeffrey Wright) and his progression from living in cardboard boxes to penthouses, his romances, his drug use, and his death in 1988 at age 27. Along the way, he never stopped detesting the rich, including art agent Bruno Bischofberger (Dennis Hopper), and he never lost his naivete. Warhol (David Bowie) picks up some of the pieces as Basquiat lurches through the art scene. Cameo appearances by Tatum O'Neal and Courtney Love add spice to this interesting film. ~ Clarke Fountain, All Movie Guide