Anthony Dexter Movies

George Roy Hill directed this original musical set the 1920s that mixes pop standards with new tunes written by Sammy Cahn and James Van Heusen. Julie Andrews, in a role that recalls her Broadway triumph in The Boy Friend, stars as Millie Dillmount, who comes to New York is search of a secretarial job and an unattached boss. She moves into a hotel for women, run by kindly Mrs. Meers (Beatrice Lillie), and she befriends the pretty, petite orphan Dorothy Brown (Mary Tyler Moore). Millie finds work with the handsome bachelor Trevor Graydon (John Gavin), but Trevor has his eyes on Dorothy. So too does Mrs. Meers, who despite her kindly exterior is actually an unscrupulous white slaver. Paper clip salesman Jimmy Smith (James Fox), on the other hand, pledges his undying love to Millie. One day, after attending a weekend party being given at the opulent Long Island mansion of Muzzy Van Hossmere (Carol Channing), Dorothy disappears. When Jimmy and Millie smell opium in Dorothy's room, they realize the awful truth about Mrs. Meers. Trying to rescue Dorothy and find the location of Mrs. Meers' hideout, Jimmy disguises himself as an orphaned woman and tries to get himself kidnapped. The scheme backfires, however, and Mrs. Meers drugs and kidnaps both Jimmy and Trevor. It is left to Millie to find the white slavers, free her friends from bondage and save the day. ~ Paul Brenner, All Movie Guide

In this drama, high-school sweethearts elope while still in school, and later have a second ceremony to please their parents. When reality sets in, the new husband abandons his dream of becoming a doctor to become a mechanic. They then move into the father of the bride's home where he lays down strict rules. When the groom gets involved with auto thieves, trouble ensues until both sets of in-laws team up to send him to college where he belongs. ~ Sandra Brennan, All Movie Guide

Another low-budget, clichéd detective yarn, Three Blondes in his Life features Jock Mahoney as a private eye who is intent on figuring out the reasons for the death of one of his acquaintances, an insurance investigator. As the detective gets to work on the case, he uncovers the investigator's sordid past that indicates there may be several people who would not mourn his passing. The blondes are mainly there to look comely, and the private eye gets to show off some good stunt work in one fight scene as the mystery of the death of the investigator starts to be resolved. ~ Eleanor Mannikka, All Movie Guide

Future "Master of Disaster" Irwin Allen produced this curious but inarguably fascinating adaptation of Henrik Willem Van Loon's best- selling historical volume. A Celestial Tribunal has been convened to decide the fate of the Earth after the invention of nuclear weapons, with The Devil (Vincent Price) and The Spirit of Man (Ronald Colman) debating if humankind should be allowed to continue or be exterminated once and for all. Both men present examples of human behavior at its best and worst, including Dennis Hopper as Napoleon, Hedy Lamarr as Joan of Arc, Virginia Mayo as Cleopatra, Peter Lorre as Nero, Edward Everett Horton as Sir Walter Raleigh, and Groucho Marx, Harpo Marx, and Chico Marx as, respectively, Peter Minuit, Sir Isaac Newton, and a monk (yes, the producers had the daring and vision to cast the Marx Brothers without having them play any scenes together). The Story of Mankind proved to be the last film for both Ronald Colman and Hedy Lamarr; it was also the last time the three Marx Brothers appeared in the same film, though the individual Marxes appeared in a few films following this. ~ Mark Deming, All Movie Guide

This silly British-made space opera finds distant ancestors of the lost civilization of Atlantis -- all of them nubile young ladies, of course, and starved for male company -- residing for some unexplained reason on the thirteenth moon of Jupiter, where they are discovered by an Earth exploration team headed by Anthony Dexter. The Earthmen offer to help the Atlantean cuties return home and re-establish their fallen city, but only manage to rescue one of them after they come under attack from a cheesy monster known as the "Black God." The film's camp highlight comes when the maidens perform an interpretive dance to the music of Borodin. ~ Cavett Binion, All Movie Guide

First filmed under the supervision of Orson Welles in 1942, Eric Ambler's espionage thriller Journey Into Fear was effectively adapted to an hour-long format fourteen years later by by the CBS dramatic anthology Climax. John Forsythe stars as Graham Johnson, an American engineer working on a secret project in Turkey. For reasons that he cannot quite fathom, Johnson has been targetted for death by a group of sinister foreign spies. The local Turkish police arrange for Johnson to be quietly shipped to safety on a tramp steamer, which is already bearing a number of other passengers--most of whom look like they'd cut Johnson's throat for the fun of it. Climax was originally telecast live from New York City. ~ Hal Erickson, All Movie Guide

1954's The Black Pirates stars Anthony Dexter, who three years earlier hadn't quite set box-office records afire with his portrayal of Rudolph Valentino. Dexter heads a band of pirates who land in a sleepy Mexican village. A buried treasure is rumored to be somewhere in the vicinity, and the pirates want to get their grimy mitts on it. They enslave the villagers and force them to dig for the treasure. Black Pirates was written by Fred Freiberger, the man later responsible for the up-and-down third season of TV's Star Trek. It was filmed on location in Mexico and released stateside by Lippert Films. ~ Hal Erickson, All Movie Guide

Whether true or not (evidence indicates "not"), the legend of Captain John Smith and Pochahontas is one of history's great romantic stories. This 1953 filmization of the story was made on a near-nonexistent budget. Anthony Dexter, who two seasons earlier had starred in the unsuccessful biopic Valentino, plays Captain Smith, while Jody Lawrence, a Columbia all-purpose heroine, is Indian maiden Pocahontas. After rescuing Smith from the wrath of her father (Douglass Dumbrille), Pocahontas is presented to the court of Britain's King James II. In flashback, Captain Smith attempts to explain why Pocahontas chose not to marry him, but his best friend Rolfe (Robert Clarke) instead. ~ Hal Erickson, All Movie Guide

One of the most notorious flops in the history of Columbia Pictures, Valentino is actually fairly entertaining -- but only when regarded as a work of fiction. In dramatizing the life of silent-screen Latin lover Rudolph Valentino, screenwriter George Bruce ignored virtually all of the facts, even those in the public domain; in addition, with the exception of Valentino, all the real-life characters' names have been changed to avoid lawsuits. What's left is an amusing fairy tale about a young Neapolitan dancer named Rudolph Valentino (Anthony Dexter), who joins a U.S.-bound dance troupe headed by his lover Marie Torres (Dona Drake). Onboard ship, Valentino makes the acquaintance of famous movie star Joan Carlisle (Eleanor Parker), sparking a brief transatlantic romance. Once in America, Valentino supports himself as a dishwasher and gigolo before Carlisle introduces him to big-time director William King (Richard Carlson), who arranges for the young immigrant to attain a few extra roles in Hollywood. Valentino becomes an overnight star after being selected to play the lead in The Four Horsemen of the Apocalypse. As his fame rises, Valentino reignites his affair with Carlisle, but will not commit himself to marriage. She marries King on the rebound, but the romance starts all over again when Valentino and Carlisle are cast together in The Sheik. At the height of his stardom, Valentino dies of peritonitis. The film ends with the mysterious "Lady in Black" making her annual pilgrimage to Valentino's tomb. It serves no purpose to list the film's many inaccuracies and anachronisms, though it's worth mentioning that his last film was not The Sheik but Son of the Sheik. As a filmed biography, Valentino is worthless. As a movie pure and simple, it's not all that bad. Even the much-maligned Anthony Dexter, an unknown who was cast purely on the basis of physical resemblance, is passable in the title role, though he comes nowhere near the original Valentino's magnetism and charisma. ~ Hal Erickson, All Movie Guide