Colleen Dewhurst Movies

Sean Connery attempted to make a clean break from his "James Bond" image in the boisterous comedy A Fine Madness. Connery plays Samson Shillitoe, a Brendan Behan-like poet with a mile-wide misogynistic streak. Try as he might to complete his latest masterpiece, Shillitoe is constantly interrupted by the women in his life. Driven to a nervous breakdown, he seeks help from the medical establishment -- and ends up a babbling shell of his former self. The film takes scattered potshots at a repressive society that forces the truly creative among us into near-madness; at times, it is sidesplittingly funny, though never quite as potent as the Elliot Baker novel upon which it is based. Sean Connery is brilliant, but the public wanted James Bond to behave himself, thus the film didn't do as well at the box office as it should have. ~ Hal Erickson, All Movie Guide

John Sayles, of Trial of the Catonsville 9 and Brother From Another Planet fame, wrote the teleplay for A Perfect Match from an original story by director Mel Damski and Andre Guttfruend. Fashion designer Linda Kelsey is diagnosed as suffering from a rare form of anemia. Kelsey's only hope is to find a bone-marrow donor whose blood type matches hers. It turns out that the only suitable potential donor is the daughter (Lisa Lucas) whom Kelsey had given up for adoption 16 years earlier. The dramatic intensity of Ms. Kelsey's plight is matched by the anguished performances of Ms. Lucas and (as the adoptive parents) Colleen Dewhurst and Charles Durning. A well-above-average TV movie, Perfect Match deserved better than being scheduled for its premiere showing opposite a network telecast of Jaws. ~ Hal Erickson, All Movie Guide

Filmed in Tunisia on a budget of 30 million dollars, the five-part, 12-hour miniseries A.D. was the final installment in a historical trilogy which included Moses the Lawgiver and Jesus of Nazareth. Covering the years 30 to 69 A.D., the teleplay, co-written by Anthony Burgess, chronicled the political intrigue which plagued the Roman Empire, with such key players as the emperors Tiberius (James Mason in his final role), Caligula (John McEnery), Claudius (Richard Kiley), and Nero (Anthony Andrews) calling the shots. Meanwhile, the death of Jesus Christ (played by Michael Wilding, son of Elizabeth Taylor) not only sparked a widespread monotheistic religious movement, but also resulted in devastating factionalism amongst the various Jewish sects of the era. Offsetting the true events are a number of fictional subplots, among them the romance between Jewish slave girl Sarah (Amanda Pays) and Roman soldier Valerius (Neil Dickson), and the tempestuous relationship between male and female gladiators, Caleb (Cecil Humphreys) and Corinna (Diana Venora). The huge cast included Ava Gardner, making her TV-movie debut as the scheming Agrippina. The winner of an Emmy award for Best Film Editing, A.D. was broadcast by NBC from March 31 through April 4, 1985. ~ Hal Erickson, All Movie Guide

Middle-aged Colleen Dewhurst shocks her family-and herself-when she announces she is pregnant. Partly out of concern for her health, and partly out of selfishness, the family argues over whether or not she should go to term. Husband Pat Hingle is indecisive until he witness the baby's development via ultrasound. The film's final scenes are an amalgam of truly touching moments and bedslat comedy. Timothy Hutton makes one of his first major appearances as Dewhurst and Hingle's teenaged son. First telecast October 22, 1979, And Baby Makes Six was intended as the pilot for a weekly series; as it turned out, it yielded only a feature-length sequel, Baby Comes Home (1980) ~ Hal Erickson, All Movie Guide

Megan Follows, who literally grew up before the viewers' eyes as star of the Canadian TV series Anne of Green Gables and Anne of Avonlea, returns to the role of Lucy Maud Montgomery's plucky Canadian lass Anne Shirley in this four-hour TV miniseries. In the second decade of the 20th century, all grown up and a professional schoolteacher, Anne returns to Prince Edward Island after the death of her mentor, Marilla Cutherbert (played by the late Coleen Dewhurst in stock-footage flashbacks). Soon thereafter, Anne heads to New York City, intending to marry her physician fiancé, Gilbert Blythe (Jonathan Crombie), and, hopefully, to find success as an author. Alas, Anne's first manuscript is stolen by charming scoundral, Jack Garrison Jr. (Cameron Daddo), while Gilbert is defeated by the internal politicking and red tape of a big-city hospital. The couple is about to relocate to their native Canada when WWI breaks out, whereupon Gilbert dutifully signs up for military service. When word arrives that Gilbert is missing in action, Anne courageously heads off to wartorn France in hopes of finding her husband -- only to become mixed up in an espionage plot that also involves the redoubtable Jack Garrison. Originally telecast in Canada beginning March 5, 2000, Anne of Green Gables: The Continuing Story was seen in the United States courtesy of PBS on July 23 and 30, 2000. ~ Hal Erickson, All Movie Guide

Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, All Movie Guide

The sequel to the popular 1979 TV movie And Baby Makes Six, Baby Comes Home reteams Colleen Dewhurst and Warren Oates as middle-agers who find themselves the parents of a newborn child. The first film dealt with the impact of the 47-year-old mother's unexpected pregnancy on her three grown children, as well as on her own well-ordered lifestyle. The sequel concentrates on the alienating effect that Dewhurst's affection towards her baby has on the rest of her family. Both And Baby Makes Six and Baby Comes Home were intended as pilot films for a weekly series, though one wonders if the ever-busy Colleen Dewhurst would have found the time to star in such a project. The point is a moot one: The series never sold. ~ Hal Erickson, All Movie Guide

In this family drama, a famed lawyer is forced to come to grips with the lousy way he has treated his emotionally disturbed brother. Most of the story centers on the attorney's attempts to atone for his actions. ~ Sandra Brennan, All Movie Guide

The mythical, big-footed Pacific Northwest Sasquatch lives, and an irascible anthropologist and two feisty kids can prove it. This Disney adventure chronicles their interactions with the gentle giants and their attempts to save them from capture. ~ Sandra Brennan, All Movie Guide

Wealthy, but yearning for the family he lost after his parents' untimely deaths, a businessman hires a private eye to locate his three sisters, each of whom was sent to a different foster home following the mysterious accident. One particularly traumatized sister seems to know the truth about the deaths. Her revelations could be catastrophic for the recently reunited siblings. ~ Sandra Brennan, All Movie Guide

Directed by Joel Schumacher, Dying Young was adapted from a novel by Marti Leimbach. When Victor Geddes (Campbell Scott) discovers that he is suffering from leukemia, his wealthy family hires pretty, young Hillary O'Neil (Julia Roberts) to help nurse him through his chemotherapy treatment. As the two struggle through the debilitating effects of Victor's treatment, they fall in love and attempt to make the most of their time together. Campbell Scott's real mother, the late Colleen Dewhurst, plays his "reel" mother in the film. ~ Iotis Erlewine, All Movie Guide

In this complex spy caper, Nicole (Genevieve Bujold) is a Canadian broadcast journalist working on assignment in the former U.S.S.R. She is there to cover a visit by the Canadian prime minister, but along the way she discovers an unethical experimentation on children involving the use of steroids. She is also involved in smuggling out a girl for emergency brain surgery and develops a romantic liaison with Lyosha (Michael York), a bureaucrat in the Soviet press corps. A Jewish businessman she knows just happens to be in Russia, and she asks him to help her in the smuggling attempt. ~ Eleanor Mannikka, All Movie Guide