Colleen Dewhurst Movies

Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide

An unexceptional spy drama by Andre De Toth, Man on a String is based on an autobiography by counterspy Boris Morros, here given the name of Boris Mitrov and played by Ernest Borgnine. Mitrov was born in Russia but had been a citizen of the U.S. for some time when he joins up with a Russian spy network. He is caught out by the CIA, and they offer him a deal: go to the USSR and spy for our side, or else. Boris' boss is Bob Avery (the handsome Kerwin Mathews) and Colleen Dewhurst is Helen Benson, the lone female in the story. Clichéd dialogue aside, the scenes shot in Moscow and Berlin add convincing realism to the action. ~ Eleanor Mannikka, All Movie Guide

Coleen Dewhurst guest stars as Amy Doucette, a deranged woman who is hired sight unseen as a babysitter by a young couple (Davey Davison, Geoffrey Horne). Kidnapping the baby, Amy enlists the aid of her neurotic sister Stella (Collin Wilcox) in her efforts to elude the authorities. Armed with the knowledge that Amy is morbidly obsessed with the date "April 2", Inspector Erskine (Efrem Zimbalist Jr.) literally races against time to save the life of the abducted child. (Trivia note: costars Collin Wilcox and Geoffrey Horne were husband and wife at the time). ~ Hal Erickson, All Movie Guide

George C. Scott stars in The Last Run as an aging mob driver hoping to make one last big haul and retire. Harry Garmes (Scott) is persuaded by his old cronies to drive escaped criminal Paul Ricard (Tony Musante) and his girlfriend, Claudio Schemer (Trish VanDevere), across Spain to safety. Garmes has premonitions throughout the flight of his own demise, but his fate will not be known until the end of his journey. John Huston was supposed to direct, but was replaced after a series of confrontations with Richard Fleischer.The cast includes Scott's then-wife, Colleen Dewhurst, alongside his wife-to-be, Trish VanDevere. ~ Hal Erickson, All Movie Guide

Prowler in the Heart is a videotaped mystery thriller, originally telecast on ABC's Wide World Mystery late-night series. Colleen Dewhurst heads the cast as a mystery novelist. When her husband is convicted of murder, Dewhurst draws upon her writing expertise to concoct a perfect alibi for her beloved. The alibi unfortunately implicates someone else--who may in fact be a killer, if not the killer. Martin Sheen costars in this videotaped 74-minute melodrama. ~ Hal Erickson, All Movie Guide

The made-for-television movie The Story of Jacob and Joseph tells the Biblical tale of Jacob (Keith Michell) and Esau (Julian Glover), who spend 20 years fighting over their birthright. They eventually reconcile and sell their younger brother, Joseph (Victor LoBianco) into slavery. Joseph is taken to Egypt, where he becomes the Pharoah's chief advisor, yet he still resents his family for selling him into slavery. Alan Bates narrates the film, which is expertly adapted by screenwriter Ernest Kinoy and director Michael Cacoyannis. ~ Stephen Thomas Erlewine, All Movie Guide

Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, All Movie Guide

Middle-aged Colleen Dewhurst shocks her family-and herself-when she announces she is pregnant. Partly out of concern for her health, and partly out of selfishness, the family argues over whether or not she should go to term. Husband Pat Hingle is indecisive until he witness the baby's development via ultrasound. The film's final scenes are an amalgam of truly touching moments and bedslat comedy. Timothy Hutton makes one of his first major appearances as Dewhurst and Hingle's teenaged son. First telecast October 22, 1979, And Baby Makes Six was intended as the pilot for a weekly series; as it turned out, it yielded only a feature-length sequel, Baby Comes Home (1980) ~ Hal Erickson, All Movie Guide

The made-for-television Silent Victory: The Kitty O'Neill Story is a true story about a woman (Stockard Channing) who overcame her deafness to become one of the top stunt women in Hollywood, as well as earning the female land speed record. ~ Stephen Thomas Erlewine, All Movie Guide

Adapted from the once-notorious trilogy of novels by James T. Farrell, the three-part miniseres Studs Lonigan isn't quite as earthy and explicit as its source, but is lot more faithful to the original than the 1960 film version. Set in Chicago and covering the years from 1916 to 1931, this is the story of a brawling, braggadocio young Irish-American lad named Studs Lonigan (played as a child by Dan Shor, and as an adult by Harry Hamlin in his first major TV role). Despite his rough veneer, Studs is sensitive and concerned about his future, though he doesn't want to follow the values set forth by his tradition-bound parents (Charles Durning, Colleen Dewhurst). Hanging around with his childhood buddies, Studs gets into all sorts of scrapes and becomes involved with a number of women, notably the decent, demure Catherine (Diana Scarwid) and the lusty, libidinous Lucy (Lisa Pelikan). Though he grows in age and size, Studs has trouble maturing emotionally, surrounded by the pressures of a rough, prejudice-ridden neighborhood and the increasing hooliganism of his cronies. As the Depression crashes heavily upon the scene, Studs finds himself "trapped" in the very sort of middle-class quagmire that he'd always hoped to avoid. Earning an Emmy Award for art/set direction, the 6-hour Studs Lonigan originally aired March 7, 14 and 21, 1979, as part of NBC's Novels for Television anthology. ~ Hal Erickson, All Movie Guide

In this thriller, a baby-sitter is terrorized by an anonymous telephone caller who turns out to be a particularly persistent serial killer. When a stranger calls to ask, "Have you checked the children lately?" teenaged sitter Jill Johnson (Carol Kane) is understandably spooked. After a series of increasingly creepy calls culminates in a request for "your blood...all over me," Jill learns from the police operator that the man is calling from inside the house. One narrow escape and two dead children later, the police capture British maniac Curt Duncan (Tony Beckley). Several years later, the killer escapes from a mental institution and plagues Tracy (Colleen Dewhurst), a hard-drinking New Yorker. Foiled by John Clifford (Charles Durning), the same cop who investigated the original case, Duncan sets his sights back on his original victim, Jill Johnson, who, now married and out to dinner with her husband, has left her own young children at home -- with a baby-sitter. When a Stranger Calls helped inspire Drew Barrymore's famous opening scene in Wes Craven's Scream. Kane, Durning, and director Fred Walton would return for 1993's TV-movie sequel, When a Stranger Calls Back. Beckley died a year after the original film's release. ~ Brian J. Dillard, All Movie Guide

In this complex spy caper, Nicole (Genevieve Bujold) is a Canadian broadcast journalist working on assignment in the former U.S.S.R. She is there to cover a visit by the Canadian prime minister, but along the way she discovers an unethical experimentation on children involving the use of steroids. She is also involved in smuggling out a girl for emergency brain surgery and develops a romantic liaison with Lyosha (Michael York), a bureaucrat in the Soviet press corps. A Jewish businessman she knows just happens to be in Russia, and she asks him to help her in the smuggling attempt. ~ Eleanor Mannikka, All Movie Guide