Eddie Dew Movies

In this fantasy, a sailor finds himself shipwrecked on an island containing only beautiful women. At first he believes he has truly found paradise especially after they hold a gay feast in his honor. But when they suddenly take him prisoner and then leave him in the sun to die, he realizes that things are not what they seem. He learns that the women hate all men after a crew of pirates raped them and destroyed the underwater temple of their sea god. He is later rescued by a young woman slated to be sacrificed to the women's god. He and she fall in love, and on the day of the sacrifice, they locate the temple and three treasure chests. While training to obtain it, the woman is eaten by a giant clam. In the end, the man is rescued by a passing schooner. ~ Sandra Brennan, Rovi

Nineteenth-century saloon gal Roxy McClanahan (Yvonne DeCarlo) manages to inveigle herself into the uppermost rungs of polite New Orleans society. But Roxy has not reckoned with her old friendly nemesis, merchant seaman Frank Truscott (Rock Hudson), whose bankroll Roxy had lifted back in her wilder and woollier days. For a price, Frank agrees not to blow the whistle on Roxy's checkered past. He further agrees to allow her to pass off an orphaned child as her own daughter, the better to maintain her pose as a fabulously wealthy widow. Several rambunctious scenes later, Frank and Roxy finally realize that they're made for each other, and to heck with Society. More fun than most costume melodramas of its kind, Scarlet Angel benefits from attractive production values and a top-flight supporting cast, included future Gunsmoke co-star Amanda Blake as a viper-tongued society belle. ~ Hal Erickson, Rovi

Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll. ~ Hal Erickson, Rovi

Shortly before Universal Pictures disbanded its "B" unit, the studio inaugurated an energetic western series starring Rod Cameron. In Beyond the Pecos, Cameron plays a rancher at odds with longtime rival Eddie Dew (himself a "B" sagebrush star at other studios). The two brawny men in Stetsons battle over rights of oil land that borders both their properties. When they tire of squabbling over money, Cameron and Dew fight over the attentions of pretty Jennifer Holt (daughter of Jack Holt). Director Lambert Hillyer handles Beyond the Pecos with his customary speed and efficiency. ~ Hal Erickson, Rovi

In this western, set in Texas, the brave heroes Rod, Fuzzy, and their good-guy gang attempt to keep a band of ruthless outlaws who are trying to take over the reins of a stage coach line. ~ Sandra Brennan, Rovi

In this western, an innocent saddletramp is blamed for killing a man. Fortunately he finds the real culprit before it is too late. ~ Sandra Brennan, Rovi

In this romantic musical, a chipper radio crooner does everything she can and is still unable to get a break. Later her agent comes up with a sure-fire scheme to get her some publicity by announcing that she is the true love of a WW II hero who has just come home. Fortunately for her, the agent's ploy is quite prophetic and by the story's end, the hero and the singer are hopelessly in love. Musical numbers and songs include: "My Wife's a WAAC", "What Do You Do When It Rains?", "I'd Do It for You", "Left, Right" and ""Valse Continental"". ~ Sandra Brennan, Rovi

In this western, a pair of ranchers tire of being oppressed by the excessive taxation an avaricious crook in possession of a bogus Spanish land grant and so set off to help their neighbors by emulating the rakish Robin Hood. ~ Sandra Brennan, Rovi

Edward G. Robinson portrays a hard-driving, hard-nosed perfectionist who causes dissension aboard the WWII destroyer he helped build before re-enlisting in the Navy. Coming aboard as a senior crewman and trying to emulate the perfection of his hero John Paul Jones, he drives himself as hard as he drives the younger generation of sailors he commands, even going so far as recounting the last battle of the Bon Homme Richard to the increasingly disgruntled crew. But it is not his words that earn him their respect. During a major battle Robinson proves himself a true hero. The harsh training also pays off and the young sailors successfully defeat the enemy. Afterward they realize that Robinson was right to be tough on them and never question him again. Meanwhile, the captain who stood by Robinson through the thick of it even winds up involved with the old salt's daughter. ~ Tana Hobart, Rovi

Flight for Freedom was an "a clef" version of the Amelia Earhart story. Rosalind Russell plays the Earhart-like aviatrix Tonie Carter, who spends the early part of the film fighting against the aviation industry's prejudice against woman pilots. Tonie establishes a reputation as "the Lady Lindbergh", setting flight records on a near-weekly basis. Along the way, she falls in love with an agreeable flying ace (Fred MacMurray), much to the dismay of her conservative flight instructor (Herbert Marshall). The film's ending expands on speculation regarding Amelia Earhart's disappearance during a 1937 flight; Tonie Carter flies off on a secret mission to aid the Pacific war effort, then vanishes before completing her task. Flight for Freedom was produced for RKO by Floyd Odlum, whose wife Jacqueline Cochran was herself a renowned aviatrix. ~ Hal Erickson, Rovi

The first of Tim Holt's 1943 quota of RKO westerns was Fighting Frontier. This time, Holt appears to be cast as a double-dyed villain. Actually, it's all a ruse, cooked up by the Governor to find out the identity of a clever bandit chieftan. It wouldn't be fair to reveal the name of the bad guy, but it's safe enough to report that Ann Summers is the heroine and Cliff "Ukelele Ike" Edwards provides comedy relief. Amidst the shooting and fisticuffs, music fans are treated to two songs, "On the Outlaw Trail" and "The Edwards and the Drews", the latter performed with relish by Cliff Edwards. ~ Hal Erickson, Rovi

In one of his better early Westerns, Tim Holt, as Deputy Marshal Larry Durant, is sent to Spencerville where a gang of vigilantes has been terrorizing the citizenry. Going undercover as a gunsmith, Larry quickly learns that the leader of the vigilantes, John Spencer (John Elliott), is an honest man who only seeks to establish law and order. The real brains behind the crimes, meanwhile, are revealed to be Spencer's brother-in-law, Lou Harmon (Roy Barcroft), and his chief henchman, Leighton (Charles King), who speculate in the coming of the railroad by forcing the townspeople to relinquish their land. When Harmon learns from innocent tattle-tale Ike (Cliff Edwards) that the railroad will be bypassing Spencerville in favor of neighboring East Spencerville, the vigilantes shift their operations to that community. Spencer is killed by Leighton in the ensuing melee but with the assistance of the East Spencerville townspeople, Larry manages to trap Harmon and his gang in the local saloon. When not making life difficult for Tim Holt, comedy relief Cliff Edwards performs "Grandpap" and "Where the Mountain Meets the Sunset," both by Fred Rose and Ray Whitley. Pirates of the Prairie was a remake of Legion of the Lawless, a '40s Western starring Tim Holt's predecessor at RKO, George O'Brien. ~ Hans J. Wollstein, Rovi

Handed the exploitive title Cat People, RKO producer Val Lewton opted for a thinking man's thriller--a psychological mood piece, more reliant on suspense and suggestion than overt "scare stuff". Simone Simon plays an enigmatic young fashion artist who is curiously affected by the panther cage at the central park zoo. She falls in love with handsome Kent Smith, but loses him to Jane Randolph. After a chance confrontation with a bizarre stranger at a restaurant, Simon becomes obsessed with the notion that she's a Cat Woman--a member of an ancient Serbian tribe that metamorphoses into panthers whenever aroused by jealousy. She begins stalking her rival Randolph, terrifying the latter in the film's most memorable scene, set in an indoor swimming pool at midnight. Psychiatrist Tom Conway scoffs at the Cat Woman legend--until he recoils in horror after kissing Simon. If the film's main set looks familiar, it is because it was built for Orson Welles' The Magnificent Ambersons (Lewton later used the same set for his The Seventh Victim). Cat People was remade by director Paul Schrader in 1982. ~ Hal Erickson, Rovi