Seth Gilliam Movies

Writer/director Ben Loeterman draws on historical record to pen this semi-documentary about a Jewish engineer who became the tragic victim of mob justice after being accused of murdering an Atlanta child worker in 1913. When the body of thirteen year old Mary Phagan was discovered in the cellar of the National Pencil Company, suspicions quickly fell upon the manager of the factory, Leo Frank. After a speedy trial filled with inconsistencies and fueled by racial discrimination, Frank was given the death sentence. But this was far from the end of the story; concluding that the conviction was unjust after Frank's lawyers fought it straight to the Supreme Court, Georgia Governor John Slaton inadvertently sealed the fate of the accused by commuting his sentence to life in prison. Enraged, a group of 25 vigilantes who dubbed themselves "The Knights of Mary Phagan" kidnapped Frank from his cell at the state penitentiary, and hung him from a tree near his alleged victim's childhood home. Neither the guards at the prison nor the warden offered any resistance to the murderous mob. It was the first and only known lynching of a Jewish man on American soil. ~ Jason Buchanan, Rovi

David Simon's masterful social commentary went back to school, quite literally, in the fourth season, which focuses on Baltimore's crumbling education system. A relevant link to its first three seasons is supplied by Roland "Prez" Pryzbylewski (Jim True-Frost), who left the police department to become a teacher at Edward Tilghman Middle School, a hardscrabble institution on life support that services a low-income, drug-infested neighborhood. (Incidentally, Prez's career path is similar to one of the series' producers, Ed Burns). His eighth-grade math class includes a close-knit quartet of friends -- Randy Wagstaff (Maestro Harrell), Michael Lee (Tristan Wilds), Duquan "Dukie" Weems (Jermaine Crawford) and Namond Brice (Julito McCullum). The wisecracking Brice is ignominiously selected to be part of a university experiment studying at-risk kids, which counts a former police commander, Bunny Colvin (Robert Wisdom), as a consultant. Out on the corners, Marlo Stanfield (Jamie Hector) strengthens his grip on the city's West Side narcotics trade once dominated by the Barksdale gang, and with his cold-blooded lieutenants, Chris (Gbenga Akinnagbe) and Snoop (Felicia Pearson), devises an ingenious method to hide the collateral damage of his ascent from the law. This sleight-of-hand bedevils detectives Freamon (Clarke Peters), Greggs (Sonja Sohn) and Bunk (Wendell Pierce). The trio are flummoxed by the lack of victims that would surely coincide with Marlo's ever-widening domain, a savage power grab that also threatens the relative peace of the New Day Co-Op under East Side pooh-bah Proposition Joe (Robert F. Chew). Meanwhile, the Democratic primary in the city's mayoral campaign pits the entrenched African-American incumbent, Clarence Royce (Glynn Turman), against Councilman Tommy Carcetti (Aidan Gillen), a scrappy politico with a savvy campaign manager in Norman Wilson (Reg E. Cathey), but a long shot to become Charm City's first white chief executive in years. ~ Joe Friedrich, Rovi

Season three of The Wire continues the series' even-handed dissection of the Baltimore "drug wars," as seen through the eyes of both the police investigators and the drug lords. With charismatic hoodlum Stringer Bell (Idris Elba) emerging as the unofficial leader of the Barksdale drug empire, and with narcotics detective James McNulty (Dominic West) allowing his personal demons to catch up with him vis-à-vis an ever-increasing dependence upon booze, a curious dichotomy is established whereby Stringer often comes off as the more mentally stable and morally responsible of the two men. Even so, Stringer and McNulty are but two of the series' 40-plus recurring characters, meaning that their individual travails are never permitted to overwhelm the series' overall narrative thrust. Dictating the direction in which the 12 episodes of season three will follow is a burgeoning political-reform movement in Baltimore, with the ongoing drug investigation becoming a volatile campaign tool. Before long, "body counts" on both sides are being publicly tallied in a manner that dredges up grim memories of Vietnam. And though the story arcs have become more complex and multi-layered, there is still plenty of time to develop such quirky vignettes as the "trading" of drug-free urine from Baltimore's daycare centers. The season's final episode is titled "Mission Accomplished" -- as grotesquely ironic as when those same two words were prematurely applied to war in Iraq. The most startling development of the season-three finale is the sudden demise of one of the series' main players...with his greatest enemy becoming his biggest mourner. ~ Rovi

Setting the tone for all seasons to come, season one of HBO's The Wire divides its attention equally between cops and dealers, offering a fascinatingly objective overview of the Baltimore drug scene. The weekly, hour-long series also pays homage to its spiritual predecessor, Homicide: Life on the Street (both series were created by Tom Fontana), by basing its debut episode (originally telecast June 2, 2002) on the same book (by David Simon) that inspired the earlier program. After drug dealer D'Angelo Barksdale (Larry Gilliard Jr.) beats a murder rap, Detective James McNulty (Dominic West) vows never to let D'Angelo out of his sight, hoping that the criminal will lead him to an even bigger fish -- namely, D'Angelo's uncle, drug kingpin Avon Barksdale (Wood Harris). McNulty's task is complicated by a variety of things, including the corruption and dissension within the police department -- which in turn hampers the effectiveness of the man leading the investigation of the Barksdale empire, Lt. Cedric Daniels (Lance Reddick). Meanwhile, Avon Barksdale and his second-in-command, Stringer Bell (Idris Elba), are likewise bedeviled with their own personal and professional problems as they gear up to do battle against their underworld rivals. Throughout the series' first 13 episodes, police officers and criminals alike are seen to possess their own curious codes of honor and rules of conduct, allowing viewers to empathize with both the hunter and the hunted (without, of course, ever completely siding with the "bad guys"). And though the season finale is titled "Sentencing," it is clear that the story is far from over. ~ Rovi

As season four of Oz begins, the experimental unit at Oswald State Correctional Facility known as "Emerald City" is not living up to manager Tim McManus' (Terry Kinney) hopes. Ever since he set up the unit, wherein convicts are given more freedom of movement, extra privileges, and the opportunity for advancement, McManus has been frustrated that his good intentions have not paid off in wholesale rehabilitation. In fact, things seem to have gotten worse, with too many murders and suicides occurring within the unit. Hoping to alleviate the situation, McManus' head guard, Murphy (Robert Clohessy), suggests that all the cons -- including those in solitary -- spend an hour each day indulging in healthy recreation. Again, however, the plan fails when a killing takes place during that special hour. With more episodes this season than in previous years (16, compared to the usual eight), Oz is able to devote extra time to a plethora of subplots. One of these involves convicted murderer Shirley Bellinger (Kathryn Erbe), who after losing her unborn baby under suspicious circumstances is sent back to death row. Also, a group of illegal aliens sequestered in Emerald City is the catalyst for a rash of violence; Warden Glynn (Ernie Hudson) runs for lieutenant governor; an attempt to film a documentary in Oz ends in disaster; Busmalis (aka "The Mole") (Tom Mardirosian), manages to break out of prison, only to be recaptured as he stands outside the home of his favorite TV star; crooked evangelist Rev. Cloutier (Luke Perry) is tossed into the unit; and infirmary doctor Gloria Nathan (Lauren Velez) is raped. Tensions continue to mount as McManus is fired and convict Miguel Alvarez (Kirk Acevedo) escapes (these plot twists were designed to allow Acevedo and his co-star Terry Kinney to take leaves of absence to appear in other projects); new unit manager Martin Querns (Reg E. Cathey) cuts a sinister deal with drug-dealing con Adebisi (Adewale Akinnouye-Agbaje) to put a lid on the violence; fired guard Clayton Hughes (Seth Gilliam) tries to assassinate Governor Devlin (Zeljko Ivanek); a plot is hatched to frame wheelchair-bound convict Hill (Harold Perrineau Jr.) for a crime he hasn't committed; the children of inmate Beecher (Lee Tergesen) are placed in jeopardy thanks to orders from the "inside"; and incarcerated Muslim leader Said (Eamonn Walker) settles accounts with an old enemy. The season ends with a cliffhanger, sparked -- literally -- by a deadly gas explosion. ~ Hal Erickson, Rovi

Idealistic, "New Age" unit manager Tim McManus (Terry Kinney) persists in trying to mold "Emerald City" (aka Cell Block 5 of Oswald State Correctional Facility -- formerly Oswald Maximum Security Penitentiary) into a model "prison within a prison" as Oz begins its third season. Part of McManus' pie-in-the-sky plan includes the hiring of his old friend Sean Murphy (Robert Clohessy) as a guard. Alas, Murphy's efforts to redirect the convicts' energies and hostilities into good, clean athletics are compromised when one inmate renders another inmate brain-dead in a boxing match. No one is more delighted at Tim McManus' frustration than the state's ambitious governor James Devlin (Zeljko Ivanek), who as part of his platform to strip the cons of all perks and privileges has ruthlessly slashed the prison's budget to the bone. In addition to Sean Murphy, Officer Claire Howell (Kristin Rhode) joins the guard unit, immediately making enemies of everyone within the sound of her voice. Not only does Howell force the cons into having sex with her to lighten up punishment duty, but she also ends up suing McManus for sexual harassment. Sensing the opportunity to establish themselves as top dogs at Emerald City block leaders, convicts Adebisi (Adewale Akinnouye-Agbaje) and Wangler (J.D. Williams) likewise gang up on McManus, taking their complaints to the press. Elsewhere, the death sentence of Shirley Bellinger (Kathryn Erbe) is commuted to life without parole when it turns out she is pregnant; Warden Glynn (Ernie Hudson) hires Off. Clayton Hughes (Seth Gilliam), the son of one of Oz's former guards, only to discover that Hughes is a psycho on a revenge kick; Beecher (Lee Tergesen) hatches an elaborate revenge scheme of his own; and charismatic Muslim leader Said (Eamonn Walker) is among those thrown into solitary after a bitter racial showdown. The season ends with a not-so-merry Christmas for all, and to all a bad night. ~ Hal Erickson, Rovi

This low-budget actioner, a kissing cousin to the blaxploitation films of the '70s, follows the chaotic relationship between a member of a street thug who is involved with a local terrorist group and a married, lady cop. The two had been lovers in high school, but the relationship ended. Years passed and Curtis remains a drifter, making just enough to get by with petty crimes and thuggery. One day, he and his cronies mug a pair of police officers, and one of them turns out to be Tracy, Curtis' old flame. Sparks fly and the romance rekindles. Meanwhile Curtis continues to be badgered by Jamal, the leader of a socially-conscious local militia that is responsible for publicly tarring and feathering wealthy whites. ~ Sandra Brennan, Rovi

Best known for their historical epics that examine class and social issues in British life through a thick lens of tasteful production design and good manners, director James Ivory and producer Ismail Merchant set their sights on an American protagonist for a change with Jefferson in Paris. As the title suggests, Jefferson in Paris deals with the five years that Thomas Jefferson (Nick Nolte) spent as U.S. ambassador to France prior to the French Revolution; while Jefferson is sympathetic to the revolutionary forces in France, he's become well enough acquainted with the ruling aristocracy that he finds himself torn between the two sides of the issue. Jefferson, a recent widower, also becomes friends with Maria Cosway (Greta Scacchi), who is married to a foppish British artist; while it's obvious the two are in love, neither is in a position to do anything about their infatuation. And while Jefferson's daughter Patsy (Gwyneth Paltrow) loves her father, she's very upset with him when he sends her to a convent school. In this midst of this personal turmoil, Jefferson's younger daughter Polly (Estelle Eonnet) arrives in Paris, with her slave Sally Hemmings (Thandie Newton) in tow. Attractive and bright (if uneducated), Sally catches Jefferson's eye, and a friendship develops that grows into something deeper; in time, Sally becomes pregnant, and her family claims that Jefferson is the father. At the time Jefferson In Paris was released, the question of Sally Hemmings' relationship with Thomas Jefferson was a matter of lively historical debate; since then, genetic evidence has shown that, while Jefferson's paternity can't be proved beyond a doubt, it is likely that he did father children with Hemmings. ~ Mark Deming, Rovi

Bigotry and values are questioned when a Black West Point cadet is singled out and harassed by fellow cadets and senior officers. ~ Rovi

Richard Edson stars as the title character, a New York talent agent who takes little interest in the world outside of the entertainment industry. Then he falls for Cyan (Cedella Marley), a Jamaican waitress working to put herself through nursing school. ~ Jason Ankeny, Rovi

A pregnant Nigerian woman dies while carrying 20 heroin-filled condoms in her stomach. In seeking the person or persons responsible for the woman's grisly demise, the detectives and the attorneys come up with two possibles: engineer Phillip Marietta (Andrew Robinson) and African tribal chieftain Ola-Gimju Nawaka (Wendell Pierce). Featured in the cast is Beverly Johnson, then the girlfriend of series regular Chris Noth. ~ Hal Erickson, Rovi

"I'm healthy. I'm in shape. And I'm beginning menopause." Clearly, Clair (Phylicia Rashad) is not troubled in the least about facing the Change of Life. Such, however, is not the cases with the Huxtable children, who are terrified that Clair will rend the household asunder with hot flashes and mood swings--and thus begin treating her as if she is an invalid, driving her crazy in the process. Prankishly, Clair and Cliff (Bill Cosby) cook up a scheme to convince the youngsters that their worst fears about mom's menopause have come horribly true! ~ Hal Erickson, Rovi