Thomas Dekker Movies

The residents of a small town feel different varieties of grief in the wake of a shocking death in this independent drama from director Gaby Dellal. Angels Crest is a community at the foot of the Rocky Mountains, where local news is rarely interesting and nearly everyone knows one another. Ethan (Thomas Dekker) is a young man in his early twenties who was once involved with Cindy (Lynn Collins); it's common knowledge that Cindy has a serious drinking problem, and the responsibility of looking after their three-year-old son usually falls to Ethan. While out on a fishing trip on a snowy day, Ethan leaves the boy alone in his car for a few minutes; when Ethan returns, his son has somehow gotten away, and days later the boy's frozen remains are found in the woods. Ethan is shattered by this turn of events, and many in Angels Crest feel sorry for him, but Cindy isn't one of them. Meanwhile, a local prosecutor assigned to the case (Jeremy Piven) must come to terms with his own demons as he prepares to charge Ethan with negligent homicide. Featuring a distinguished supporting cast including Mira Sorvino, Elizabeth McGovern, and Kate Walsh, Angels Crest received its world premiere at the 2011 Tribeca Film Festival. ~ Mark Deming, Rovi

Platinum Dunes revives the Nightmare on Elm Street franchise with this reworking of slasher film legend Freddy Krueger, a deceased child killer who torments the dreams of the teenagers of Springwood, OH. Jackie Earle Haley picks up the killer's mantle from series veteran Robert Englund with the reboot from music-video director Samuel Bayer. ~ Jeremy Wheeler, Rovi

Director Nick Cassavetes collaborates with screenwriter Jeremy Leven (The Notebook) for this drama about a pair of parents who resort to unorthodox methods in order to save their young daughter's life, only to find their decision coming back to haunt them in a manner neither could have ever foreseen. Sara (Cameron Diaz) and Brian (Jason Patric) are coasting through life with their young son and daughter when tragedy threatens to tear the family apart. Suddenly, their baby girl falls ill, and her only hope for survival rests in her parents' ability to find a compatible bone marrow donor. Desperate to save their daughter's life at any cost, Sara and Brian conceive another child in hopes that the baby will be a genetic match. But that decision raises a series of moral and ethical questions that rapidly begin to erode the foundation of the once-happy couple's relationship. Incensed upon learning that she was brought into this world for the singular purpose of prolonging the life of her ailing older sister, the young girl (Abigail Breslin) ultimately decides to sue her parents for the rights to her own body. Alec Baldwin, Sofia Vassilieva, and Joan Cusack co-star. ~ Jason Buchanan, Rovi

Based on the phenomenally popular Terminator movie franchise, the Fox network's Terminator: The Sarah Connor Chronicles was NOT a sequel to the third theatrical film in the series, Terminator 3: Rise of the Machines--nor could it have been, since (SPOILER ALERT!) that particular epic ended with the destruction of civilization and the death of the heroine. Instead, the Fox TV series picked up the action where the second of the three films, Terminator 2: Judgment Day, left off, going its merry way as if Terminator 3 never existed. After the reprogrammed T-800 Model 101 Terminator (the role played in the second film by Arnold Schwarzenegger) had sacrificed itself to save humanity, Sarah Connor (Lena Headey) and her 15-year-old son John (Thomas Dekker)--who was destined to grow up and lead a resistance movement against the rulers of post-apocalyptic Earth--were stalked by the futuristic agents of the covert US government project Skynet. Just as the titular robotic villain of the original 1984 Terminator movie had sent been back into time to kill Sarah Connor so that John would never be born, so too had the bad guys travelled backward to 2007 to knock off both John and Sarah. Fighting fire with fire, the Connors became fugitives from the law, dedicating themselves to preventing Skynet from being created--and, ultimately, from devastating the earth in a nuclear holocaust. They were aided by Connor's mysterious classmate Cameron Phillips (Summer Glau), who was actually a "good" reprogrammed Terminator dispatched from the Future to protect Sarah and the teenage John Connor by the "grown-up" version of John. Unfortunately, evil Terminators continued popping up everywhere, notably a "substitute teacher" named Mr. Cromarite (Owain Yeoman in the pilot episode, Garret Dillahunt thereafter), who in the pilot episode set the series' plot in motion. Also in pursuit of the fugitive Connors was human FBI agent James Ellison Richard T. Jones. Terminator: The Sarah Connor Chronicles debuted January 13, 2008. ~ Hal Erickson, Rovi

Rushed to the clinic after collapsing on the street, 15-year-old faith healer Boyd (Thomas Dekker) is diagnosed with a brain abnormality. House (Hugh Laurie) recommends immediate surgery, but Boyd refuses, claiming to be worried that he'll lose his headling powers if he goes under the knife. Of course, Boyd is hiding the real reason why he wants to avoid an operation, but in the meantime he lays hands on terminal cancer patient Grace (Tamara Braun)--who is convinced that she's cured, placing the doctors in this week's ethical dilemma. And in a less solemn moment, Boyd tries to help Dr. Wilson (Robert Sean Leonard) by claiming that God wants Wilson to join House's weekly poker game! ~ Hal Erickson, Rovi

The second of two made-for-TV biopics on the same topic (the first was Side by Side: The True Story of the Osmond Family), Inside the Osmonds was co-produced by Jimmy Osmond and Dick Clark, and as such can be regarded as reasonably accurate, if a tad on the hokey side. Matt Dorff's teleplay recounts the rise in popularity of the singing Osmond clan, from their humble beginnings in Utah onward. The act is strictly stag -- that is, it consisted largely of the Osmond Brothers -- until siblings Donny and Marie break out and matriculate to superstardom. Perhaps inevitably, the Osmond juggernaut begins to collapse under its own weight, due to dissension, jealousy, and the questionable financial escapade of the singers' father, George (played by Bruce McGill). The story ends in a tune-filled concert re-creation, featuring the real-life Osmonds (or as many as could be assembled herein). Standouts in the cast are Thomas Dekker and Patrick Levis as the younger and older Donny Osmond, Janaya Stephens as Marie, and Veronica Cartwright as the siblings' mother, Olive; there are also adequate Hollywood casting-service approximations of musician/politician Mike Curb and the Osmonds' longtime TV director Jack Regas. The abruptness of the continuity suggests that the film was originally much longer than its present two hours. Largely filmed in Toronto, Inside the Osmonds made its ABC network debut on February 5, 2001. ~ Hal Erickson, Rovi

Fievel, Tony, Tanya, Tiger, and their new friend, hot-shot reporter Nelly Brie, are on the trail of an alleged mouse-nabbing monster, rumors of which have made Manhattan's rodent population tremble. ~ Rovi