Suzanne Clement Movies

La Moitié Gauche Du Frigo director Philippe Falardeau follows up that Toronto International Film Festival favorite with this darkly comic study in abandonment and innocence lost as related to a troubled young boy from an explosively dysfunctional family. Set in 1968, Falardeau's adaptation of Bruno Herbert's novel centers on the early life experience of ten year old Leon (Antoine L'Écuyer in his screen debut). Leon's proclivity towards theft, vandalism, breaking and entering, running away from home, and failed suicide attempts might lead the casual observer to deduct that his parents were a horrifically mismatched pair prone to window-rattling domestic tiffs that are frequently punctuated by broken dishes and shredded paintings - a deduction that couldn't be more accurate considering the fact that his parents relationship is rapidly deteriorating. His father is distant, and his mother's conspiratorial approach to child-rearing ensures that Leon has precious few people to confide in outside of his best friend Lea, who seems to come from an equally discordant household. With each inch Leon's parents move towards the brink, their son's rebellion seems to increase tenfold. Later, when his mother abandons the family to start a new life in Greece and Lea announces her plans to move into a dictatorship, the young hellion embraces his wild side as never before. ~ Jason Buchanan, Rovi

An important moment in Canadian history is brought to the screen in this drama drawn from historical documents of the period. In 1838, Francois-Xavier Bouchard (Francis Reddy) is a member of a group of French-Canadian rebels calling themselves Les Patriotes, who are hoping to remove the British-based government from Lower Canada (now known as Quebec). Having just returned to Canada after a brief exile in the United States, Bouchard aligns himself with Les Patriotes against the advice of his family, who fear for his safety. Their fears prove well-grounded when Bouchard is captured in a raid on a British stronghold, and after an attempt to escape to America, Bouchard is subjected to a trial he feels has been fixed from the start. ~ Mark Deming, Rovi

Two different narratives, separated by 37 years, interconnect in this feature debut from acclaimed Canadian theater director Robert Lepage. In 1952, Alfred Hitchcock (here played by Ron Burrage) is in Quebec, filming I Confess. While the great director's presence adds a bit of Hollywood excitement to the usually sleepy city, Rachel (Suzanne Clement), a 16-year-old girl who works at a church being used for filming, is in turmoil. She's become pregnant and has nowhere to turn, so she speaks of her dilemma to the priest in the confessional, secure that it will remain confidential. In 1989, Pierre (Lothaire Bluteau) has returned to Quebec after three years in China to attend the funeral of his father. He encounters his adopted brother Marc (Patrick Goyette), and together they begin searching for answers to their difficult questions about their true heritage. Kristin Scott Thomas appears in a supporting role as Hitchcock's assistant. ~ Mark Deming, Rovi