Carmen Chaplin Movies

Rap star and actor Ice Cube produces, co-writes, and stars in this comic crime thriller that reunites him with his Next Friday (1999) co-star Mike Epps in the 48 Hrs. (1982) mold. Cube plays Bucum Jackson, a Miami bounty hunter for Martinez Bail Bonds who's tired of his dangerous, unprofitable profession and wants to start his own private investigation firm. Lacking stake money, Bucum is forced to hunt down a small-time grafter named Reggie Wright (Epps), a fast-talking confidence man who's crossed his path before. Except that this time, Wright tries to avoid his pursuer by hiding in a van being driven by a pair of murderous diamond thieves who've just made off with 20 million dollars worth of stones. They're in the employ of lethal crime lord and yacht broker Williamson (Tommy Flanagan), someone that neither Reggie nor Bucum is anxious to cross, but it seems that Reggie left his wallet in the van, a wallet containing a winning lottery ticket worth 60 million dollars. The hunt is on for big money as the mismatched duo tries to outfox a wily syndicate for both the ticket and the precious gems. The directorial debut of music video director Kevin Bray, All About the Benjamins (2002) co-stars Eva Mendes, Carmen Chaplin, Valarie Rae Miller, Jeff Chase, Roger Guenveur Smith, Anthony Michael Hall, and Lil' Bow Wow. ~ Karl Williams, All Movie Guide

The story of this gay comedy reminds one of the fashionable boulevard theatre of 1950's Paris whose major theme was bourgeois adultery. A couple would invite another couple to dinner, and half way through the second course it would be revealed that the husband was having an affair with his best friend's wife. Pourquoi pas Moi? also starts off with a dinner party, but today revelations come with a difference -- and it is no big deal. Nico, Eva and Ariane are gay and just about to confess it to their parents. Camille, who lives with Ariane, has already told her mother. ~ Gönül Dönmez-Colin, All Movie Guide

A middle-aged woman temporarily abandons her role as wife and mother to embark upon a mad love affair with a man 20 years her junior. Up until the time she meets handsome young Emilio, Diane Clovier had a relatively happy life with her husband, kids and career. Emilio, with his amoral charm, is the antithesis of her life and Diane throws herself into a heated frenzy of lovemaking and romance with him. She shows little regard for the destruction she causes within her family. Her husband Phillipe, a lawyer, finds out about the affair, but does nothing to stop it in the hope that she will come to her senses. But as her relationship with Emilio grows hotter, it looks as if Diane may be lost forever. ~ Sandra Brennan, All Movie Guide

Wim Wenders' sprawling cyberpunk noir epic -- shot in no less than nine different countries -- is set in 1999 and stars Solveig Dommartin as Claire, a young Frenchwoman who comes into contact with a large sum of money stolen during a bank heist; in her travels she picks up a mysterious American hitchhiker (William Hurt), who himself steals some of the money before parting from her company. Upon discovering the theft, Claire sets out on his trail, with both a Hammett-styled German private eye (Rudiger Vogler) as well as her former lover, a novelist portrayed by Sam Neill, in tow. The hitchhiker is really Sam Farber, the son of an underground scientist (Max Von Sydow), and his mission is to travel the globe in order to acquire the funding necessary to develop the technology which will allow his blind mother (Jeanne Moreau) to "see" visual recordings of her family members; the second half of the film takes place largely in the Farbers' compound in the Australian Outback, where Sam, Claire and the others take refuge while attempting to bring the sight project to its fruition, in the meantime pondering earth's future in the wake of a nuclear disaster in outer space. Wenders' most ambitious film to date, budgeted at $23 million, Until the End Of the World is also among his most seriously flawed efforts -- despite a keen sense of cultural perception, a fascinating sci-fi take on life in the near-future and stunning Robby Muller cinematography, the picture never quite gels. Much of the blame seems to fall upon its distributors -- upon its wide release in 1991, the movie was drastically cut to a running time of 2 1/2 hours, resulting in a disjointed narrative that doesn't shift gears so much as grind them as the action moves from country to country. Still, while a three-hour version, issued on laserdisc in Japan, comes closer to realizing the full scope of Wenders' epic vision, rumors of a five-hour director's cut -- said to have been screened to thunderous applause at a handful of film festivals -- continue to persist, suggesting that a masterpiece may well exist here after all. ~ Jason Ankeny, All Movie Guide